Top 10 Disc Releases Of 2022

As has long been established here, I very much prefer physical media when it comes to how I like to watch movies. So, to that end, we’re here to look at what I personally consider to be the best releases of 2022! As I remind everyone yearly, I do NOT receive screeners of any kind (nor, quite frankly, would I want to, as I prefer to support the movies I like in the hopes of more of them being made available), so I can only work with what I have seen.  I am making this list from all the 2022 releases I have seen as of 11/24/2022. I am, at this point, strictly working from movies that have been released through October 2022 (plus one released VERY early in the month of November) due to constraints of time and budget (plus the fact that, as I said, I don’t receive screeners and therefore can’t comment on anything released in the latter part of November or anything from December). So, this list is what it is (but, I will give a shout-out to some of the others afterwards).  And if any of these appeal to you, be sure to click on the movie titles to use my affiliate links to go to Amazon and buy them!

  1. The Wonderful World Of The Brothers Grimm (1962) (Warner Archive Collection, Blu-ray, My Rating: 9/10)
    • Previously reviewed in: Blu-ray Roundup #1
    • The Wonderful World Of The Brothers Grimm (1962) tells the tale of Jacob Grimm (Karl Boehm) and his brother Wilhelm (Laurence Harvey), as Wilhelm seeks out various fairy tales while his brother works on the family history of a local duke. This may not be the best film on the list, and it may not be the absolute best restoration (due to some VERY minor damage that is visible here and there), but it was the biggest surprise of the year! It’s a very enjoyable film, long thought to be too difficult/expensive to restore due to water damage and being a Cinerama film (meaning it had three times the amount of film to restore that a regular movie of a similar length would have). Now, it looks MUCH better than it has in a long time, and a bunch of new special features were produced for this release. I thought this would be the release of the year when I first saw it, and now, more than half a year later, I still believe it!
  1. Singin’ In The Rain (1952) (Warner Home Video, 4K UHD, My Rating: 10/10)
    • Previously reviewed in: 4K UHD Roundup, Original Review
    • In this classic musical, Gene Kelly stars as silent film star Don Lockwood, who is facing the rise of the talking picture, as he also begins a romance with one of his fans, Kathy Selden (Debbie Reynolds). It’s hard to go wrong with this film, in between all the fun music by producer Arthur Freed and his partner Nacio Herb Brown, Gene Kelly’s iconic dance to the title tune and Donald O’Connor doing “Make ‘Em Laugh,” along with many other memorable moments. The new 4K UHD really shines, giving us the best transfer we’ve gotten yet for this film, with less of the yellowish image present from the Blu-ray, and more natural colors! Easily one of the year’s best releases!
  1. Blue Skies (1946) (Kino Lorber Studio Classics, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Fred Astaire And Ginger Rogers Roundup, Bing Crosby Roundup, Original Review
    • In this film, dancer Jed Potter (Fred Astaire) has fallen for Mary O’Hara (Joan Caulfield), but she’s taken a shine to nightclub owner Johnny Adams (Bing Crosby). In this second film pairing Bing Crosby and Fred Astaire, they once again have the music of Irving Berlin to help tell the story. Memorable moments include Fred Astaire dancing with himself via special effects to “Puttin’ On The Ritz” and the two men dancing to “A Couple Of Song And Dance Men.” With a new 2K master that easily improves on previous releases on home video, this Blu-ray comes highly recommended!
  1. Gold Diggers Of 1933 (1933) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Fred Astaire And Ginger Rogers Roundup, Original Review
    • In this Busby Berkeley musical, a trio of chorus girls take part in a hit new musical when one member’s boyfriend helps pay for it. Trouble arises when his meddlesome older brother tries to break up their relationship, but he and his lawyer instead fall for the other two girls from the trio. This is a fun pre-Code musical, with Ginger Rogers singing the classic “We’re In The Money” (part of it in pig Latin, no less!), as well as songs like the neon-lit “Shadow Waltz” and the Depression-era “Remember My Forgotten Man.” The new Blu-ray works from a scan of the best preservation elements, and as a result, the film looks fantastic! A wonderful movie with a great transfer to boot (and therefore highly recommended)!
