What’s Old Is A New Release Again (2022) Roundup Featuring… Bing Crosby

Welcome back to my new “Whats Old Is A New Release Again Roundup” series! This time around, I’m focusing on titles released in 2022 featuring Bing Crosby, whether they be on DVD, Blu-ray or 4K UHD. Short of something having been released that has escaped my notice (which is always possible), this post should essentially be completed now (outside of adding links if and when I do full reviews for any of these films). So, let’s dig into some of Bing’s films that have seen a new release in 2022. That list includes Here Is My Heart (1934), Holiday Inn (1942), Blue Skies (1946), Welcome Stranger (1947) and A Connecticut Yankee In King Arthur’s Court (1949)!

Remember, as an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Notes: Due to the fact that I had already added some comments on different shorts to my original reviews of Holiday Inn, Blue Skies and A Connecticut Yankee In King Arthur’s Court, I will not be adding any more to those posts or this one (except for two shorts to accompany the films not yet reviewed).

Table Of Contents

Coming Up Shorts! with… The Lucky Corner (1936)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 16 minutes, 21 seconds)

Scotty (Scotty Beckett) and his grandfather are selling lemonade, but a bully and his father (who have a store of their own) force them to move their stand when some potential customers go to them for lemonade. So, with Scotty and his grandfather now situated in a different spot where almost nobody goes, it’s up to the Gang to help them drum up some business! This one was an all-round entertaining entry in the series. I thought that the kids’ “parade” was fun to see, as were some of the performances as they got the crowd together. Of course, the rivalry between the bully and the kids added to the fun (especially when the bully’s attempts to steal away their customers backfired on him). This one was very enjoyable, and worth giving a chance (I certainly know that I want to keep coming back to it)!

Coming Up Shorts! with… Second Childhood (1936)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 19 minutes, 11 seconds)

A cranky old lady (Zeffie Tilbury) is miserable on her birthday (and making her servants miserable) until a toy airplane comes flying in and breaks her vase. Spanky (George McFarland) and the Gang volunteer to do some work around the yard for her when they can’t pay for the vase, and in the process, help her start to enjoy life again! This was yet another fun short. Zeffie Tilbury was fun as the grouchy old lady (even with her brief moments of happiness when she caused trouble for her servants), and her performance as she regains her joy for life helped make this short work! The scene with Spanky and Alfalfa (Carl Switzer) joining her in a rendition of “Oh, Susanna” was fun, especially with her learning to use Spanky’s slingshot after it accidentally hit her. Overall, this one was a lot of fun, even though it did use some obvious rear-screen projection when Zeffie Tilbury was on roller skates (but, at the same time, I can’t blame the filmmakers, since the actress was legally blind at the time she made this short, not that you can tell from her performance). Certainly one that I would gladly come back to again and again!

Here Is My Heart (1934)

  • Plot Synopses: Singer J. Paul Jones (Bing Crosby) has achieved some success, and is looking to fulfill many dreams that he couldn’t do when he was poor. One of those ambitions is to buy the two original pistols that belonged to Revolutionary War hero John Paul Jones, and present them to the Naval Academy. He’s got one already, but the other currently belongs to the Russian Princess Alexandra (Kitty Carlisle), who refuses to sell to him. In his attempts to buy the pistol, he is mistaken for her waiter, and makes use of the opportunity to spend some time with her and her associates. Will he achieve his dream and get the pistol, or will he find himself with a greater goal (love)?
  • Film Length: 1 hour, 17 minutes
  • Extras: None
  • Format: Blu-ray
  • Label: Universal Studios
  • My Rating: 7/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions.
    • On The Transfer: The new Blu-ray appears to be making use of an HD scan. For the most part, it looks quite good. The opening credits look a bit rough, and there are some scratches present throughout (although nothing so terrible as to take away from the movie itself). It looks good enough for me, and is likely to be the best this movie will look for the near future.

Holiday Inn (1942)

  • Plot Synopses: A three person song-and-dance team splits up when one of their members, Jim Hardy (Bing Crosby) gets the urge to buy a farm where he can rest and retire from show business. Farming doesn’t prove to be as easy or as restful as he thinks, and he decides to turn the farm into an inn that is only open for holidays (fifteen days a year). Linda Mason (Marjorie Reynolds) is sent to the inn to audition, and she gets a job there. Jim falls for her, but one of his former partners, Ted Hanover (Fred Astaire), finds himself partnerless. Upon meeting Linda, Ted also falls in love with her and wants to dance with her. Will Linda stay at the inn with Jim, or will she become a big star with Ted?
  • Film Length: 1 hour, 40 minutes
  • Extras (on both the 4K disc and the included Blu-ray): “A Couple Of Song And Dance Men;” “All-Singing All-Dancing;” “Reassessing ‘Abraham;'” Theatrical Trailer; and Feature Commentary By Film Historian Ken Barnes, including Audio Comments From Fred Astaire, Bing Crosby And John Scott Trotter
  • Format: 4K UHD
  • Label: Universal Studios
  • My Rating: 8/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: Honestly, this is a bit of a disappointing release. The 4K disc looks terrible, with a picture that is darker at times and loses some of the detail, and grain tends to be very distracting here, as if they are working from elements (or an older transfer) that doesn’t have 4K worth of data, although there are some moments here and there where the 4K disc actually looks good. Frankly, the included Blu-ray (which appears to use the same transfer, or close enough) actually looks better throughout. The Blu-ray is lighter and the grain is nowhere near as prevalent as it is on the 4K. Also, depending on your feelings about this, the film starts with a vintage Universal logo preceding the film’s Paramount logo. I only mention this because the film was originally produced by Paramount, was part of a large group of films sold to Music Corporation Of America (MCA)/EMKA , Ltd. in the 1950s, before becoming part of Universal Studios’ library when MCA took over the studio in the 1960s. Realistically, this release is at best recommended to those who don’t have the Blu-ray already (and even then it is questionable). If you already have the Blu-ray, then don’t bother with this one. If you want either the Broadway show or the colorized version of the film (neither of which is included as extras with this release), then I would suggest going with one of the earlier Blu-ray releases.

