Top 10 Disc Releases Of 2021

By now, I think it’s safe to say that most of you know that I enjoy watching classic movies via physical media like Blu-ray and DVD (I’m not trying to knock streaming necessarily, it’s just that most of what I like is more readily available on disc).  2021 has been another really good year for seeing fantastic movies given the bump up to Blu-ray, so here’s my list of what I personally think are the best releases of the year!  As usual, I must remind everyone that I do NOT receive screeners of any kind (nor, quite frankly, would I want to, as I prefer to support the movies I like in the hopes of more of them being made available), so I can only work with what I have seen.  I am making this list from all the 2021 releases I have seen as of 12/1/2021.  Much like my list for 2020, I am working mainly from movies released on disc through October 2021 (due to my own constraints of budget and time, plus the fact that, without being given screeners, I have no way to comment on December releases ahead of time). So, this list is what it is (but, I will give a shout-out to some other releases afterwards).  I’m experimenting by changing the format a little this year, so if any of these appeal to you, be sure to click on the movie on the left side to use my affiliate links to go to Amazon and buy them (or, if you want to read the reviews, click on the movie titles to go there)!!

  1. Broadway Melody Of 1940 (1940) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Fred Astaire, Eleanor Powell and George Murphy star in this last entry of the Broadway Melody series. A case of mistaken identity results in the wrong member of a dance team getting his big chance on the Broadway stage (but, when the team is two men and Fred Astaire was the other partner, you KNOW that he’ll get his chance as well). Working from a 4K scan of nitrate preservation elements, the good people at Warner Archive have given us a new and improved transfer that shows off this film’s detail and really allows us to enjoy these spectacular dancers looking better than they have in a long time! Great movie, great transfer!
  1. San Francisco (1936) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • In this film that teams up Clark Gable, Jeanette MacDonald and Spencer Tracy, we have a nightclub owner (Gable) who runs for town supervisor to help the people on the Barbary Coast, while falling for his new singer (MacDonald) (and all ahead of the infamous 1906 San Francisco earthquake). Another Warner Archive release, making use of a French-dubbed nitrate fine grain second generation element (and some domestic elements as well), which amounts to this movie looking better than it has in a long time! Throw in the original 1936 ending (with the 1948 reissue ending as an extra), and this is one release that is well worth it!
  1. Show Boat (1951) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • In 2020, we got the 1936 version of Show Boat (from Criterion Collection). For 2021, we got the 1951 version with Kathryn Grayson, Ava Gardner and Howard Keel. Kathryn Grayson stars as the daughter of showboat owner Cap’n Andy (Joe E. Brown), who falls for riverboat gambler Gaylord Ravenal (Howard Keel). Long in need of restoration (as much as the film relies on its Technicolor imagery), Warner Archive created a new 4K master from the original three-strip Technicolor negatives, and it looks SUPERB!! Compared to how it has looked before, I still think this is the restoration of the year, making the Blu-ray well worth it for fans of the film!
  1. Take Me Out To The Ball Game (1949) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Frank Sinatra, Esther Williams and Gene Kelly star in this classic musical! The returning baseball champs find themselves with a new owner (Williams), with two of the players falling for her. Warner Archive has given this movie a new restoration, and it looks to be one of the best-looking examples of the three-strip Technicolor process, as the color just pops, revealing all the wonderful details of the picture!