  1. (tie) For Me And My Gal (1942) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #2, Original Review
    • In For Me And My Gal (1942), a pair of vaudevillians team up, hoping to become big enough stars that they can perform at the famous Palace Theater in New York City. However, the war (World War I) throws a monkey wrench in their plans when one of them is drafted. There’s a lot of fun to be had here in the first film that teamed up Judy Garland and Gene Kelly (in his film debut!), from the wonderful period music to the fun dance routines. Now, Warner Archive has done a 4K scan of their best preservation elements for the film, and it looks better than ever! This Blu-ray is certainly the best way to see this film, and comes highly recommended!
  1. (tie) The Clock (1945) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #2
    • In The Clock (1945), Robert Walker stars as Corporal Joe Allen, who meets Alice Mayberry (Judy Garland) while on a two-day leave in New York City. This is a fun little drama, which focuses on the growing romance between two characters who meet during wartime. Judy and Robert both carry the film quite well, and give us characters that are easy to invest in as we see their various adventures together. For the Blu-ray, Warner Archive gave us a 4K scan of the best preservation elements, which means that this film looks fantastic, with great detail and nothing to mar the image. Easily a great way to enjoy this wonderful movie!
  1. West Side Story (2021) (20th Century Studios/Disney, 4K UHD, My Rating: 10/10)
    • Previously reviewed in: 4K UHD Roundup
    • In this remake of the classic musical, the Jets and the Sharks duke it out for control of the streets of New York. Former Jets leader Tony (Ansel Elgort) falls for Maria (Rachel Zegler), the sister of the Sharks’ leader, which further complicates things. I will readily admit that I did not care for the original 1961 film (and had no plans to see this one), but the new film won me over! The music and dancing are entertaining (and make me want to get up and dance!), and I can’t help but want to see the film again and again! With a beautiful transfer on the 4K UHD, I certainly can think of no better way to see this wonderful film (outside of on the big screen, that is)!
  1. The Three Musketeers (1948) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #1
    • In this version of the classic Alexandre Dumas tale, Gene Kelly stars as the young swordsman D’Artagnan, as he and three other musketeers face off against the French prime minister Richelieu (Vincent Price). Obviously, this film hits a number of the same beats as many other filmed versions of the tale, but Gene Kelly alone makes this swashbuckler film fun! His swordfights (including one whose footage was later borrowed for Singin’ In The Rain) are quite entertaining and humorous! Warner Archive has done their usual stellar work with this three-strip Technicolor film, making the Blu-ray a great way to enjoy this movie!
  1. Edge Of Darkness (1943) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #1
    • It’s World War II, and the Norwegian village of Trollness has suffered indignity after indignity under the conquering Nazis. Under the leadership of Gunnar Brogge (Errol Flynn), they wait for the opportune moment to strike back against their German occupiers. It’s definitely a film that was meant to help drum up patriotic fervor in the fight against the Nazis, but it’s still a well-made film that builds up the tension to the fight between the Norwegian people and the Nazis (a battle which was done well in and of itself)! Yet another great release from Warner Archive, with the transfer (taken from the best preservation elements) looking crisp and clear and devoid of all dirt and debris! A great release of a very good war film!
  1. You Can’t Cheat An Honest Man (1939) (Kino Lorber Studio Classics, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: W. C. Fields Roundup
    • Circus owner Larson E. Whipsnade (W. C. Fields) is trying to stay ahead of his creditors, but winds up in enough trouble that his daughter considers a loveless marriage to her wealthy boyfriend to help get her father out of debt. This is a rather fun movie overall, with some of its best bits coming from the running feud between W. C. Fields and ventriloquist Edgar Bergen’s dummy Charlie McCarthy (with the exception of Charlie wearing blackface to cover up a black eye)! The new 2K master looks pretty good, as far as I’m concerned (with VERY minor instances of dirt and debris that don’t really take away from the enjoyment of this movie), making this release well worth it!