Blue Skies (1946)

  • Plot Synopses: Dancer Jed Potter (Fred Astaire) likes chorus girl Mary O’Hara (Joan Caulfield), but he makes the mistake of taking her to a nightclub owned by his friend, Johnny Adams (Bing Crosby). Mary falls instantly for Johnny, and he for her, much to Jed’s regret. However, Mary takes a slight issue with Johnny not being too responsible, as he has a bad habit of constantly buying and selling his nightclubs. That’s not enough to stop them from getting married, but Johnny’s refusal to change his ways really comes between them after they have a child, and they divorce. With Jed’s love for Mary growing over time, will she give him a chance, or will things go sour between them, too?
  • Film Length: 1 hour, 44 minutes
  • Extras: Audio commentary by film critic and author Simon Abrams, Trailers for Road To Morocco (1942), Daddy Long Legs (1955), Love Me Tonight (1932) and Thoroughly Modern Millie (1967)
  • Format: Blu-ray
  • Label: Kino Lorber Studio Classics
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: According to the Blu-ray case, the transfer is coming from a new 2K master with newly remastered audio. In general, this release looks quite wonderful. It improves on Universal’s earlier DVD by fixing the previously windowboxed opening and closing credits, and the colors look quite good in general. It’s not quite as perfect as similar releases from Warner Archive, but it’s about as good as I can hope for with this film. The image has been cleaned up of scratches, dirt and debris. Quick note: on the initial pressing of this Blu-ray, there were some audio issues in which Fred Astaire’s taps were a lot more muffled. Kino Lorber Studio Classics looked into it and decided to fix the issue (it’s already been taken care of by this time). Customers are guaranteed to get the right copy at Kino’s own sites, but in case you get the incorrect copy from somewhere else, this link will take you to their replacement program.

Welcome Stranger (1947)

  • Plot Synopses: Dr. Joseph McRory (Barry Fitzgerald) has served the town of Fallbridge, Maine faithfully for nearly thirty-five years, and is looking forward to a well-deserved vacation. However, his temporary replacement being sent by the medical board is the younger Dr. Jim Pearson (Bing Crosby), whom Dr. McRory takes an instant dislike to, and encourages him to leave (advice that the younger doctor ignores). Dr. McRory’s opinions are shared by many of the townspeople, including schoolteacher Trudy Mason (Joan Caulfield) (whom Dr. Pearson takes an immediate liking to). Things start to change when, upon trying to leave for his vacation, Dr. McRory suffers from appendicitis, with no choice but to have Dr. Pearson operate on him (an operation that goes successfully). However, Trudy’s boyfriend, Roy Chesley (Robert Shayne), REALLY doesn’t like Dr. Pearson, and tries to use his influence to take away Dr. McRory’s position at a new hospital in the process of being built. Can Dr. Pearson help Dr. McRory regain the town’s favor, or will they both leave town with their tails tucked between their legs?
  • Film Length: 1 hour, 47 minutes
  • Extras: None
  • Format: Blu-ray
  • Label: Universal Studios
  • My Rating: 8/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions.
    • On The Transfer: This Blu-ray appears to be using an HD scan which looks pretty good for the most part. Most of the dust, dirt and other debris has been cleaned up. The opening credits are just a little shaky (but that’s the only part of the movie that has that problem), and there are a few (very) light scratches still present throughout the movie (but nothing that takes away from the movie itself). Overall, likely the best this movie will look, and it’s certainly the recommended way to see it!

A Connecticut Yankee In King Arthur’s Court (1949)

  • Plot Synopses: In the early twentieth century, blacksmith Hank Martin (Bing Crosby) tries to return a horse to his owner during a storm, but gets knocked out when he runs into a tree. When he awakens, Hank finds himself in the past, in the kingdom of Camelot under King Arthur (Sir Cedric Hardwicke). At first, Hank is mistaken for a monster, but quickly becomes popular with the people when he uses some basic tricks to make himself look like a powerful sorcerer. He falls for King Arthur’s niece, the Lady Alisande “Sandy” la Carteloise (Rhonda Fleming), but has to contend with her betrothed, Sir Lancelot (Henry Wilcoxon). Having also earned the ire of the wizard Merlin (Murvyn Vye), Hank finds himself in a lot of trouble. Will he be able to return to his own time, or gain the affections of Sandy if he stays?
  • Film Length: 1 hour, 47 minutes
  • Extras: None
  • Format: Blu-ray
  • Label: Universal Studios
  • My Rating: 9/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: This Blu-ray seems to be working with an HD scan that looks pretty good. Most (if not just about all) of the dust, dirt, and other artifacts have been cleaned up. For the most part, the color looks pretty good, similar to the recent Blu-ray release of Blue Skies (1946) from Kino Lorber Studio Classics. There are some minor sections where the color doesn’t look quite as vivid as it seems like it should, but it’s an overall good release of a wonderful film (and certainly as good as it is likely to get anytime soon).

My Overall Impressions

Like all of my previous “What’s Old Is A New Release Again” posts focusing on the stars or screen teams that I picked for my “Star/Screen Team Of The Month” in 2022, I have gone without comments on the individual films as I reflect on my Star (from way back in March), Bing Crosby. Here Is My Heart (1934) is the oddball of this bunch, as it’s a film from fairly early in Bing’s career (and as such, his singing style and voice are quite different from the later films). He really only has three songs in this film, with the tune “June In January” being the most memorable. He has some comedic moments, especially when he poses as an alternate “incompetent” waiter, and when he is drunk interacting with Roland Young’s Prince Nicholas near the end of the film. For the rest, we move into the 1940s, when his career had taken a different direction. Holiday Inn finds us early in the decade, when his star was on the rise after finding success through the Road series with Bob Hope and Dorothy Lamour. Holiday Inn follows a similar formula, with Bing and Fred Astaire competing for the affections of two different ladies. Of course, the biggest highlight for Bing is his introduction of the classic Irving Berlin song “White Christmas,” which became a major hit for both Bing and Irving. He also croons a few other big tunes, including “Easter Parade,” “Be Careful, It’s My Heart” (which was actually the initial hit song from the movie) and “Happy Holiday”, plus we have him singing (and “dancing” if you can call it that) with Fred Astaire to “I’ll Capture Your Heart Singing.” Moving ahead a few years, Blue Skies follows up his Oscar win for Going My Way (1944) and his nomination for The Bells Of St. Mary’s (1945). As such, his role in Blue Skies is more dramatic, even though his character still competes with Fred Astaire’s Jed Potter for the affections of Joan Caulfield’s Mary O’Hara. Bing’s main highlights are him singing the title tune and the Oscar nominated “You Keep Coming Back Like A Song,” as well as dancing with Fred Astaire to “A Couple Of Song and Dance Men.” Welcome Stranger (1947) reunites Bing with his Going My Way co-star Barry Fitzgerald in what almost feels like a remake of Going My Way (except this time with the two of them as doctors instead of Catholic priests). The music is decent (personally, I prefer the song “Country Style”), but the main fun is in watching the developing friendship between Bing’s Dr. Jim Pearson and Barry Fitzgerald’s Dr. Joseph McRory as they go from bickering to working together. A Connecticut Yankee In King Arthur’s Court (1949) was made during the same time period, when Bing’s popularity at the box office gave him enough clout to choose his directors and castmates. The movie has some comedic moments, including Bing’s character “modernizing” the music and dancing at a ball, and the jousting tournament. On the musical side, Bing’s romantic duet with Rhonda Fleming to “Once And For Always” and him singing along with William Bendix and Sir Cedric Hardwicke to “Busy Doing Nothing” are the film’s big highlights.