  1. A Night At The Opera (1935) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • In the first Marx Brothers film from MGM, the trio find themselves helping a couple of operatic singers to make it big in America. The film was cut for re-release during World War II (removing references to Italy), with the deleted scenes supposedly destroyed. Warner Archive haven’t located any of those deleted scenes, but they’ve given us a 4K scan of the best surviving preservation elements, and this film looks great! Until any of the deleted scenes are found in any usable form (if that ever happens), this is the best release one can hope for on this film!
  1. In The Good Old Summertime (1949) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Judy Garland and Van Johnson star in this musical remake of The Shop Around The Corner. They play the bickering co-workers who are unknowingly falling for each other as pen pals. Another Yuletide classic featuring Judy singing the holiday tune “Merry Christmas!” Working from 4K scans of the original nitrate Technicolor negatives and preservation separations, this film looks great, and is a wonderful movie to watch around the holidays (or during the summer, too, I suppose 😉 )!
  1. Annie Get Your Gun (1950) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Betty Hutton and Howard Keel star in this film version of the Broadway show (with music by Irving Berlin)! In this movie, Annie Oakley (Hutton) rises from a nobody to being an internationally renowned sharpshooter! This release features a 4K scan of most of the original nitrate Technicolor negatives (with two reels’ worth coming from positive safety separations due to those reels being burned in the infamous Eastman house fire), which brings out the color and detail!
  1. Bringing Up Baby (1938) (Criterion Collection, Blu-ray, My Rating: 10/10)
    • In 2021, one of the biggest and best-known screwball comedies FINALLY made it to Blu-ray! In this movie, Cary Grant is an engaged paleontologist who accidentally gets mixed up with a flighty young woman (Katharine Hepburn). Madcap adventures ensue, including panthers, buried dinosaur bones, and jail time! The original camera negative may be long gone, but this transfer came from 4K scans of a 35 mm nitrate duplicate negative (from the British Film Institute) and a 35 mm safety fine-grain positive, resulting in a better transfer than what’s been available for a long time (and is certainly worth recommending)!
  1. Mr. Blandings Builds His Dream House (1948) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Screen legends Cary Grant and Myrna Loy are paired up for the third and final time, with Melvyn Douglas joining. Grant plays an advertising executive who wants a full-sized house for his family (instead of a cramped apartment), but when he remodels his new place, the costs start to skyrocket! Working from a 4K scan of the original camera negative, Warner Archive has another superlative release on their hands with a fantastic transfer!
  1. After The Thin Man (1936) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • After releasing the first film in the Thin Man series on Blu-ray in 2019, Warner Archive has finally continued the series, starting with that film’s (kinda-sorta) direct sequel! William Powell and Myrna Loy return as Nick and Nora Charles, who have arrived in San Francisco, only to find themselves trying to solve the murder of Nora’s cousin’s husband! Warner Archive made use of a 4K scan of safety fine grain film elements for this transfer, and it looks quite good! Certainly a worthy follow-up release after the first film was treated so well on Blu-ray!