Special Honorable Mention:

  • The Little Rascals: The ClassicFlix Restorations, Volume 4, Volume 5, Volume 6 and The Little Rascals: The Complete Collection Centennial Edition
    • For the most part, my list tends towards movie releases, as those are the vast majority of what I buy. However, as you may have seen, I also enjoy looking into various theatrical short collections. In 2020, ClassicFlix announced (via crowdfunding campaign) their desire to restore the Hal Roach-owned Little Rascals shorts. While their campaign fell short, they went through with their plans anyway. They now have all six volumes of the Little Rascals talkie shorts available on Blu-ray, uncut and fully restored. In doing so, they’ve released the entire run of the Hal Roach-produced talkie shorts, with all six volumes recently re-released in the Complete Collection Centennial Edition. This set contains all the previously released shorts (now condensed onto five discs instead of six), plus a bonus disc (also available separately for those who bought the individual volumes) that includes several alternate language versions of a few shorts plus three silent shorts that they’ve restored (which will also be available when ClassicFlix starts releasing the silents on Blu-ray and/or DVD at some point next year). I’ve so far had the opportunity to see the shorts from the first five volumes (all of which have looked fantastic!), and I’m currently looking forward to seeing the sixth volume (plus the silents when they get that far)! Easily recommended as some of this year’s best releases, whether you go with the remaining individual volumes or the complete set!

Honorable Mentions: You’re Telling Me! (1934) (Kino Lorber Studio Classics, Blu-ray), Adventures Of Don Juan (1948) (Warner Archive Collection, Blu-ray), Jack And The Beanstalk (1952) (ClassicFlix, Blu-ray)

I have to admit, compared to the last few years, 2022 has felt like a bit of a slow and slightly disappointing year where physical media has been concerned. Most of that disappointment is arguably centered around the decreased output from Warner Archive. Don’t get me wrong, when it comes to WHAT they have released, I’d still say that they won the year in my opinion. They’ve released some Blu-ray upgrades for a few old favorites, while releasing a few new-to-me titles that I’ve enjoyed (especially, as you can tell from my list, The Wonderful World Of The Brothers Grimm), all of which has certainly made me happy. But I also understand WHY their output has slowed, with almost their entire staff getting laid off in early 2021, including their head George Feltenstein (who was, thankfully, rehired back at Warner Brothers later in the year, thus enabling the Warner Archive program to survive beyond 2021). With a smaller staff to work with, that resulted in there being only 2-3 titles a month from them (compared to about 4-7 a month the last year or two), with there being nothing from them at all for two months. From what George Feltenstein has been saying on some of his various podcast appearances, though, it sounds like things *should* pick up from them in 2023 (with word that the classic 1950 musical Three Little Words is currently being worked on!), especially as the whole studio celebrates the 100th anniversary of Warner Brothers!

In general, I would say that ClassicFlix is right up there with Warner Archive (even if they themselves have only had a handful of releases). Their releases of the Little Rascals shorts have continued to be amongst the highlights of the year as I get to see them for the first time (and looking pretty darn good at that!), and I look forward to their releases of the silents from that series as well! As for feature films, they’ve really only had Black Magic (1949) (which was one of their rare lesser transfers, although to be fair that’s not really their fault, as they could only do so much with the available film elements), Jack And The Beanstalk (1952) (a restoration that was actually performed by the 3-D Film Archive, and, although the film itself is not one of my favorite Abbott and Costello films, it still looks so much better than what I’ve seen previously) and I, The Jury (1953) (I haven’t seen this one yet, but, as their first 3D Blu-ray/ 4K UHD release, which has been reviewed well by others whose opinions I respect, I look forward to seeing it).

With regard to the rest of the boutique labels, the year has left me with a lot of mixed feelings. Kino Lorber Studio Classics has had some good releases this year, with the long-awaited release of Blue Skies (1946), plus some stuff featuring the likes of W. C. Fields, Bob Hope and Dorothy Lamour from their licensing deals with Universal Studios. They’ve also had some big licensing deals with some of the other major Hollywood studios (including their first with Sony, and Paramount licensing out to them again for the first time in a number of years), although so far they haven’t lived up to the hype (at least, not when it comes to the stuff that I actually want). Universal themselves didn’t impress me as much with their Blu-ray output, as the only real wave of catalog films included three new-to-blu Bing Crosby films (yay!), along with some reissues of titles previously licensed out to Kino Lorber that had only been included in three-film box sets. Criterion has really disappointed me, as they have seemingly decided I’m not their target audience, as their release of Arsenic And Old Lace was really the only title that solidly appealed to me all year (to be fair to them, their price point isn’t as budget-friendly, so I’m not too bothered by that, but it’s still disappointing after being able to count on a good handful of appealing releases every year for a while).