Well, now that I’ve commented on these films, I’ll give you my rankings on these releases, from highly recommended (1.) to least recommended (5.):

  1. (tie) Blue Skies (1946)
  1. (tie) A Connecticut Yankee In King Arthur’s Court (1949)
  1. Welcome Stranger (1947)
  1. Here Is My Heart (1934)
  1. Holiday Inn (1942)

I’ll admit, this is a slightly harder group to pick one film that I would solidly recommend. I’m not trashing any of the movies, as I think they are all good, and worth giving a chance. Transfer-wise, I think that Blue Skies (1946) and A Connecticut Yankee In King Arthur’s Court (1949) are pretty similar, and look the best. Here Is My Heart (1934) and Welcome Stranger (1947) look pretty good, although they have some minor issues that pull them down. Holiday Inn (1942)’s transfer is the weakest of the bunch (in spite of the fact that it is a 4K UHD and not a Blu-ray like the others). In a normal situation, my top pick would be easy: Blue Skies. I think the film looks just a hair better with this new release, it’s got some extras and I prefer the film itself overall. However, we’re discussing Bing Crosby here, and the things I like about that film are Fred Astaire, the Irving Berlin music and some of Fred’s dances. It’s not otherwise remembered as much for Bing’s presence. If it had a better transfer, I would be recommending the other Bing Crosby/Fred Astaire/Irving Berlin collaboration, Holiday Inn, since it features Bing introducing that classic song “White Christmas” (which became Bing’s best-selling song, and one of the biggest selling of all time), along with a few other fun tunes. But, again. the weak transfer leaves me not wanting to recommend the 4K UHD at all. A Connecticut Yankee In King Arthur’s Court is also very much Bing’s film, and he is what makes it fun (even if I don’t think the film itself is quite as good as Blue Skies). Thus, I would put Blue Skies and A Connecticut Yankee In King Arthur’s Court at a tie for the top recommendations if we are talking strictly about Bing’s films. Welcome Stranger (1947) mainly suffers from its similarity to the far better (in my opinion) Going My Way (1944), although it’s certainly still an entertaining film in its own right. Here Is My Heart (1934) is still a little too early in Bing’s career, without the music or story coming off quite as memorably. Still, I have enjoyed all of these films off and on for years, and the four Blu-ray releases are all worth it to me, and certainly worth a recommendation (again, ignore the 4K UHD for Holiday Inn)!

What’s Old Is A New Release Again (2022) Roundup Featuring… Fred Astaire And Ginger Rogers

Welcome back to my new “Whats Old Is A New Release Again Roundup” series! This time around, I’m focusing on titles released in 2022 featuring either Fred Astaire or Ginger Rogers (or both), whether they be on DVD, Blu-ray or 4K UHD. Due to the slower pace of releases, I will be starting out with two films, and updating this post as I see more (with the updates showing up on the 2022 Releases page). This post will be completed when I have seen all of the titles released in 2022, or at the tail end of March 2023 (whichever happens first). So, let’s dig into some of Fred and Ginger’s films that have seen a new release in 2022. So far, that list includes Gold Diggers Of 1933 (1933) and Blue Skies (1946)!

Remember, as an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Note: Due to the fact that I’ve reviewed both Gold Diggers Of 1933 (1933) and Blue Skies (1946) previously, I have added my “Coming Up Shorts!” comments to those reviews.

Update: On 11/16/2022, comments were added on the recent 4K UHD release of Holiday Inn (1942), which completes this post for the year. Due to there being a previously written review for that film, the “Coming Up Shorts!” comments were added to that review.

Table Of Contents

Gold Diggers Of 1933 (1933)

  • Plot Synopses: It’s the Great Depression, and while producer Barney Hopkins (Ned Sparks) has a great idea for a show, he doesn’t have the cash to put it on. However, Brad Roberts (Dick Powell), the composer boyfriend of one of Barney’s potential cast members, decides to offer Barney the money to put it on (in exchange for his girlfriend being given the lead). The show’s a hit, but when it comes out that Brad (who is part of a wealthy society family) intends to marry his girlfriend, Polly Parker (Ruby Keeler), Brad’s older brother, J. Lawrence Bradford (Warren William), threatens to have him cut off financially. Mistaking Polly’s roommate Carol (Joan Blondell) for Polly, Lawrence tries to buy her off, but Carol and her friend Trixie Lorraine (Aline MacMahon) decide to get back at him. Will Lawrence be able to break up his brother’s relationship, or will he find himself in love?
  • Film Length: 1 hour, 37 minutes
  • Extras: FDR’s New Deal… Broadway Bound, Warner Brothers cartoons We’re In The Money (1933), Pettin’ In The Park (1934), I’ve Got To Sing A Torch Song (1933), Warner Brothers Shorts Ramblin’ Round Radio Row #2 (1932), The 42nd Street Special (1933), Seasoned Greetings (1933), Theatrical Trailer
  • Format: Blu-ray
  • Label: Warner Archive Collection
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: The transfer comes from a scan of the best preservation elements, and it looks fantastic!  It’s an understatement to say that it shows off all the details of the sets and costumes, especially for the various musical numbers!  The image has been cleaned up of all scratches, dirt and debris.  As usual, this Warner Archive release really shines as an example of a great restoration.  The Blu-ray is highly recommended as the best way to see this movie, and goes quite well with their earlier Blu-rays for 42nd Street (1933) and Footlight Parade (1933)!

Holiday Inn (1942)

  • Plot Synopses: A three person song-and-dance team splits up when one of their members, Jim Hardy (Bing Crosby) gets the urge to buy a farm where he can rest and retire from show business. Farming doesn’t prove to be as easy or as restful as he thinks, and he decides to turn the farm into an inn that is only open for holidays (fifteen days a year). Linda Mason (Marjorie Reynolds) is sent to the inn to audition, and she gets a job there. Jim falls for her, but one of his former partners, Ted Hanover (Fred Astaire), finds himself partnerless. Upon meeting Linda, Ted also falls in love with her and wants to dance with her. Will Linda stay at the inn with Jim, or will she become a big star with Ted?
  • Film Length: 1 hour, 40 minutes
  • Extras (on both the 4K disc and the included Blu-ray): “A Couple Of Song And Dance Men;” “All-Singing All-Dancing;” “Reassessing ‘Abraham;'” Theatrical Trailer; and Feature Commentary By Film Historian Ken Barnes, including Audio Comments From Fred Astaire, Bing Crosby And John Scott Trotter
  • Format: 4K UHD
  • Label: Universal Studios
  • My Rating: 8/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: Honestly, this is a bit of a disappointing release. The 4K disc looks terrible, with a picture that is darker at times and loses some of the detail, and grain tends to be very distracting here, as if they are working from elements (or an older transfer) that doesn’t have 4K worth of data, although there are some moments here and there where the 4K disc actually looks good. Frankly, the included Blu-ray (which appears to use the same transfer, or close enough) actually looks better throughout. The Blu-ray is lighter and the grain is nowhere near as prevalent as it is on the 4K. Also, depending on your feelings about this, the film starts with a vintage Universal logo preceding the film’s Paramount logo. I only mention this because the film was originally produced by Paramount, was part of a large group of films sold to Music Corporation Of America (MCA)/EMKA , Ltd. in the 1950s, before becoming part of Universal Studios’ library when MCA took over the studio in the 1960s. Realistically, this release is at best recommended to those who don’t have the Blu-ray already (and even then it is questionable). If you already have the Blu-ray, then don’t bother with this one. If you want either the Broadway show or the colorized version of the film (neither of which is included as extras with this release), then I would suggest going with one of the earlier Blu-ray releases.