Special Honorable Mention:

  • The Little Rascals: The ClassicFlix Restorations, Volume 1, Volume 2, Volume 3
    • For the most part, my list tends towards movie releases, as those are the vast majority of what I buy. However, as you may have seen, I also enjoy looking into various theatrical short collections. In 2020, ClassicFlix announced (via crowdfunding campaign) their desire to restore the Hal Roach-owned Little Rascals shorts. While their campaign fell short, they went through with their plans anyway. They now have three volumes of Little Rascals shorts available on Blu-ray, uncut and fully restored. I’ve seen the first two volumes, which each contain eleven shorts starting with their first talkie, and continuing on from there. The shorts in these first two volumes look absolutely fantastic, and while I haven’t gotten around to the third volume yet, I’ve heard it looks just as good (if not even better)! With more on the way, I have a hard time not wanting to call these sets the releases of the year!

Honorable Mentions: Another Thin Man (1939) (Warner Archive, Blu-ray), Dinner At Eight (1933) (Warner Archive, Blu-ray), (tie) Mad About Music (1938) (Universal Studios, Blu-ray), (tie) Nice Girl? (1941) (Universal Studios, Blu-ray)

While the pandemic has still been raging on in places throughout 2021, physical media enthusiasts have had quite a good year! I would have to say that, once again, Warner Archive has won the year amongst the various labels. They continued to release a slew of musicals (with actress Doris Day getting well-represented), three-strip Technicolor films and various other classics, finally digging into more of Errol Flynn’s filmography (including the public domain Santa Fe Trail from 1940) and continuing the Thin Man series! Like I already said, I haven’t gotten any farther than their October releases, but November releases include the second-to-last film in the Thin Man series (The Thin Man Goes Home), another Doris Day musical (Lullaby Of Broadway), a Barbara Stanwyck pre-Code (Ladies They Talk About), a Frank Sinatra and Dean Martin film (Some Came Running), National Velvet and several others, with December seeing the long-awaited Angels With Dirty Faces (previously held back from being released because of right issues that popped up within the last decade) and Ivanhoe. Personally, I’m thrilled with their musical output for the year (especially with TWO Fred Astaire musicals represented). Honestly, the only complaint I have is that there was a rumor that at least one of the Astaire-Rogers films would be coming (but nothing showed up). I know, I know, internet rumors and all that, but when the source of that rumor claimed that there would be some Arthur Freed musicals (there were), some Val Lewtons (again, there were) and some Marx Brothers (and we got one), it’s disappointing that what I wanted most of the bunch was what DIDN’T come out (but, hopefully 2022 will bring at least one of them out on Blu-ray). Like last year, I want to throw in a plug for a film that, while I personally am not interested in it due to its genre, certainly is appealing for others: the 1932 horror film Dr. X, which, like 2020’s release of The Mystery Of The Wax Museum, was filmed in the Two-Color Technicolor process, with those elements nearly gone. But, in collaboration with UCLA Film & Television Archive and the Film Foundation, the film has been restored in the process (and the black-and-white version is included as well) for the Blu-ray release, which, from what I have heard, is highly recommended for those interested in that aspect of film history!

Personally, I would say that, apart from Warner Archives, I have mixed feelings about this year. Kino Lorber has been continuing to make deals with Universal and MGM, bringing out a lot of films (some of which they have remastered/restored themselves). I’m thrilled to see more W. C. Fields movies (four this year) that came from them (especially after having seen their Insider talking on multiple forums in the past about how their previous W. C. Field releases weren’t great sellers), with three more being worked on for next year (plus a few other non-W. C. Fields titles that were announced but are getting new 2K or 4K remasters that have pushed them into next year). We also got more Bob Hope from Kino, although I’m disappointed that their release of Nothing But The Truth was missing some of the film’s footage that had previously been included on Universal’s DVD, and the missing stereo sound on Thoroughly Modern Millie (for its overture, entr’acte and exit music) is also disappointing (and there have been a handful of other releases from them with a few mistakes this year as far as I’ve heard). And while I’m disappointed that Kino’s three-film set of Deanna Durbin films from the previous year was a poor seller (enough so that they dropped the other six films of hers that they had licensed, which I can’t say as I blame them for doing), I was thrilled to see Universal step up with their own MOD Blu-ray releases and release all six of those films (plus one more that I didn’t see coming!), along with the likes of State Of The Union and a Woody Woodpecker Screwball Collection in what was their most appealing lineup (to me) since their first year of releasing anything on Blu-ray via that line! Criterion has finally gotten into the UHD game, but (since I haven’t upgraded to that technology yet), they’ve really only had two releases this year that appealed to me (Bringing Up Baby and High Sierra). To be fair, with their higher prices, I don’t mind, given how much Warner Archive and others have been releasing. ClassicFlix has mainly been focusing a lot of their time, money and effort in their restorations of the Our Gang/Little Rascals shorts, but they’ve also finished out their DVD-only run of Hal Roach streamliners, along with a few other DVD-only films (due to lack of decent film elements), along with their Blu-ray and DVD of International Lady (they also announced a Blu-ray and DVD release for the 1949 Black Magic that was originally scheduled to come out this fall, but has since been delayed into next year). Overall, I think that 2021 has been filled with a great many releases on disc (too many in my book, both in terms of budget and time to watch everything), and what I’m hearing/seeing coming in 2022 looks to be just as good (if not better)!

Previous years:

2020

2019

2018

Screen Team VS: Bing & Fred vs. Frank & Gene

In 1941, a chance meeting between director Mark Sandrich and composer Irving Berlin resulted in them planning on a musical inspired by various holidays. It was planned as a vehicle for Bing Crosby, and they also decided that it would be right up Fred Astaire’s alley, too. And so we had those two friends paired together for the classic 1942 Paramount movie Holiday Inn. A few years later, MGM responded with their own song-and-dance team of Frank Sinatra and Gene Kelly in Anchors Aweigh. While I haven’t seen anything that makes them out to be rival teams, considering the individual members were indeed rivals, one can’t help but want to compare them. While I certainly have my preference as to which I enjoy watching more (and so, like on the TV show Whose Line Is It Anyway, the points don’t matter), I still feel like talking about the two teams, mainly sticking to the movies they made together.

