Coming Up Shorts! with… The Pink Panther Cartoon Collection: Volume 1

Welcome back for another full post of Coming Up Shorts! This time, I’m going with theatrical shorts starring The Pink Panther, featuring the shorts from 1964 through 1966 that have been released together on disc in The Pink Panther Cartoon Collection: Volume 1.

Here’s a list and quick plot description for each of the cartoons included in this set (for my comments on the individual cartoons, click on the title to go to my previous reviews):

  1. The Pink Phink (1964) (Length: 6 minutes, 47 seconds)
    • The Pink Panther fights with the Little Man over the color scheme of a house being painted.
  2. Pink Pajamas (1964) (Length: 6 minutes, 19 seconds)
    • A tired Pink Panther finds a place to spend the night, only to find the home belongs to an alcoholic Little Man.
  3. We Give Pink Stamps (1965) (Length: 7 minutes, 1 second)
    • The Pink Panther wanders around a closed department store, periodically trying to avoid the Little Man working as a janitor.
  4. Dial “P” For Pink (1965) (Length: 6 minutes, 31 seconds)
    • A klutzy safecracker tries to rob a safe that the Pink Panther has taken up residence in.
  5. Sink Pink (1965) (Length: 6 minutes, 21 seconds)
    • The Pink Panther faces off against a hunter trying to recreate Noah’s ark so he can hunt all the animals.
  6. Pickled Pink (1965) (Length: 6 minutes, 22 seconds)
    • A drunk invites the Pink Panther into his home, but they have to avoid his wife, who threatens to throw any of her husband’s “friends” out of the house.
  7. Pinkfinger (1965) (Length: 6 minutes, 15 seconds)
    • The Pink Panther takes on a ring of spies.
  8. Shocking Pink (1965) (Length: 6 minutes, 43 seconds)
    • The Pink Panther tries to relax, but the narrator keeps pushing him to work on some things around the house.
  9. Pink Ice (1965) (Length: 6 minutes, 17 seconds)
    • The Panther is operating a diamond mine, but a pair of rival miners steal his diamonds.
  10. The Pink Tail Fly (1965) (Length: 6 minutes, 17 seconds)
    • An exhausted Pink Panther tries to get some sleep, but is interrupted by a persistent fly.
  11. Pink Panzer (1965) (Length: 5 minutes, 50 seconds)
    • The Pink Panther and his neighbor are slowly being turned against each other by the narrator.
  12. An Ounce Of Pink (1965) (Length: 6 minutes, 2 seconds)
    • The Pink Panther runs across a coin-operated talking weight and fortune-telling machine, and he buys it to keep with him.
  13. Reel Pink (1965) (Length: 6 minutes, 17 seconds)
    • The Pink Panther buys a group of worms to go fishing, but one of them keeps giving him trouble.
  14. Bully For Pink (1965) (Length: 6 minutes, 2 seconds)
    • The Pink Panther decides to try being an amateur bullfighter, and borrows a magician’s cape to use.
  15. Pink Punch (1966) (Length: 6 minutes, 27 seconds)
    • The Pink Panther has come up with a health drink of his own, and tries to promote it. He is thwarted, however, by an asterisk from one of his signs that turned green and keeps turning everything green.
  16. Pink Pistons (1966) (Length: 6 minutes, 2 seconds)
    • The Pink Panther buys a compact car (with a mind of its own) and ends up in a drag race.
  17. Vitamin Pink (1966) (Length: 6 minutes, 25 seconds)
    • The Pink Panther is selling some pep pills out west, but finds himself stuck as a deputy when he gives some to an escaped convict.
  18. The Pink Blueprint (1966) (Length: 6 minutes, 25 seconds)
    • The Pink Panther competes with the Little Man on a construction site.
  19. Pink, Plunk, Plink (1966) (Length: 6 minutes, 24 seconds)
    • The Pink Panther tries to get himself into the orchestra at a concert, but the conductor keeps throwing him out.
  20. Smile Pretty, Say Pink (1966) (Length: 6 minutes, 9 seconds)
    • The Pink Panther takes on an amateur photographer visiting a national park.