Blue Skies (1946)

  • Plot Synopses: Dancer Jed Potter (Fred Astaire) likes chorus girl Mary O’Hara (Joan Caulfield), but he makes the mistake of taking her to a nightclub owned by his friend, Johnny Adams (Bing Crosby). Mary falls instantly for Johnny, and he for her, much to Jed’s regret. However, Mary takes a slight issue with Johnny not being too responsible, as he has a bad habit of constantly buying and selling his nightclubs. That’s not enough to stop them from getting married, but Johnny’s refusal to change his ways really comes between them after they have a child, and they divorce. With Jed’s love for Mary growing over time, will she give him a chance, or will things go sour between them, too?
  • Film Length: 1 hour, 44 minutes
  • Extras: Audio commentary by film critic and author Simon Abrams, Trailers for Road To Morocco (1942), Daddy Long Legs (1955), Love Me Tonight (1932) and Thoroughly Modern Millie (1967)
  • Format: Blu-ray
  • Label: Kino Lorber Studio Classics
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: According to the Blu-ray case, the transfer is coming from a new 2K master with newly remastered audio. In general, this release looks quite wonderful. It improves on Universal’s earlier DVD by fixing the previously windowboxed opening and closing credits, and the colors look quite good in general. It’s not quite as perfect as similar releases from Warner Archive, but it’s about as good as I can hope for with this film. The image has been cleaned up of scratches, dirt and debris. Quick note: on the initial pressing of this Blu-ray, there were some audio issues in which Fred Astaire’s taps were a lot more muffled. Kino Lorber Studio Classics looked into it and decided to fix the issue (it’s already been taken care of by this time). Customers are guaranteed to get the right copy at Kino’s own sites, but in case you get the incorrect copy from somewhere else, this link will take you to their replacement program.

My Overall Impressions

Since this post is in reference to Fred Astaire and Ginger Rogers, my Screen Team Of The Month for July 2022, then, as you have noticed, I am foregoing my usual quick comments on these movies in favor of some reflection on the films regarding Fred and Ginger (especially since I have otherwise reviewed these two films previously). Neither Gold Diggers Of 1933 (1933) nor Blue Skies (1946) were substantial roles for Fred or Ginger, since neither of them were at the peak of their careers. Ginger’s star was on the rise after she played the part of Anytime Annie in 42nd Street (1933), which is when she was starting to really get noticed. For Gold Diggers Of 1933 (1933), her big moment is the opening number, “We’re In The Money,” which she sings normally first, and then sings again in pig Latin (and this opening number is indeed worth the price of admission). Otherwise, she has a relatively minor part, mainly as one of the girls hoping to get a part in Barney Hopkins’ new show in the first half of the movie, and then she is relegated to two very quick appearances as she tries to get in on the gold digging that two of her friends are doing (before being quickly booted by them both times). On the other hand, Fred’s career was on the outs by the time of Blue Skies (1946). He was feeling burnt out, especially after Yolanda And The Thief (1945) bombed, and announced his retirement, effective after doing Blue Skies (although his retirement was short-lived, as he came back two years later for Easter Parade). With him playing second fiddle to Bing Crosby, he doesn’t really have as much to do, but he does get four musical numbers. They are “A Pretty Girl Is Like A Melody” (partnered with leading lady Joan Caulfield, and this routine is only decent when he is dancing alone), “A Couple Of Song And Dance Men” with Bing Crosby (in a similar comedic vein to “I’ll Capture Your Heart” from Holiday Inn), “Heat Wave” with Olga San Juan and “Puttin’ On The Ritz.” The latter three songs are some of the film’s best moments, with “Puttin’ On The Ritz” being the film’s standout routine, as Fred utilizes special effects to make his cane fly up from the ground into his hand several times before finishing out with a chorus of Fred Astaires (one of the few times we could directly see just how well-rehearsed he was as we see that chorus so very in-sync with each other and the “lead” dancer). Fred’s earlier team-up with Bing Crosby, Holiday Inn (1942) is a different story from these other two films. While he was past both his partnership with Ginger (save for their reunion film The Barkleys Of Broadway from 1949) and his status as box office poison, Fred’s career was still on a bit of a downhill slope (admittedly not as steep as it would be within the next few years). Holiday Inn marked the first time since very early in his film career where Fred wasn’t the highest-billed male star of the movie, with him in some respects playing the film’s “villain” (a bit of a rarity in and of itself). He does get several song-and-dance numbers in the film, including the aforementioned “I’ll Capture Your Heart” with Bing Crosby; “You’re Easy To Dance With” with Virginia Dale; his “drunk dance,” “Be Careful, It’s My Heart,” “I Can’t Tell A Lie” and the Hollywood medley with Marjorie Reynolds; and his solo (with firecrackers!) to “Let’s Say It With Firecrackers.”

Well, now that I’ve commented on both of these films, I’ll give you my rankings on these releases, from highly recommended (1.) to least recommended (3.):

  1. Blue Skies (1946)
  2. Gold Diggers Of 1933 (1933)
  3. Holiday Inn (1942)

I admit, my personal preference definitely comes into play here, as I have long preferred Blue Skies over Gold Diggers Of 1933 or Holiday Inn. I very much enjoy listening to the music and Fred’s dancing in Blue Skies (always have preferred Fred’s way of filming dance over Busby Berkeley’s). The story is probably better in Gold Diggers Of 1933, and it has some fun music as well (again, Ginger’s “We’re In The Money” is one of the film’s biggest highlights). Fred has a few good moments in Holiday Inn, but, in spite of the fact that his role was larger in that film than in Blue Skies, I actually prefer him in the later Blue Skies. As to which film has the better transfer, that’s easy: Gold Diggers Of 1933. As I said, Blue Skies looks very good, and is definitely a nice improvement over the DVD. But, the color isn’t quite as good as what I’ve seen from three-strip Technicolor films released by Warner Archive, and Gold Diggers, while a black-and-white film, looks very, VERY good. The 4K UHD for Holiday Inn, however, is a disappointment with a lackluster transfer that really shouldn’t have been released. The Blu-rays for Blue Skies and Gold Diggers Of 1933 are both releases that are easy to recommend (especially since I think they are both good films with pretty good transfers). Holiday Inn is a tougher recommendation, since I not only can’t quite recommend the 4K UHD but also don’t think *quite* as highly of the film itself in comparison, but I certainly would recommend it at least from any of the previously available Blu-rays.