As some may have seen, I finally dipped into 4K tech so as to be able to enjoy some of the various UHDs that actually interest me. So far, I can’t say as I’ve seen much of this year’s releases, mostly because there was one catalog title (of interest to me) for most of the year, plus one modern film (which really, REALLY appealed to me, thus why I brought it up in the first place). Much to my annoyance, the various studios/boutique labels FINALLY got around to releasing some stuff over the last few months of the year (when my budget starts going towards Christmas gifts for others instead of more movies for myself). As I mentioned, ClassicFlix’s I, The Jury (1953) 4K UHD/ 3-D Blu-ray has been receiving rave reviews so far, so I definitely want to plug that one (especially since it is a limited edition). Sony has released their third Columbia Classics 4K Ultra HD Collection, which includes titles such as It Happened One Night (1934), From Here To Eternity (1953) and four other films (plus extras), with this release also receiving good reviews. Universal Studios have also released their second Universal Classic Monsters Icons Of Horror Collection (with Phantom Of The Opera‘s transfer getting well reviewed), plus Holiday Inn (1942) (which you’ve seen by now I don’t think came out as well). Paramount Pictures have had a few releases as well, some well-reviewed (the Elvis Presley classic Blue Hawaii, although some have complained about the re-done opening credits with a different font than before), and others not so much. Warner Brothers has recently brought their classic Casablanca (1942) to the format, with that being reviewed pretty well.

That’s all I have to say on 2022’s new releases on disc. There’ve been some great releases this year, and a few not-so great. But, things are looking up from what I’m hearing already about 2023, so hopefully it will be a good year for physical media enthusiasts and film fans!

What’s Old Is A New Release Again (2022) Blu-ray Roundup #2

Welcome back to my new “Whats Old Is A New Release Again Roundup” series! This time around, I’m back to focusing on titles released on the Blu-ray format in 2022. Since it is focused on Blu-ray releases not related to any specific star or screen team (which means the rate of releases is much faster), I will not be updating this one (except to add links to full reviews if and when they are reviewed later on). So, let’s dig into the movies For Me And My Gal (1942), The Clock (1945), Adventures Of Don Juan (1948) and Jack And The Beanstalk (1952)!

Remember, as an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Note: Due to the fact that I’ve reviewed For Me And My Gal (1942) previously, I have added one of my “Coming Up Shorts!” comments to that review.

Table Of Contents

Coming Up Shorts! with… The First Round-Up (1934)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 4 (1933-1935) from ClassicFlix)

(Length: 18 minutes, 46 seconds)

The Gang all decide to go camping at the nearby Cherry Creek. However, when night falls, the kids all start to reconsider the idea. I’ve been enjoying some of the previous shorts from the Our Gang series, but this one was REALLY entertaining! Plain and simple, the highlights of this short all have to do with Spanky (George McFarland) and Scotty (Scotty Beckett), especially as they continually prove to be smarter than the older kids (who didn’t want them tagging along). They definitely brought the humor here, and made it one that I definitely want to return to frequently!

Coming Up Shorts! with… Honky-Donkey (1934)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 4 (1933-1935) from ClassicFlix)

(Length: 16 minutes, 42 seconds)

Little rich boy Wally (Wally Albright) wants to play with some poor kids, and hangs out with the Gang. When they’re chased off the vacant lot that they’re playing on, Wally decides to bring them (and their pet donkey) to his home. This was yet another entertaining short! Most of the fun centers around the donkey, who chases after anybody when they sneeze, but sits when they hear a bell. Of course, Spanky (George McFarland) and Scotty (Scotty Beckett) add to the fun, trying to help stop the donkey with an alarm clock while otherwise commenting on everything going on. It may be something of a one-joke short the way they use the donkey, but they keep it fresh enough that I certainly would willingly sit through this one again!