Like I said when discussing The Ant And The Aardvark, Friz Freleng and David H. DePatie formed DePatie-Freleng Enterprises in 1963. They were approached by director Blake Edwards to design a panther character for his then-upcoming film The Pink Panther (1963), which would appear during the opening credits. That initial appearance proved to be quite popular with audiences, and United Artists ordered a series of theatrical cartoons using that character. The first cartoon put together was the 1964 The Pink Phink, which made use of Henry Mancini’s classic “Pink Panther Theme” music, and established the relationship of the Pink Panther and the Little Man. The cartoon would win an Oscar for Best Animated Short Film, the only Oscar win not only for the series, but also for DePatie-Freleng Enterprises.

The Pink Panther cartoons are among the few I can still remember seeing on TV as a child (beyond the Disney, Looney Tunes and Tom & Jerry cartoons). This first set was a lot of fun for me, reliving my childhood. Admittedly, the only one that I really remember was the first one, The Pink Phink (and with them using the classic theme song for the entire score of that one, as opposed to just the opening credits on the rest, really helps set it apart). But, there is still some enjoyment to be found here with the rest, as well. I do confess to the idea that these early cartoons are all over the place, as they try to figure out what to do with the character. Most are completely silent, a few have some other characters talking, and two of them (Sink Pink and Pink Ice) even have the Panther speak! There is a good deal of variety within these shorts (even if at least one does seem close to being a remake of an earlier Looney Tunes short)! The Pink Panther is still one cool cat, and I always enjoy coming back to these cartoons, both for the music and the comedy! They aren’t necessarily restored here, but they look pretty good, and that’s good enough for me to recommend them!

The Pink Panther Cartoon Collection: Volume 1 is available on Blu-ray and DVD from Kino Lorber. The whole set has a runtime of two hours, eight minutes.

“Star Of The Month (March 2021)” Featuring Gene Kelly in… Marjorie Morningstar (1958)

It’s the last Sunday of the month, and so we’ve got one last Gene Kelly film to end out his run as Star Of The Month! This time, it’s the 1958 movie Marjorie Morningstar (based on the 1955 novel of the same name by Herman Wouk), which also stars Natalie Wood! But first, we have a fun theatrical short!

Coming Up Shorts! with… Vitamin Pink (1966)

(available on Blu-ray and DVD as part of The Pink Panther Cartoon Collection: Volume 1 (1964-1966) from Kino Lorber)

(Length: 6 minutes, 25 seconds)

The Pink Panther is selling some pep pills out west, but finds himself stuck as a deputy when he gives some to an escaped convict. Of course, the fun here is in watching those pep pills work, first for an older man who is given new life to chase after a young and attractive woman (in one of the short’s more dated moments), and then the bandit, who gets away with a lot of money. It does admittedly repeat itself a little while the bank robber steals from a second and third bank, but the way that the Panther captures the villain is rather amusing, and a proper ending for the short (with everything coming full circle for the robber). I certainly know I enjoyed seeing it again!