What’s Old Is A New Release Again (2022) 4K UHD Roundup

Welcome back to my new “Whats Old Is A New Release Again Roundup” series! This time around, I’m focusing on titles released on the 4K UHD format in 2022. Due to the slower pace of releases on the format (which is even slower when you account for the number of films that actually appeal to me), I will be starting out with two films, and updating this post as I see more (with the updates showing up on the 2022 Releases page). This post will be completed when I have seen all of the titles that I wanted that were released in 2022, or at the tail end of March 2023 (whichever happens first). So, let’s dig into some of the films that have been released on 4K UHD, starting with Singin’ In The Rain (1952) and West Side Story (2021)!

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Note: Due to the fact that I had already used a short from a different set on my original review of Singin’ In The Rain (1952), I will not be adding another one on that post or this one.

Update: On 11/16/2022, comments were added on the recent 4K UHD release of Holiday Inn (1942). Due to there being a previously written review for that film, the “Coming Up Shorts!” comments were added to that review.

Table Of Contents

Coming Up Shorts! with… The Kid From Borneo (1933)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 4 (1933-1935) from ClassicFlix)

(Length: 18 minutes, 47 seconds)

Dorothy (Dorothy DeBorba), Dickie (Dickie Moore) and Spanky’s (George McFarland) mother has received a letter from her brother stating that he is in town with a carnival and wants to meet the kids. The kids go to the carnival, but they mistake the “Wild Man From Borneo” (their uncle’s “sideshow attraction”) as their uncle. This one is a bit of a mixed bag, but it’s pretty good. The short’s main problem is the characterization of the “Wild Man From Borneo” (who is a black man), but the short also makes sure to tell us that he is really not a threat (but the kids themselves certainly don’t know that). One of the short’s more amusing moments is when Spanky is cornered, and feeds this bottomless pit of a man everything in the icebox. It’s not a great short, but it certainly provided a few good laughs throughout.

Holiday Inn (1942)

  • Plot Synopses: A three person song-and-dance team splits up when one of their members, Jim Hardy (Bing Crosby) gets the urge to buy a farm where he can rest and retire from show business. Farming doesn’t prove to be as easy or as restful as he thinks, and he decides to turn the farm into an inn that is only open for holidays (fifteen days a year). Linda Mason (Marjorie Reynolds) is sent to the inn to audition, and she gets a job there. Jim falls for her, but one of his former partners, Ted Hanover (Fred Astaire), finds himself partnerless. Upon meeting Linda, Ted also falls in love with her and wants to dance with her. Will Linda stay at the inn with Jim, or will she become a big star with Ted?
  • Film Length: 1 hour, 40 minutes
  • Extras (on both the 4K disc and the included Blu-ray): “A Couple Of Song And Dance Men;” “All-Singing All-Dancing;” “Reassessing ‘Abraham;'” Theatrical Trailer; and Feature Commentary By Film Historian Ken Barnes, including Audio Comments From Fred Astaire, Bing Crosby And John Scott Trotter
  • Label: Universal Studios
  • My Rating: 8/10
  • Quick Comments
    • On The Movie Itself: It’s a wonderful Christmas classic (obviously, it covers more than one holiday, but everybody remembers this film for its introduction of the song “White Christmas,” and for good reason)! Bing Crosby and Fred Astaire team up for the first time onscreen, with the resulting fun of “I’ll Capture Your Heart Singing” as the two of them try (and fail) to one-up each other in romance! Besides the two aforementioned songs, we also have some other fun Irving Berlin tunes including “Easter Parade” and “Be Careful, It’s My Heart.” The only real complaint about the film is the blackface number set to the song “Abraham.” The story may not be that great, but, apart from the blackface issues, this is a well-regarded film for good reason, and certainly recommended! If you need to read more on the film, check out my original review here.
    • On The Transfer: Honestly, this is a bit of a disappointing release. The 4K disc looks terrible, with a picture that is darker at times and loses some of the detail, and grain tends to be very distracting here, as if they are working from elements (or an older transfer) that doesn’t have 4K worth of data, although there are some moments here and there where the 4K disc actually looks good. Frankly, the included Blu-ray (which appears to use the same transfer, or close enough) actually looks better throughout. The Blu-ray is lighter and the grain is nowhere near as prevalent as it is on the 4K. Also, depending on your feelings about this, the film starts with a vintage Universal logo preceding the film’s Paramount logo. I only mention this because the film was originally produced by Paramount, was part of a large group of films sold to Music Corporation Of America (MCA)/EMKA , Ltd. in the 1950s, before becoming part of Universal Studios’ library when MCA took over the studio in the 1960s. Realistically, this release is at best recommended to those who don’t have the Blu-ray already (and even then it is questionable). If you already have the Blu-ray, then don’t bother with this one. If you want either the Broadway show or the colorized version of the film (neither of which is included as extras with this release), then I would suggest going with one of the earlier Blu-ray releases.

Singin’ In The Rain (1952)

  • Plot Synopses: Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) are two of the biggest silent film stars in Hollywood. However, an encounter with one of his fans (Kathy Selden, as played by Debbie Reynolds) has left Don questioning whether he really can act. And now he really needs to prove that he can, as sound has come to the movies! He’s got the support of Kathy and his old friend Cosmo Brown (Donald O’Connor), but Lina proves to be a problem since she speaks with a heavy accent (not to mention the fact that she can’t sing or dance). Will Don and Lina’s new sound film prove to be a hit with audiences, or a flop?
  • Film Length: 1 hour, 43 minutes
  • Extras (on the 4K disc): Commentary by Debbie Reynolds, Donald O’Connor, Cyd Charisse, Kathleen Freeman, Stanley Donen, Betty Comden, Adolph Green, Baz Luhrmann and Rudy Behmer; Musical Numbers
  • Extras (on the included 2012 Blu-ray): Commentary by Debbie Reynolds, Donald O’Connor, Cyd Charisse, Kathleen Freeman, Stanley Donen, Betty Comden, Adolph Green, Baz Luhrmann and Rudy Behmer; Singin’ In The Rain: Raining on a New Generation, Jukebox, Theatrical Trailer
  • Label: Warner Home Video
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: The classic music of Arthur Freed and Nacio Herb Brown. Gene Kelly’s iconic dance in the rain to the title tune. Donald O’Connor’s pratfall-filled dance to “Make ‘Em Laugh.” All the comedy and the romance a film could need. What more needs to be said? (If more does need to be said, please read my original full review here).
    • On The Transfer: I had always thought that the earlier Blu-ray (from 2012) looked pretty good, but the new UHD blows it out of the water! The resolution is certainly much improved, allowing us to see better detail in the image (and all this from a film whose original camera negative was mostly destroyed, save for one reel, in the infamous 1978 Eastman House fire, and which has relied mostly on dupe negatives ever since). The colors are much improved by the HDR, toned down from the slightly yellowish image on the Blu-ray and DVD (and, according to the experts on the subject that I’ve read, the UHD is closer to being what it is supposed to look like). Of course, if you’re looking to “future-proof” this film, then do know that the Blu-ray included with the UHD is still the 2012 release, and not a remastered Blu-ray with a new transfer (which admittedly does allow you to see just how different the UHD is from the older Blu-ray). I’ll certainly recommend the 4K UHD quite heartily as the best way to enjoy this wonderful classic!