Holiday Inn (1942) – My Rating: 8/10

Blue Skies (1946) – My Rating: 10/10

Anchors Aweigh (1945) – My Rating: 5/10

Take Me Out To The Ball Game (1949) – My Rating: 9/10

On The Town (1949) – My Rating: 8/10

Screen Team Edition: Bing Crosby and Fred Astaire

Screen Team Edition: Frank Sinatra and Gene Kelly

So let’s start with some of the more obvious differences. Bing Crosby and Fred Astaire made two movies together, while Frank Sinatra and Gene Kelly made three. Between their two films, Bing and Fred have two songs that they work together directly and two more that they are both involved together (just not as much). Frank and Gene can claim about twelve songs that they work together in pretty solidly through their three movies. Irving Berlin provides all the music for Bing and Fred, while Frank and Gene are served by the likes of Jule Styne, Sammy Cahn, Roger Edens, Betty Comden, Adolph Green and Leonard Bernstein.

To get a little deeper into the elements of that differentiate the two, I would say at least two come to mind: how their friendships are portrayed on screen, and how their offscreen careers may have affected the films. On screen, Bing and Fred were similar to Bing and Bob. They were both romantic rivals, and they had no troubles double-crossing each other when it came to romance in Holiday Inn. While Blue Skies started out with a similar relationship, partway through, Fred’s character started to soften, and care enough for the film’s leading lady that he wasn’t as willing to come between them. Meanwhile, Frank and Gene portrayed their characters as good buddies. Admittedly, Gene mainly tried to help Frank to get him off his back in his own attempts at romance, but he still felt like he was betraying a good friend when he fell for the same girl that Frank first fell for. Admittedly, some of that might be different just purely from occupations, as Bing and Fred portrayed characters in show business, and in two of their three movies, Frank and Gene were sailors who no doubt had gone through a lot together.

I also believe their movie careers affected these movies. When Bing and Fred were teamed up, they had both been in the movies for nearly a decade, and were some of the biggest stars in Hollywood. When Frank and Gene were paired together, neither of them had been in the movies for very long (in fact, I get the impression Anchors Aweigh was Frank’s first starring role). Consequently, that affected the various situations. I get the impression from what I have read that both Bing and Frank weren’t big into rehearsing, while Fred and Gene were both perfectionists who put a lot of work into what they did. With Bing as a more established star, he apparently didn’t feel the need to rehearse as much (and I can only imagine that must have driven Fred nuts), thus his dancing comes off poorly. With Frank not as established, he had to put in more rehearsal time with Gene, and so we see them looking at least decent together (and who knows how much natural talent Frank might have had as a dancer compared to Bing). Of course, age might also come into play, too, and Frank and Gene were both in their late 20s/early thirties when first paired together, while Bing was in his late 30s and Fred already in his forties.

Personally, I can’t help but wish the four had made a movie together (and no, I’m not including the first That’s Entertainment movie that they all co-hosted, since they never actually share the screen at any time). Of course, I do know that they had some team up here and there. Rivals Bing and Frank worked together in High Society, Robin And The 7 Hoods, The Road To Hong Kong (Frank makes a cameo appearance), and several TV specials. Fred and Gene worked together for one song in Ziegfeld Follies and again as co-hosts of That’s Entertainment Part 2. Not to mention Bing and Gene making cameo appearances in the Marilyn Monroe movie Let’s Make Love (although they don’t appear together). I think both teams were truly wonderful to watch, but I will always pick Bing and Fred as the more fun team to watch together.