Coming Up Shorts! with… Mike Fright (1934)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 4 (1933-1935) from ClassicFlix)

(Length: 17 minutes, 26 seconds)

The “International Silver String Submarine Band” (that’s the Gang) auditions as part of an amateur radio talent contest against a bunch of other talented kids. Plain and simple, this one was VERY FUNNY!! Much of the humor was in the kids loudly carrying around all their instruments and all the mechanical trouble they caused with the microphone. Spanky (George McFarland) and Scotty (Scotty Beckett) still seem to be the funniest two of the bunch, and get a lot of one-liners that kept me in stitches. I would say that this is one of the best shorts from the fourth volume of Our Gang talkies, and I would readily recommend it!

For Me And My Gal (1942)

  • Plot Synopses: In the small town of Clifton Junction, Iowa, in 1916, two different vaudevillian acts meet at the same theatre. Dancer Harry Palmer (Gene Kelly) makes an offer to Jo Hayden (Judy Garland) (who is part of a troupe led by Jimmy Metcalfe, played by George Murphy) to work together as a song-and-dance team. She accepts, but their rise to fame is slow (much slower than Harry wanted). The two fall for each other, but they make the mutual decision to wait for marriage until they can make it to the top, the Palace Theater in New York City. When they are finally signed to appear there, Harry gets his draft notice. Will they be able to play the Palace (and be a married couple), or will the war put an end to their plans?
  • Film Length: 1 hour, 44 minutes
  • Extras: Commentary by historian John Fricke; MGM shorts La Fiesta De Santa Barbara (1935) and Every Sunday (1936); Outtake Musical numbers: Three Cheers For The Yanks and For Me And My Gal Deleted Finale; Screen Guild Players For Me And My Gal with Judy Garland, Gene Kelly and Dick Powell; Leo Is On The Air Radio Promo and Theatrical Trailer
  • Label: Warner Archive Collection
  • My Rating (after Blu-ray): 10/10 (previously 9/10)
  • Quick Comments
    • On The Movie Itself: I’ve seen this one many times, and always enjoy coming back to it! Judy Garland and Gene Kelly (in his film debut) prove that they have great chemistry in their first outing together. The film helps show the journey that some vaudevillians had to go through on their quest to get to the Palace Theater in New York City, helped by some authentic music of the era. The dances may not be on the level that Gene Kelly was later known for, but they’re still entertaining. I had a high enough opinion of the film to recommend it on DVD (see original review here), and it’s even more fun on Blu-ray!
    • On The Transfer: The transfer comes from a 4K scan of the best available preservation elements. Quite simply stated, it’s a typical (great looking) Warner Archive release. The detail is much improved over the previously available DVD, and the picture has been cleaned up of all scratches, dust and debris. Otherwise translated, the Blu-ray from Warner Archive Collection is the way to go when seeing this movie now!

The Clock (1945)

  • Plot Synopses: Corporal Joe Allen (Robert Walker) is on leave for two days and has just arrived in New York City via train. He knows nobody there, until he accidentally trips Alice Mayberry (Judy Garland), breaking her heel. He helps her get it repaired, and they spend some time together. Alice has to leave, but they agree to meet later for a date. As they spend more time together having various adventures, they start growing closer. With Joe’s leave quickly coming to an end, will they go their separate ways, or will they find a way to stay together?
  • Film Length: 1 hour, 30 minutes
  • Extras: Pete Smith Specialty Short: Hollywood Scout (1945), Classic Tex Avery Cartoon: The Screwy Truant (1945), Audio-only Lux Radio Theater Adaptation with John Hodiak and Judy Garland and Theatrical Trailer
  • Label: Warner Archive Collection
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: This was my first time seeing this Judy Garland film, and it’s one that I enjoyed! The film mainly focuses on the relationship between Judy’s Alice Mayberry and Robert Walker’s Corporal Joe Allen, and their chemistry together proves to be good enough to carry the film! We see them go from being complete strangers to falling in love as they have a whole bunch of adventures together over a period of two days. Some of those episodes are fun, some are romantic, and some are heartbreaking. This movie has it all (even if it is a non-musical role for Judy), which makes it well worth seeing!
    • On The Transfer: The transfer comes from a 4K scan of the best available preservation elements. It’s from Warner Archive, so you know it looks great! The picture has been cleaned up of scratches, dust and debris, and really shows off the detail. Highly recommended!

