Coming Up Shorts! with… Tex Avery Screwball Classics Volume 2

Disclaimer: On the disc case, it is noted that the set is intended for the adult collector, which is because these shorts were made at a time when a lot of racist and sexist stereotypes were prevalent. All I’m trying to say is, parents, be careful about just sticking these on for your kids.

Welcome back for another full post of Coming Up Shorts! This time, I’m again focusing on various cartoons from MGM that were directed by Tex Avery. The shorts I’m covering were all a part of the Tex Avery Screwball Classics Volume 2. While the shorts have not been released in chronological order, those in this set were originally released theatrically between 1948 and 1955.

Here’s a list and quick plot description for each of the cartoons included in this set (for my comments on the individual cartoons, click on the title to go to my previous reviews):

Tex Avery Screwball Classics

  1. Little Rural Riding Hood (1949) (Length: 6 minutes, 19 seconds)
    • The city wolf invites his country cousin to the city, but cannot stop him from chasing after girls.
  2. The Cuckoo Clock (1950) (Length: 7 minutes, 5 seconds)
    • A cat is being driven crazy by a cuckoo bird and tries to get rid of it.
  3. Magical Maestro (1952) (Length: 6 minutes, 31 seconds)
    • After a magician is thrown out by opera singer Spike (also known as “The Great Poochini”), he gets his revenge by taking the place of the conductor and using his magic wand to wreak havoc on Spike’s performance.
  4. One Cab’s Family (1952) (Length: 7 minutes, 56 seconds)
    • A pair of taxicabs raise their new son (with the hope that he will also be a taxicab), but he wants to be a hot rod.
  5. The Cat That Hated People (1948) (Length: 7 minutes, 1 second)
    • A black cat expresses his dislike for humans for the way he has been treated, and takes a rocket to the moon.
  6. Doggone Tired (1949) (Length: 7 minutes, 34 seconds)
    • A rabbit tries to keep a hunting dog from getting enough sleep.
  7. The Flea Circus (1954) (Length: 7 minutes, 1 second)
    • When a stray dog walks in on a circus of fleas, they all leave (except for Francois, the clown), and it’s up to him to bring more fleas back!
  8. Field And Scream (1955) (Length: 7 minutes, 9 seconds)
    • We follow American sportsman Ed Jones as he goes fishing and hunting.
  9. The First Bad Man (1955) (Length: 6 minutes, 35 seconds)
    • This short tells the story of Texas, circa one million B.C., where Dinosaur Dan laid claim to being the first bad man in Texas.

Droopy

  1. Out-Foxed (1949) (Length: 8 minutes, 18 seconds)
    • A group of hunting dogs (including Droopy) are promised a steak if they can bring in a fox.
  2. Droopy’s Double Trouble (1951) (Length: 7 minutes, 6 seconds)
    • Droopy and his twin brother Drippy are tasked with taking care of a house (and keeping out strangers). Of course, Spike the dog (with an Irish accent, no less!) has to join in on the fun (as the “stranger” that they have to keep out).
  3. The Three Little Pups (1953) (Length: 6 minutes, 44 seconds)
    • Three little pups (including Droopy) take on a dogcatcher.
  4. Drag-A-Long Droopy (1954) (Length: 7 minutes, 34 seconds)
    • Sheepherder Droopy drives his sheep into cattle territory, and the Wolf (who owns a cattle ranch) tries to stop him.
  5. Homesteader Droopy (1954) (Length: 7 minutes, 31 seconds)
    • Droopy and his homesteading family find resistance from Dishonest Dan when they make a home in cattle country.
  6. Dixieland Droopy (1954) (Length: 7 minutes, 44 seconds)
    • Droopy plays Dixieland musician John Pettibone, as he tries to become famous.

Spike

  1. The Counterfeit Cat (1949) (Length: 7 minutes, 6 seconds)
    • A cat tries to pretend to be a dog to get the bird that Spike the dog is guarding.
  2. Ventriloquist Cat (1950) (Length: 6 minutes, 41 seconds)
    • A cat uses ventriloquism to play some pranks on Spike the bulldog.