Holiday Inn

My Rating: 8/10

Audience Rating:

Blue Skies

My Rating: 10/10

Audience Rating:

Anchors Aweigh

My Rating: 5/10

Audience Rating:

Take Me Out To The Ball Game

My Rating: 9/10

Audience Rating:

On The Town

My Rating: 8/10

Audience Rating:

Winner: Bing Crosby and Fred Astaire (again, just my opinion)

Screen Team Edition: Frank Sinatra & Gene Kelly

Now we are here to consider MGM’s big song-and-dance team from the 1940s, that of Frank Sinatra and Gene Kelly. When they were first paired together for the 1945 musical Anchors Aweigh, they were both rising stars, having just been introduced to the movie-going public within the last few years. From what I’ve read, I do get the impression that they became friends after working together on that movie (although their friendship certainly had its problems). That first movie certainly turned out to be a success, enough so that they were teamed up again for two more movies in 1949, Take Me Out To The Ball Game and On The Town. So, without further ado, let’s get through the plot descriptions, all borrowed from the individual reviews.

Anchors Aweigh: While on leave, sailor Joe Brady (Gene Kelly) is looking for a good time with his girlfriend Lola, and his shy shipmate Clarence Doolittle (Frank Sinatra) wants his help and advice on finding a girl for himself.  Before they can get too far, the police ask for their help with a young kid (Dean Stockwell), who has run away from home to join the navy. They take him back to the home of his aunt, Susan Abbott (Kathryn Grayson), whom Clarence decides he wants to go out with. Joe tries to help him out (and get him off his back), but they find themselves in a lot more trouble than they bargained for when Joe lies and tells her they know movie star José Iturbi (himself) and can get her a screen test. They try to talk to Iturbi, but they just keep missing him. Meanwhile, Joe is developing feelings for Susan, and Clarence realizes that he likes the waitress at the restaurant that Susan works at. (Length: two hours, twenty minutes)

Take Me Out To The Ball Game: During the off season, baseball players Dennis Ryan (Frank Sinatra) and Eddie O’Brien (Gene Kelly) tour the country on the vaudeville stage, but it’s time to return for spring training! When they rejoin their team, however, they find that the owner has died, and a distant relative has inherited the team. They soon find out the new owner is K. C. Higgins (Esther Williams), and she knows her stuff! Dennis immediately falls for her, but Eddie doesn’t get along with her at all. Once the season starts, Dennis finds himself being chased by Shirley Delwyn (Betty Garrett). At a big party for the team, Dennis realizes that he likes Shirley, and Eddie finds out that Katherine Higgins likes him! Of course, there are also some gamblers causing trouble by trying to fix things so that the team won’t win the pennant. (Length: one hour, thirty-three minutes)

On The Town: On leave for just one day, sailors Gabey (Gene Kelly), Chip (Frank Sinatra) and Ozzie (Jules Munshin) explore New York City. While on the subway, Gabey sees a subway worker putting up a poster of Ivy Smith (Vera-Ellen), the new Miss Turnstiles. He decides to find her, and his buddies try to help. Along the way, they are helped by cab driver Brunhilde Esterhazy (Betty Garrett), who takes a shine to Chip, and Claire Huddesen (Ann Miller), who likes Ozzie. Gabey does find Ivy, and they all go out as a group (at least until Ivy sneaks away to get to her job). Gabey tries to find her again, all the while the group has to evade the police, due to the dinosaur skeleton that Ozzie had accidentally knocked over at a museum that they visited, as well as the cab that Brunhilde was driving beyond her shift. (Length: one hour, thirty-eight minutes)

Since by now, you should have read my comments on those movies, my purpose here is to talk about them as a team. In Anchors Aweigh, as in the other two, their characters spent a lot of time together, and they ended up being paired together for three songs: “We Hate To Leave,” “I Begged Her” and “If You Knew Susie.” Take Me Out To The Ball Game is a slightly different case, as we still have Frank and Gene doing the title song and “Yes, Indeedy” together, but, with the likes of “O’Brien To Ryan To Goldberg” and “Strictly U.S.A,” we start seeing them make the transition into a three-man team, with Jules Munshin joining in. With On The Town, it pretty much IS a three-man team, with them doing “New York, New York” and “That’s All There Is, Folks” as a trio, plus “Prehistoric Man,” “On The Town” and “Count On Me” with the gals.