West Side Story (2021)

  • Plot Synopses: In the Upper West Side of Manhattan, the Jets are fighting for control of their territory with the Puerto Rican gang, the Sharks. The Jets’ former leader, Tony (Ansel Elgort), is trying to stay out of it, but he finds himself drawn in when he falls for Maria (Rachel Zegler), the sister of the Sharks’ leader, Bernardo (David Alvarez). This really angers Bernardo, pushing the Jets and the Sharks into a big all-out fight, with control of their territory at stake. Neither Maria nor Tony nor the police want this to happen. But, with all the hatred going around, can they stop the rumble before any blood is shed?
  • Film Length: 2 hours, 36 minutes
  • Extras (only on the included Blu-ray): The Stories of West Side Story, The Songs
  • Label: 20th Century Studios/Disney
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: Plain and simple, I did not expect to like this version since I essentially hated the 1961 film. Boy, did that opinion prove to be wrong! The cast did right by their roles. The music and dancing proved to be very entertaining and memorable! Even the cinematography left an imprint on me! I would go so far as to argue that this may be the best film musical I’ve seen made within my own lifetime (if not the best movie made within my own lifetime, it’s so enjoyable)!
    • On The Transfer: I thought the accompanying Blu-ray for this film looked pretty good, but the 4K UHD blows it out of the water! The detail is exquisite and the color pops, especially for the extremely colorful “America” song and dance! The transfer really shows off the excellent cinematography here! A highly recommended release!

My Overall Impressions

Well, now that I’ve commented on both of these films, I’ll give you my rankings on these releases, from highly recommended (1.) to least recommended (3.):

  1. Singin’ In The Rain (1952)
  2. West Side Story (2021)
  3. Holiday Inn (1942)

Plain and simple, I think that Singin’ In The Rain is the better film of these three. It’s been a beloved classic for a long time (for good reason!), so it’s an easy choice. I do think that, as far as the 4K UHD releases go, West Side Story looks better, but I would also say that that has to do with modern filming technology which allows it to have much better detail combined with the fact that the original camera negative for Singin’ In The Rain no longer survives (but, as I said, that film still looks great on the 4K UHD, too). That being said, West Side Story is an easy recommendation for me as well. I enjoyed the film a lot (far more than I can say about the earlier 1961 film, for which I had the completely opposite reaction). I’ll give Singin’ In The Rain the edge here, but I can’t deny that both are wonderful films, and certainly deserve to be seen in the best possible format! Holiday Inn is another story. As to the movie itself? I would highly recommend it (maybe not as much as the other two films here, but it’s still a well regarded classic). However, as this is concerning the new 4K UHD release, Holiday Inn is easily the weakest of the bunch, with a poor transfer that leaves me recommending that you NOT look at the 4K, and instead go with one of the earlier Blu-ray releases.

*Singin’ In The Rain (1952) = ranked #2 in Top 10 Disc Releases Of 2022

**West Side Story (2021) = ranked #7 in Top 10 Disc Releases Of 2022

***West Side Story (2021) = ranked #6 in Top 10 Movies Watched In 2022

An Old-Fashioned Christmas Movie On The Farm (2019) with… Holiday Inn (1942)

It’s certainly time for a holiday celebration, and what better movie than the classic Holiday Inn (1942), starring Bing Crosby and Fred Astaire!

Coming Up Shorts! with… The Pinch Singer (1936)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 17 minutes, 26 seconds)

A local radio station holds an amateur talent contest with a $50 prize. The Eagles Club (that’s the Gang) decide to have Darla (Darla Hood) perform, but when she’s late, it’s up to Alfalfa (Carl Switzer) to go on in her place! This was yet another fun short! Some of the fun was in seeing various other kids (not otherwise connected with the Little Rascals) performing to various songs. Of course, with the regular cast, the auditions where Alfalfa attempted to sing (but kept getting the gong), and Buckwheat (Billie Thomas) lip-synching (if you can call it that, since he’s supposed to be whistling) to a record were comic bits that all managed to keep me laughing! There are a few problematic moments, such as Alfalfa wearing blackface as a “disguise” during one of his auditions, and another trio also wearing blackface during their performance. But, realistically, these moments didn’t really detract from this short that much, as I thought it was entertaining throughout (and I certainly wouldn’t mind seeing it again)!

And Now For The Main Feature…

Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire) and Lila Dixon (Virginia Dale) are a song-and-dance team working together in nightclubs. Jim, who is in love with Lila, has decided to retire from show business, marry Lila, and live on a farm. Lila loves Jim, but she also loves Ted and wants to keep dancing, so she decides to stick with the act. Jim still goes to live on the farm, but his dreams of a lazy life are quickly proven false. So, instead, he comes up with an idea to turn the farm into an inn that is open holidays only (as in, only fifteen days a year). Linda Mason (Marjorie Reynolds), a wannabe singer and dancer, is steered his way by Jim’s former manager, Danny Reed (Walter Abel), and she gets the job at the inn. On New Year’s Eve (when Jim’s “Holiday Inn” opens), Ted learns that Lila has left him to marry a millionaire, and, after getting drunk, makes his way to the inn. Upon his arrival, he dances with Linda, but passes out at the end of the dance. However, the audience appreciated the dance, and the late arriving Danny is ecstatic about the reception to Ted’s “new partner.” However, Danny never saw who Ted’s partner was, and, upon waking up in the morning, Ted doesn’t remember what she looked like, either. Jim (who likes Linda), sees Ted’s reaction of falling for his new partner (even if he doesn’t know who she is or what she looks like), decides to try to hide Linda’s existence at the inn on the next few holidays. However, it’s not enough, and Ted and Danny do find out who she is. However, Ted and Danny want to take her away from the inn, but she’s promised to stay at the inn (and she thinks she is engaged to Jim). So, Ted comes to the inn under the guise of wanting to work with them and “enjoy life’s simple pleasures.” Jim is suspicious of Ted’s motives, which is all but confirmed when, on July 4, he overhears Ted and Danny discussing some Hollywood agents who are coming to the inn to see Ted and Linda perform. Jim tries to keep Linda away, but she still manages to arrive (although after the show). Jim and Linda have an argument and break up, with Linda going to Hollywood with Ted while Jim stays at the inn. The question remains: will her Hollywood success with Ted be enough, or will Jim be able to convince her to return to the inn (and him)?