And Now For The Main Feature…

College student Marjorie Morgenstern (Natalie Wood) is unsure of what direction in life to take. She wants to be an actress on the stage, but her parents, Arnold (Everett Sloane) and Rose Morgenstern (Claire Trevor), want her to marry and raise a family. Her mother is particularly thrilled when Marjorie’s boyfriend, Sandy Lamm (Edward Byrnes), proposes, but Marjorie turns him down. Her family is planning a summer vacation with Sandy’s family, but Marjorie wants to be apart from them. She ends up taking a job as the dramatic counselor at Camp Tamarack in the Catskills, along with her college friend Marsha Zelenko (Carolyn Jones). One night, at Marsha’s insistence, they take a canoe to the South Wind resort on the other side of the lake. Since they aren’t guests at the resort, they sneak into the theatre there, where Marsha runs off with a musician, and Marjorie stays to watch the rehearsals. She meets the director, Noel Airman (Gene Kelly) and his assistant Wally Wronken (Marty Milner). Wally is instantly smitten with her, but she only has eyes for Noel. Later that night, while waiting for Marsha to return, Marjorie is caught by resort owner Mr. Greech (George Tobias), but Noel bails her out by offering her a job. Soon, her uncle Samson (Ed Wynn) comes to the resort to work in the kitchen (and keep an eye on Marjorie for her parents). Marjorie and Noel become close, but trouble arises when uncle Samson dies of a heart attack when entertaining visitors. Marjorie returns to the city and finishes college. After she graduates, she runs into Noel, who has now become an advertising executive and seems to be doing well. However, his insecurities come to light when his former assistant Wally becomes a success on Broadway, and so Noel starts drinking. Again, Marjorie tries to leave him, especially after discovering him with another woman. Soon, Marjorie’s friend Marsha gets married, but she tells Marjorie off for leaving Noel, who very obviously loves her. Noel returns, announcing that he has finished a musical play that he had been working on, and Marjorie gets Marsha’s new husband to help finance it. Things still don’t go right, as the critics attack the show savagely, and Noel disappears once again. Can Marjorie find him this time, or will she let him be?

I’m now coming off my first time seeing Marjorie Morningstar (unlike the other Gene Kelly films that I’ve reviewed this month, which I’ve generally seen quite a few times at this point). I will readily admit to the fact that he is the main reason I wanted to see this movie. At the time he made this movie, Gene was coming off of his contract at MGM ending after nearly fifteen years. I’ve mainly seen his musicals from that era (and at least two of his non-musical roles), and this film feels like quite a departure. He’s not playing his usual cocky and self-assured self here. Instead, his character is full of insecurities, as he tries to figure out what to do with his life, especially as his new love for Marjorie pushes him to try and be better (although without much success). It’s a different role than I’m used to seeing from him, and yet, his performance here works for me. He does do some dancing here. It’s nothing big, and certainly nothing that would make us forget all the wonderful dances he had already done earlier in his career. Still, it doesn’t take away from the movie.

For actress Natalie Wood, this film was part of her transition from mostly childish roles into adult characters. I feel that she does a fairly good job here with the role. We do see in her a character that is trying to break the mold, trying to break away from tradition (mainly the old idea of getting married, settling down and raising a family instead of having a career). I wouldn’t say that her performance is anything special, necessarily, but she does well enough to sell the movie. Admittedly, she does have one dance routine (and not even with Gene), and it does feel awkward to watch. Quite frankly, I wonder why they even bothered putting it in the movie, as it would be just as good (if not better) without it.

Overall, though, I do enjoy the movie. Ed Wynn’s appearance in the movie is fun. Definitely different from many of the (mostly Disney) roles I’ve known him for most of my life, but he’s still entertaining, and makes you like his character. The movie’s main song, “A Very Precious Love” (by Sammy Fain and Paul Francis Webster) ended up being nominated for an Oscar. Personally, it didn’t stick with me after one viewing, but we’ll see in the future. Like I said, this is a decent movie, and one I’m glad was pulled out of the vaults so that it could be seen again. It’s not as good as many of Gene’s earlier films, but it’s still one I would recommend giving a chance!

This movie is available on Blu-ray and DVD from Kino Lorber Studio Classics (although last I knew, it was part of their “While Supplies Last” sale, so when it’s gone, it’s gone).

Film Length: 2 hours, 3 minutes

My Rating: 7/10

List Of Actor/Actress Filmographies/Collections

Les Girls (1957)Gene Kelly

Miracle On 34th Street (1947) – Natalie Wood – Kings Go Forth (1958)

Raw Deal (1948) – Claire Trevor – Two Weeks In Another Town (1962)

Silk Stockings (1957) – George Tobias – The Glass Bottom Boat (1966)

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