Adventures Of Don Juan (1948)

  • Plot Synopses: When he is caught one too many times by irate husbands/potential suitors, Don Juan de Maraña (Errol Flynn) is deported back to Spain. There, it is hoped that he will reform himself in the service of Queen Margaret (Vivica Lindfors), who is trying to avert a war between Spain and England. Trouble has arisen in Spain due to the Duke de Lorca (Robert Douglas), who has been trying to control the Spanish King Philip III (Romney Brent) and lead the countries into war. Much to the duke’s annoyance, Don Juan continues to get in his way. Eventually, it is discovered that the duke has kidnapped the Spanish ambassador and is trying to torture him to find out where the ambassador has hidden some money that he is holding for the queen. This forces the duke out of the shadows as he attempts to more openly usurp control. Can Don Juan stop him, or will the duke successfully take over the country?
  • Film Length: 1 hour, 51 minutes
  • Extras: Commentary by Director Vincent Sherman and Historian Rudy Behlmer; Warner Night At The Movies: Newsreel, Joe McDoakes Short So You Want To Be On The Radio (1948), Warner Bros. Short Calgary Stampede (1948), Warner Bros. Cartoon Hare Splitter (1948); Theatrical Trailer
  • Label: Warner Archive Collection
  • My Rating: 8/10
  • Quick Comments
    • On The Movie Itself: This was a new Errol Flynn film for me, and I very much enjoyed it! I can’t deny, the film does remind me strongly of the far superior The Adventures Of Robin Hood (1938) via a score that feels similar, and various plot points (not to mention some brief footage borrowed from that film and 1939’s The Private Lives Of Elizabeth And Essex). Errol Flynn is definitely showing his age here (especially since it was his first swashbuckler in nearly a decade), but he acquits himself very well in a very tailor-made role for him. The swordfights are still thrilling to see, especially the inevitable duel between Flynn’s Don Juan and Robert Douglas’ Duke de Lorca. It’s not Errol Flynn at his absolute best, but it’s still a very entertaining swashbuckler made better by his presence (and therefore recommended)!
    • On The Transfer: The transfer comes from a 4K scan of the nitrate Technicolor negatives. It’s from Warner Archive, and it’s a 3-strip Technicolor film. That pretty much says it all, as the transfer really brings out the color, and it’s been cleaned up of all scratches, dust and debris. So, if you like this film, the Blu-ray is indeed the way to go!

Jack And The Beanstalk (1952)