In 1917, composer Irving Berlin wrote a song called “Smile And Show Your Dimple.” It didn’t enjoy much success initially. At least, not until he repurposed the music for the 1933 Broadway musical revue As Thousands Cheer, in which he gave it new lyrics and a new title: “Easter Parade.” With the song now a hit, Irving Berlin came up with the idea to have a revue based on the various American holidays. On the stage, this idea never got off the ground, but a meeting with movie director Mark Sandrich (who had collaborated with Irving Berlin on three of the Astaire-Rogers pictures) resulted in them pursuing the idea for a film. Since they were both at Paramount Pictures, they wanted to go with the studio’s big musical star, Bing Crosby, and decided to bring in Fred Astaire (who had been freelancing after his contract with RKO had ended a few years before). Big female stars like Ginger Rogers and Rita Hayworth were considered, but a budget-conscious Paramount had fought hard enough against Fred being cast (since he and Bing were two of Hollywood’s highest paid stars), so they ended up going with some unknowns for the female leads, nightclub dancer Virginia Dale and Marjorie Reynolds (who had up to that point been known for her roles in various Poverty Row Westerns). The resulting film went over well with audiences, with the song “Be Careful, It’s My Heart” becoming a hit at first. The song “White Christmas” (which won Irving Berlin his only Oscar for “Best Song”) became more of a hit over time due to the war and homesick soldiers requesting it on the Armed Forces Radio.

I will readily admit that the song “White Christmas” is one that I enjoy listening to (as long as there isn’t any actual snow on the ground), but I can also definitely say that there are a few other songs and dances that I enjoy in this movie. One of them is the song “You’re Easy To Dance With,” sung and danced by Fred Astaire and Virginia Dale. Amongst Fred’s early Irving Berlin film musicals, it continues the trend of him doing a dancing-related song. He reprised it with Marjorie Reynolds at the New Year’s Eve party, except this time he was drunk (and I do mean drunk, as Fred had two drinks of bourbon before the first take, and one more between each take, with the seventh and final take being what we see in the movie). Even drunk, Fred still proves that he can dance better than others can sober.

Then, of course, there is the more patriotic song “Let’s Say It With Firecrackers” to go along with July 4. This is Fred’s big tap solo in the movie, and he worked with actual firecrackers for it! Apparently, it took about 38 attempts before Fred was satisfied with it, but it is very impressive to watch him do, just the same! Apparently, a little bit of animation was used to further emphasize some of the blasts, but I still have to give Fred credit for trying to pull this one off (and doing pretty well, at that)!

I will admit, this movie is certainly not a perfect one. I personally think that the lyrics for the song “I Can’t Tell A Lie” are rather cringeworthy, and the music itself is rather forgettable. The only redeeming quality with that song-and-dance is the fun of watching the music changing styles and “throwing off” Fred and Marjorie’s characters in their dance (since Bing’s character was trying to stop them from kissing in their dance). Then there’s the song “Abraham,” where the use of blackface really drags it down (and I have a really hard time understanding why Bing did it, especially since he had been so instrumental a few years earlier in getting Louis Armstrong cast in 1936’s Pennies From Heaven). The lyrics don’t help, either, and I certainly appreciate them not being used when the song was brought back for the “not-quite-a-remake” film White Christmas (1954) when Vera-Ellen and John Brascia danced to it. Still, in spite of those flaws, I do like this movie and would definitely recommend trying it out (for any holiday associated with this movie)!

This movie is available on Blu-ray and DVD from Universal Studios.

What’s Old Is A New Release Again (2022) with… Holiday Inn (1942)

On November 1, 2022, Universal Studios released Holiday Inn (1942) on 4K UHD. Honestly, this is a bit of a disappointing release. The 4K disc looks terrible, with a picture that is darker at times and loses some of the detail, and grain tends to be very distracting here, as if they are working from elements (or an older transfer) that doesn’t have 4K worth of data, although there are some moments here and there where the 4K disc actually looks good. Frankly, the included Blu-ray (which appears to use the same transfer, or close enough) actually looks better throughout. The Blu-ray is lighter and the grain is nowhere near as prevalent as it is on the 4K. Also, depending on your feelings about this, the film starts with a vintage Universal logo preceding the film’s Paramount logo. I only mention this because the film was originally produced by Paramount, was part of a large group of films sold to Music Corporation Of America (MCA)/EMKA , Ltd. in the 1950s, before becoming part of Universal Studios’ library when MCA took over the studio in the 1960s. Realistically, this release is at best recommended to those who don’t have the Blu-ray already (and even then it is questionable). If you already have the Blu-ray, then don’t bother with this one. If you want either the Broadway show or the colorized version of the film (neither of which is included as extras with this release), then I would suggest going with one of the earlier Blu-ray releases.

Film Length: 1 hour, 41 minutes

My Rating: 8/10

List Of Actor/Actress Filmographies/Collections

My Favorite Blonde (1942)Bing CrosbyRoad To Morocco (1942)

You’ll Never Get Rich (1941)Fred AstaireThe Sky’s The Limit (1943)

Marjorie Reynolds – The Time Of Their Lives (1946)

Bing Crosby/Fred Astaire (screen team) – Blue Skies (1946)

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Screen Team VS: Bing & Fred vs. Frank & Gene

In 1941, a chance meeting between director Mark Sandrich and composer Irving Berlin resulted in them planning on a musical inspired by various holidays. It was planned as a vehicle for Bing Crosby, and they also decided that it would be right up Fred Astaire’s alley, too. And so we had those two friends paired together for the classic 1942 Paramount movie Holiday Inn. A few years later, MGM responded with their own song-and-dance team of Frank Sinatra and Gene Kelly in Anchors Aweigh. While I haven’t seen anything that makes them out to be rival teams, considering the individual members were indeed rivals, one can’t help but want to compare them. While I certainly have my preference as to which I enjoy watching more (and so, like on the TV show Whose Line Is It Anyway, the points don’t matter), I still feel like talking about the two teams, mainly sticking to the movies they made together.

Holiday Inn (1942) – My Rating: 8/10

Blue Skies (1946) – My Rating: 10/10

Anchors Aweigh (1945) – My Rating: 5/10

Take Me Out To The Ball Game (1949) – My Rating: 9/10

On The Town (1949) – My Rating: 8/10

Screen Team Edition: Bing Crosby and Fred Astaire

Screen Team Edition: Frank Sinatra and Gene Kelly

So let’s start with some of the more obvious differences. Bing Crosby and Fred Astaire made two movies together, while Frank Sinatra and Gene Kelly made three. Between their two films, Bing and Fred have two songs that they work together directly and two more that they are both involved together (just not as much). Frank and Gene can claim about twelve songs that they work together in pretty solidly through their three movies. Irving Berlin provides all the music for Bing and Fred, while Frank and Gene are served by the likes of Jule Styne, Sammy Cahn, Roger Edens, Betty Comden, Adolph Green and Leonard Bernstein.