Cartoons Of Tomorrow

  1. The House Of Tomorrow (1949) (Length: 6 minutes, 51 seconds)
    • We are given a tour of the house of tomorrow by the narrator.
  2. Car Of Tomorrow (1951) (Length: 6 minutes, 19 seconds)
    • We are shown the “cars of tomorrow.”
  3. T.V. Of Tomorrow (1953) (Length: 7 minutes, 7 seconds)
    • We are shown the many innovations of the television of tomorrow.
  4. The Farm Of Tomorrow (1954) (Length: 6 minutes, 32 seconds)
    • We are shown the “farm of tomorrow.”

Well, since the various Tex Avery shorts aren’t being put out on disc in chronological order, there isn’t much more that I can say about Tex himself than what I said when I reviewed Volume 1 of this series. So, I will confine my comments overall to the shorts included in this set. As indicated in the list above, this set contains more one-off shorts, some Droopy, some Spike (the bulldog), and the four Cartoons Of Tomorrow. As before, I consider the Droopy cartoons to be the most fun, since I have fond memories of growing up with them. They’re always guaranteed to give me a good laugh! I think I also remember the Little Rural Riding Hood and Doggone Tired shorts, but most of the rest were new to me through this set. Overall, it’s a fun continuation, with some cartoons just as good (if not better) than those in the first set!

All the shorts included in this set come from 4K scans of the best surviving preservation elements (since, as I mentioned before in my review of the first volume, many of the original negatives for MGM’s pre-1951 cartoons were destroyed in a 1965 vault fire). Compared to the first set, this one didn’t fare as well in overall quality in the transfers. Admittedly, most of the trouble seems to have been caused by the pandemic, which delayed the set (which I have heard was originally planned for a June 2020 release, or thereabouts, instead of the December 2020 release it got) with all the film labs and storage facilities being shut down (and thereby removing access to the film elements), and also resulted in the team that had done the earlier release and the Popeye sets being laid off. Further compounding the issue, they were still stuck with a release deadline which forced them to use some less-than-stellar transfers prepared for HBO Max. A lot more DNR (digital noise reduction) was used than would have normally been the case, resulting in too much grain being removed (and therefore, some of the detail). Now, for the most part, the average Joe (or Jane) probably won’t notice, as everything looks pretty good in motion (it’s just when you stop to pause the picture that things will look worse). Now, this isn’t a problem for ALL the shorts on the set, just a few. The majority are, for the most part, treated much better. There are a few that also had photoshopped titles, and there is a slight audio issue on the start of the short T.V. Of Tomorrow. Still, the set overall is quite nice, and even throws in an hour-long documentary on Tex Avery from 1988 as an extra. It’s only good, compared to the usual GREATNESS that we would expect from Warner Archive transfers, but it’s still better than you might see for other animated libraries.

Tex Avery Screwball Classics Volume 2 is available on Blu-ray and DVD from Warner Archive Collection. The whole set has a runtime of two hours, twenty-nine minutes.

“Star Of The Month (May 2021)” Featuring Cary Grant in… Wedding Present (1936)

As we continue on with Cary Grant as the featured Star Of The Month, we come to another film from 1936, the comedy Wedding Present, also starring Joan Bennett! But first, we’ve got a theatrical short!

Coming Up Shorts! with… Homesteader Droopy (1954)

(Available on Blu-ray and DVD as part of Tex Avery Screwball Classics Volume 2 from Warner Archive Collection)

(Length: 7 minutes, 31 seconds)

Droopy and his homesteading family find resistance from Dishonest Dan when they make a home in cattle country. A fun companion cartoon to Drag-A-Long-Droopy, as another wolf takes on Droopy. Of course, we have the recurring gag of his child wanting milk, and the different ways it’s given to him. As usual, Droopy beats the Wolf for most of the cartoon (which, considering the chemistry, always works). After all, “it’s the laaaaaw of the West” (and always fun to see)!