With three films and a changing dynamic, it’s difficult to nail down commonalities between the movies. To a large degree, Frank and Gene do essentially play relatively similar characters in all three, with Gene generally being a ladies’ man, and Frank playing somebody who is shy and a lot more awkward in his attempts at romance. But in all three movies, they are good friends, willing to help each other out, and wary of betraying each other, especially in the first two when Gene’s characters find themselves falling for the gals that Frank’s characters first liked. And it is that friendship that helps drive these films, whether it just be the two of them, or three, with Jules Munshin joining in. As far as I know, these are the only three times that Frank and Gene worked together (outside of them both hosting the first That’s Entertainment movie, albeit separately). If there are any other times they worked together, I don’t know about them yet, but they are a fun team to watch! I certainly would recommend seeing their three movies together (although I would recommend the second and third moreso than the first movie).

Anchors Aweigh

My Rating: 5/10

Audience Rating:

Take Me Out To The Ball Game

My Rating: 9/10

Audience Rating:

On The Town

My Rating: 8/10

Audience Rating:

Thoughts From The Music(al) Man (2019) on… Take Me Out To The Ball Game (1949)

Batter Up! We’re here now for the second Frank Sinatra and Gene Kelly film, the 1949 musical Take Me Out To The Ball Game, which also stars Esther Williams and Betty Garrett.

Coming Up Shorts! with… Moan & Groan, Inc. (1929)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 1 (1929-1930) from ClassicFlix)

(Length: 20 minutes, 41 seconds)

The kids ignore the warning of Officer Kennedy (Edgar Kennedy), and go dig for treasure in a haunted house. Personally, I enjoyed this one! While there are no real spooks here, it feels like a good one to watch around Halloween. The bit with the Japanese finger trap is one of the best gags in the short, particularly when Officer Kennedy and his superior both get their hands stuck in one. There might be too much focus on the adults here, but it’s not bad enough for me to trash this one. I can certainly say that I look forward to watching this one again!

Coming Up Shorts! with… The Cat And The Mermouse (1949)

(available as an extra on the Take Me Out To The Ball Game Blu-ray from Warner Archive Collection)

(Length: 7 minutes, 37 seconds)

Tom the cat is all set for a relaxing day at the beach, when Jerry the mouse interrupts his rest. This was another enjoyable Tom & Jerry cartoon. It quickly becomes obvious that the short goes into a dream sequence when Tom goes underwater (and seems to be “breathing” just fine), but that’s not a problem. There’s some fun with the underwater creatures like a swordfish and an octopus that join in the chasing. Other than that, it’s still a typical Tom & Jerry cartoon, but that’s still very much a point in its favor (as is the laughter it provides)!

And Now For The Main Feature…

During the off season, baseball players Dennis Ryan (Frank Sinatra) and Eddie O’Brien (Gene Kelly) tour the country on the vaudeville stage, but it’s time to return for spring training! When they rejoin their team, however, they find that the team owner has died, and a distant relative has inherited the team. They soon find out the new owner is K. C. Higgins (Esther Williams), and she knows her stuff! Dennis immediately falls for her, but Eddie doesn’t get along with her at all. Once the season starts, Dennis finds himself being chased by Shirley Delwyn (Betty Garrett). At a big party for the team, Dennis realizes that he likes Shirley, and Eddie finds out that Katherine Higgins likes him! Of course, there are also some gamblers causing trouble by trying to fix things so that the team won’t win the pennant.

The idea for Take Me Out To The Ball Game came from Gene Kelly (although some claim it was very similar to the 1930 MGM musical They Learned About Women), and he brought in Stanley Donen to help finish the story. They were able to sell the idea to producer Arthur Freed for $25,000. At first, the film was considered as a follow-up to Anchors Aweigh, with Kathryn Grayson to be cast as the female lead. That didn’t happen, and Judy Garland was considered next. However, her health issues resulted in her being replaced by Esther Williams. Busby Berkeley was hired to direct the film, but he struggled enough that Gene Kelly and Stanley Donen ended up directing a lot of the film themselves (although they gave Berkeley the onscreen credit, his final credit as a film director). The film turned out to be a success, and Arthur Freed decided to officially give Gene Kelly and Stanley Donen the directing reins for the movie On The Town (which would again pair up Frank Sinatra and Gene Kelly, with Jules Munshin and Betty Garrett coming along for the ride).