To get a little deeper into the elements of that differentiate the two, I would say at least two come to mind: how their friendships are portrayed on screen, and how their offscreen careers may have affected the films. On screen, Bing and Fred were similar to Bing and Bob. They were both romantic rivals, and they had no troubles double-crossing each other when it came to romance in Holiday Inn. While Blue Skies started out with a similar relationship, partway through, Fred’s character started to soften, and care enough for the film’s leading lady that he wasn’t as willing to come between them. Meanwhile, Frank and Gene portrayed their characters as good buddies. Admittedly, Gene mainly tried to help Frank to get him off his back in his own attempts at romance, but he still felt like he was betraying a good friend when he fell for the same girl that Frank first fell for. Admittedly, some of that might be different just purely from occupations, as Bing and Fred portrayed characters in show business, and in two of their three movies, Frank and Gene were sailors who no doubt had gone through a lot together.

I also believe their movie careers affected these movies. When Bing and Fred were teamed up, they had both been in the movies for nearly a decade, and were some of the biggest stars in Hollywood. When Frank and Gene were paired together, neither of them had been in the movies for very long (in fact, I get the impression Anchors Aweigh was Frank’s first starring role). Consequently, that affected the various situations. I get the impression from what I have read that both Bing and Frank weren’t big into rehearsing, while Fred and Gene were both perfectionists who put a lot of work into what they did. With Bing as a more established star, he apparently didn’t feel the need to rehearse as much (and I can only imagine that must have driven Fred nuts), thus his dancing comes off poorly. With Frank not as established, he had to put in more rehearsal time with Gene, and so we see them looking at least decent together (and who knows how much natural talent Frank might have had as a dancer compared to Bing). Of course, age might also come into play, too, and Frank and Gene were both in their late 20s/early thirties when first paired together, while Bing was in his late 30s and Fred already in his forties.

Personally, I can’t help but wish the four had made a movie together (and no, I’m not including the first That’s Entertainment movie that they all co-hosted, since they never actually share the screen at any time). Of course, I do know that they had some team up here and there. Rivals Bing and Frank worked together in High Society, Robin And The 7 Hoods, The Road To Hong Kong (Frank makes a cameo appearance), and several TV specials. Fred and Gene worked together for one song in Ziegfeld Follies and again as co-hosts of That’s Entertainment Part 2. Not to mention Bing and Gene making cameo appearances in the Marilyn Monroe movie Let’s Make Love (although they don’t appear together). I think both teams were truly wonderful to watch, but I will always pick Bing and Fred as the more fun team to watch together.

Holiday Inn

My Rating: 8/10

Audience Rating:

Blue Skies

My Rating: 10/10

Audience Rating:

Anchors Aweigh

My Rating: 5/10

Audience Rating:

Take Me Out To The Ball Game

My Rating: 9/10

Audience Rating:

On The Town

My Rating: 8/10

Audience Rating:

Winner: Bing Crosby and Fred Astaire (again, just my opinion)

Screen Team Edition: Bing Crosby and Fred Astaire

And we’re back, again to talk about another screen team: Bing Crosby and Fred Astaire. Now, as far as I know, they were good friends, but I would be hard-pressed to come up with much information about their friendship prior to their first film together, the 1942 classic Holiday Inn, although I get the impression they were friends before they made that movie. Admittedly, they certainly seem to be an odd pairing, particularly behind the scenes, as Fred Astaire seemed to be a bit of a perfectionist, particularly with his dancing, meanwhile, Bing wasn’t as big into rehearsing (didn’t really hurt his acting or singing, but it is VERY obvious when it comes to his dancing ability, or lack thereof). Still, they did make for a good pair through at least two movies, the aforementioned Holiday Inn and the 1946 movie Blue Skies (and in some respects, one could argue this was a three-man team, as both of the movies had music supplied by composer Irving Berlin).

In Holiday Inn, Bing plays Jim Hardy and Fred plays Ted Hanover, two men working together onstage with Lila Dixon (Virginia Dale), with whom they are both in love with. Jim decides to leave the act and live on a farm, believing it to be an easier life (and oh, how wrong he was). After a year, he decides to turn the farm into an inn that is “open holidays only.” Linda Mason (Marjorie Reynolds), who wants to break into show business, is sent there to audition, and she gets the job. When the inn opens New Year’s Eve, Ted comes in, drunk, after Lila left him for a millionaire. He ends up dancing with Linda, but then passes out. In the morning, he remembers dancing with a new partner, but can’t remember what she looked like (although he believes he is in love with her). He figures she will be back at the inn, and on Valentine’s Day, is proven right. She wants to be his partner, but doesn’t want to leave the inn. She ends up leaving the inn when Jim tries to prevent her having the choice to go to Hollywood. The question remains: where will she stay? Hollywood or Holiday Inn? (Length: one hour, forty minutes)

In Blue Skies, Fred Astaire plays Jed Potter, a dancer as part of a group that includes Mary O’Hara (Joan Caulfield). He tries to get her join a new show in New York instead of going on the road with the one they were doing. She refuses, until he takes her out to a nightclub owned by his friend Johnny Adams (Bing Crosby), with whom she immediately falls in love. While he likes her, he doesn’t quite share her interest in marriage, as he has a habit of buying and selling his nightclubs. After a while, they do get married, with him “promising” to stop buying/selling new nightclubs, although it doesn’t stop, even after they have a child. Meanwhile, Jed loves her from afar, although she never fully returns his affection. (Length: one hour, forty-three minutes)

Since I will have (at some point) individual reviews for both of these movies, my purpose here is to talk about them as a team. In some respects, they operate together similar to how Bing worked with Bob Hope, as they both fell in love with the leading lady in both movies, although they don’t rely as strongly on insults. One thing common to both movies is that they have at least one song that emphasizes their singing/dancing strengths. In Holiday Inn, it is “I’ll Capture Your Heart Singing,” where, in a performance, they argue whose regular method is more appealing to the ladies: singing or dancing. They also have “Be Careful, It’s My Heart,” with Bing singing while Fred dances with leading lady Marjorie Reynolds, and “I Can’t Tell A Lie,” with Fred dancing again with Marjorie Reynolds while Bing “leads the band” (even trying to change music styles to throw off Fred and Marjorie, to humorous effect). In Blue Skies, their main routine together is “A Couple Of Song And Dance Men,” which was a comedy routine, showing how much Bing didn’t like to rehearse, as we see Fred dancing circles around him, while following up with little comedy bits to end the routine.

Sadly, these ended up being the only two movies that Bing and Fred made together (well, unless you want to count them both appearing as hosts, but not onscreen at the same time, in That’s Entertainment). I know that Fred was originally slated to appear in the 1954 White Christmas, but he didn’t do it because he thought he was getting too old for that type of role (and I suspect the fact that his wife was sick and dying from lung cancer didn’t help). However, they did end up doing at least one TV special together (possibly more, I’m not really sure). Still, they are a wonderful team to watch, and I would recommend either of their movies together!

Holiday Inn

My Rating: 8/10

Blue Skies

My Rating: 10/10