And Now For The Main Feature…

Chicago newspaper reporters Monica “Rusty” Fleming (Joan Bennett) and Charlie Mason (Cary Grant) are about to get married, but his pranks result in them being unable to get the license before closing time. Their newspaper editor, Pete Stagg (George Bancroft), is frustrated with all their practical jokes, and sends them to get an interview from Archduke Gustav Ernest (Gene Lockhart). Not only do they manage to get an exclusive interview from the archduke, but Charlie rescues New York gangster “Smiles” Benson (William Demarest) (who promises to pay off for the rescue), and both Charlie and Rusty help rescue a ship lost in a storm. They are both given medals for their work, and Rusty gets to enjoy a month’s vacation in New York. While she’s away, Pete Stagg resigns as editor, and, instead of being fired completely, Charlie becomes the editor. In the process, he becomes a hard worker, and doesn’t let anybody else get away with the type of things he had previously done. When Rusty comes back, she tries to bring him back to his senses, only for him to fire her. As a result, she decides to return to New York City. At the airport, she meets author Roger Dodacker (Conrad Nagel), and they start going out together. Without Rusty at the newspaper, Charlie comes to his senses, resigns, and goes after her. In New York, he is met by “Smiles” Benson, who tries to help bring the two back together to return the favor for saving his life (but without success). Will Charlie and Rusty be together again, or will she stick with the boring author?

Wedding Present is based on the short story (of the same name) by Paul Gallico that originally ran in The Saturday Evening Post in September 1935. The movie is toward the end of Cary Grant’s contract with Paramount. As such, we can see that he has essentially gotten his screen persona together. He’s quite suave, and yet, he can be a bit of a screwball, too. I’ve seen a number of comparisons to his better known classic His Girl Friday (made a few years later), and it is a fitting one. Once again, he’s a character willing to get involved in the news story (and help create one), as we see him become friendly with the Archduke, and push a pilot to go help a lost ship (and give the pilot credit for being a hero, even though he and his partner had knocked out the pilot to keep the search going).

Now, I will definitely grant (pun intended) that Wedding Present is certainly no match for the far better His Girl Friday, but it is fun on its own terms. I certainly enjoyed some of the various practical jokes that Cary Grant’s Charlie and Joan Bennett’s Rusty played in the course of getting their stories at the beginning of the movie. Not to mention the stuff they pulled on their bosses (both the editor and the owner of the paper). Everything that Charlie tried to do to win back Rusty upon his arrival in New York was certainly enjoyable as well. But I probably got the most solid laughs out of the stuff that occurred at the film’s finale (I wish I could say what, but to do so would be to spoil it, so I won’t go there). All in all, this was a very fun screwball comedy. I think most (if not all) of the later screwball comedies that Cary Grant did were better, but this one was still worth seeing! So, I would indeed recommend it!

What’s Old Is A New Release Again (2020) with… Wedding Present (1936)

This movie is available on Blu-ray as part of the three film Cary Grant Collection from Kino Lorber Studio Classics. Like Big Brown Eyes in the set, the opening credits start out looking rough, with a lot of dirt and debris, but, once things get going, everything settles down. Of the three films in the set, this one looks the best, and it’s certainly worth seeing this way.

What’s Old Is A New Release Again (2020) with… Cary Grant Collection

The Cary Grant Collection includes the movies Ladies Should Listen, Big Brown Eyes and Wedding Present. All three films have HD scans, with some variation in quality. None have been completely cleaned up, but that shouldn’t stop anybody from looking into this set. I think this set is worth it. I will admit, none of these are “Cary Grant with his screen persona” good, but they all manage to be fun, especially seeing him try to develop that persona, with some good co-stars. Again, this set is recommended!

Film Length: 1 hour, 22 minutes

My Rating: 8/10

List Of Actor/Actress Filmographies/Collections

Big Brown Eyes (1936)Cary GrantThe Awful Truth (1937)

Big Brown Eyes (1936) – Joan Bennett – Father Of The Bride (1950)

Star Of Midnight (1935) – Gene Lockhart – A Christmas Carol (1938)

Big Brown Eyes (1936) – Cary Grant Collection

As an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!