  • Plot Synopses: Jack (Lou Costello) has been tasked with babysitting an obnoxious little boy (David Stollery) and attempts to read him the story of Jack And The Beanstalk (although the kid ends up reading to him). As Jack imagines the story, he places himself in the role of the titular Jack, who sells his family cow to local butcher Mr. Dinklepuss (Bud Abbott) in exchange for some “magic beans.” When planted, the beans turn into a very tall beanstalk that reaches to the skies. Jack and Mr. Dinklepuss climb the beanstalk to go rescue the prince (James Alexander) and princess (Shaye Cogan) along with other objects of value that have been stolen by the giant (Buddy Baer). Will they succeed in their mission, or will the giant win out?
  • Film Length: 1 hour, 20 minutes
  • Extras: Newly Recorded Introduction By Lou’s Youngest Daughter, Chris Costello; Commentary by Abbott and Costello expert Ron Palumbo, with recollections from Jack And The Beanstalk co-star David Stollery; newly discovered footage of Abbott and Costello performing “Who’s on First” on December 2, 1940; Imperfect Spectrum: A Brief History of Cinecolor by Jack Theakston; Climbing The Scales: The Music Of Jack And The Beanstalk by Ray Fiola; Beanstalk Ballyhoo by Ron Palumbo; Cutting Down the Beanstalk by Ron Palumbo; Abbott And Costello Meet the Creature – Live TV Appearance from February, 1954; Rudy Vallee radio sketch (February, 1945) with photo gallery by Shane Fleming; Restoration Demo; Behind The Scenes photo gallery by Chip Ordway with 1952 children’s recording; Publicity Materials photo gallery by Chip Ordway; Abbott And Costello Trailer Rarities = 18 original “Coming Attraction” previews including Jack And The Beanstalk; Fireman Save My Child trailer and commentaries by 3-D expert Mike Ballew or Ron Palumbo; ClassicFlix Trailers for A Night In Casablanca (1946), Abbott And Costello TV Show: Mustard, The Little Rascals Vol. 4, Merrily We Live (1938), Zenobia (1939)
  • Label: ClassicFlix
  • My Rating: 7/10
  • Quick Comments
    • On The Movie Itself: I’ve seen Jack And The Beanstalk a number of times over the years, and, even though I consider it one of the lesser Abbott and Costello films, I still like to see it every now and then. My biggest problems with the film are with its less than memorable music (although the songs “I Fear Nothing” and the title song are at least decent), the less-than-polished dancing and the less-than-stellar performances of James Alexander and Shaye Cogan as the film’s central romance. Bud and Lou really don’t do any of their comedy routines here and instead try more to appeal to kids (and they do well enough that they still manage to be funny in the process). Of course, doing the film in a manner that evokes thoughts of the far superior The Wizard Of Oz (1939) with the opening and closing in sepia-tone while the rest of the film is in (SuperCine)color doesn’t exactly do it any favors either. Still, it’s fun for what it is, an Abbott and Costello movie in color (the only other one is the same year’s Abbott And Costello Meet Captain Kidd) and it’s worth giving a chance (especially now that it’s been restored)!
    • On The Transfer: This transfer comes from a 4K scan from 35mm SuperCinecolor elements. The 3-D Film Archive has painstakingly restored this film to get it looking as close to how it should, making the color look much better than it has in a long time, and allowing us to enjoy the opening and closing in its original sepia-tone. The vast majority of scratches, dust and other debris have been cleaned up here. It should be noted here that, for the color section of the film, it is a bit grainier than some might expect. This is due to the original film elements having disappeared when the film was sold off back in 1959 (long before it became public domain), and the best available elements are several generations away from that (meaning they are much grainier). As a result, we have the choice of a grainier picture that shows off the detail, or a picture with the grain removed (and the detail removed with it). I believe they made the right choice, making this the best release this film has seen in a long time (if you want the extras, don’t wait too long to get it, as it is a limited edition that will go out of print soon, although a barebones release may happen later on, depending on how this one sells)!

My Overall Impressions

Well, now that I’ve commented on these four films, I’ll give you my rankings on these releases, from highly recommended (1.) to least recommended (4.)

  1. (tie) For Me And My Gal (1942)
  1. (tie) The Clock (1945)
  1. Adventures Of Don Juan (1948)
  1. Jack And The Beanstalk (1952)

When you get down to it, this is a group of films in which I really have no hesitation in recommending each release, especially in terms of the transfer. I think that Jack And The Beanstalk (1952) has the weakest one, if only because the best available elements are several generations away from the original camera negative, which made it much grainier than some might like. I think the film itself is the weakest, but the release more than makes up for it with nearly two and a half hours of extras (making it the best release of this bunch from that perspective). Do keep in mind that, like I said before, it’s a limited edition which is likely to sell out soon, and if it comes back in print after that, it is very likely that it will only be a barebones release (so if you want those extras, get this one now). The other three releases really are on equal ground as far as their transfers go, as they all look exceptionally great. I think that, as a film, Adventures Of Don Juan (1948) is weaker than either of the two Judy Garland films, but it’s still an entertaining outing for Errol Flynn. And as for For Me And My Gal (1942) and The Clock (1945)? It really is a tie in my opinion, as both are absolutely wonderful films worth seeing. And that, my friends, is what I think of this group of new releases on Blu-ray!