Of the three Sinatra-Kelly films, I consider this one to be the most fun! I really enjoy the music, from the title tune, to “Strictly U.S.A,” to “The Hat My Dear Old Father Wore Upon St. Patrick’s Day!” Just about all of the music can easily get stuck in my head whenever I watch it! The humor generally works for me, too, especially how much they poke fun at Sinatra and how light he was, whether it be by Betty Garrett carrying him over her shoulder with ease, or all the stuff he was trying to eat to get his weight up during the spring training montage. At one hour, thirty-three minutes in length, this movie does away with the length problem of the earlier Anchors Aweigh, and everything seems to fit so much better. And the addition of Jules Munshin as Gene and Frank’s buddy manages to make things work, especially for the little comedy bit that the three of them do for goofing around for the fans a few times before some of the games.

Now, is the movie perfect? No, it does have its problems. There are aspects that feel like a re-tread of Anchors Aweigh, with Frank again playing a guy who is shy around women, and needs the help of ladies’ man Gene Kelly . Not to mention Frank falling for one gal, only to realize he likes somebody else while Gene falls for the first girl. Plus, the song “Yes, Indeedy” seems to fill the “locker room talk” song role that “I Begged Her” filled in Anchors Aweigh (although, given the choice between the two, I’ll live with “Yes, Indeedy,” as the other song is too slow and would be better removed from that movie entirely). I’d also say that the ending is a little weak. From what I’ve read in the biography Gene Kelly: A Life Of Dance And Dreams by Alvin Yudkoff, Gene Kelly and Stanley Donen were never able to come up with a proper ending to their story, so we got stuck with a song-and-dance where the four leads broke character. Personally, I’ve seen worse endings, so it’s not a huge problem. And, for some, the fact that actress Esther Williams, known for her underwater ballets, barely spends any time in the water, might also be a minor problem with this movie (although, to be fair, I’m not sure how they could realistically fit an underwater ballet into the story). Still, she is enough of an athlete herself that she seems to fit the role better than either Kathryn Grayson or Judy Garland would have. Even with these issues, I do enjoy this movie very much, and would highly recommend it!

This movie is available on DVD from Warner Home Video.

What’s Old Is A New Release Again (2021) with… Take Me Out To The Ball Game (1949)

On July 20, 2021, Take Me Out To The Ball Game was released on Blu-ray by Warner Archive Collection. I don’t know the exact source of the transfer, since Warner Archive is no longer doing podcasts or press releases via social media, and their newsletter didn’t mention it. My best GUESS is that they did a 4K scan of the original Technicolor negatives. Whether I’m right or not, one thing I can say: this new transfer looks GREAT!! Seriously, they’ve really brought out the color in this movie, and the detail is just exquisite! Plain and simple, they hit a home run with this one! Admittedly, whether you look at it as a bases-loaded grand slam or just a simple home run depends on your opinion of the film itself. Me, I REALLY like it, so it’s a grand slam in my book! Easily recommended!

Film Length: 1 hour, 33 minutes

My Rating: 9/10

My Rating (after Blu-ray): 10/10

*ranked #4 in Top 10 Disc Releases Of 2021

List Of Actor/Actress Filmographies/Collections

Anchors Aweigh (1945)Frank SinatraOn The Town (1949)

Ziegfeld Follies (1945) – Esther Williams – Million Dollar Mermaid (1952)

The Pirate (1948)Gene KellyOn The Town (1949)

Betty Garrett – On The Town (1949)

Easter Parade (1948) – Jules Munshin – On The Town (1949)

Ziegfeld Follies (1945) – Edward Arnold – Annie Get Your Gun (1950)

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