Thoughts From The Music(al) Man (2022) on… Murder By Death (1976)

-Sidney Wang (Peter Sellers) – “Never consider murder to be business, Mr. Diamond”

And yet, for the Fall 2022 blogathon from the Classic Movie Blog Association (CMBA), that is the business, as the theme is “Movies Are Murder!” On that note, I decided to go with a murder comedy I’ve enjoyed for a long time (but haven’t gotten around to writing about yet), 1976’s Murder By Death, starring Eileen Brennan, Truman Capote, James Coco, Peter Falk, Alec Guinness, Elsa Lanchester, David Niven, Peter Sellers, Maggie Smith, Nancy Walker and Estelle Winwood!

Five famous detectives and their associates have received an invitation to “dinner and a murder” at the mansion of Lionel Twain (Truman Capote). This group includes Dick Charleston (David Niven) and his wife, Dora (Maggie Smith); Inspector Sidney Wang (Peter Sellers) and his adopted son Willie (Richard Narita); Milo Perrier (James Coco) and his chauffeur, Marcel Cassette (James Cromwell); Sam Diamond (Peter Falk) and his secretary, Tess Skeffington (Eileen Brennan); and Jessica Marbles (Elsa Lanchester) with her nurse, Miss Withers (Estelle Winwood). In the leadup to the dinner, there are various attempts on their lives, which all fail. During the dinner, their host (who had previously kept to himself) appears, and explains why he brought them all there. Every one of those detectives had a reputation for solving every one of their cases, and Mr. Twain wanted to bet them all that he could solve a murder before them. He predicted that one person sitting at that table would be murdered at midnight, and another would be the murderer. While he disappears, everyone else vows to stay together, although at various times, they leave the room to investigate some of the goings-on in the house. At midnight, Mr. Twain himself appears, dead (and murdered exactly as he had predicted). So, the detectives and their associates all set out to figure out who indeed murdered Twain. But will they succeed, or will Mr. Twain get the upper hand (even though he’s dead)?

Ah, the murder mystery. The genre has long been a favorite with readers and moviegoers alike. Of course, with good murder mysteries come various detectives, who become famous for their wit and their ingenuity in solving these crimes. Some authors were able to create memorable detectives that audiences loved and followed through entire series, both on the big screen and in the written word. Murder By Death was writer Neil Simon’s spoof of the detective genre. In particular, he parodied detectives from Agatha Christie (Hercule Poirot and Miss Marple), Dashiell Hammett (Nick and Nora Charles, Sam Spade) and Earl Derr Biggers (Charlie Chan). A number of big stars were offered roles (including original Thin Man actress Myrna Loy), but they turned them down. Those that did decide to take part in the film enjoyed themselves. Alec Guinness in particular thoroughly enjoyed himself, as he made the trip to Hollywood to make the film (not something he was prone to doing). In fact, he had to reassure author Neil Simon that he was having fun with it (since the author liked him so much that he offered to rewrite anything to suit him). Admittedly, some of the cast didn’t exactly have a lot of faith in the film, as Peter Sellers sold his share of the percentage back to the producers of the film, and the company that David Niven’s son was working for (and which had invested in the film) believed they would be writing it off as a tax loss. And yet, the movie ended up being the eighth biggest hit of 1976.

I first saw this film when it was given to me on DVD along with two other Peter Falk films (this film’s 1978 “sequel”, The Cheap Detective as well as the 1979 film The In-Laws). Even though I had no experience with any of the detectives that the film was spoofing (outside of Humphrey Bogart’s Sam Spade in The Maltese Falcon), I took to the film right away! The movie has a lot of twists and turns as we see the murder occur and then get solved (if you can call it that) by the film’s end. Admittedly, the film’s ending does leave you with a number of rather big plot-holes, but, at the same time, it’s so fun that I can easily forgive the movie as I get swept up in the proceedings! In general, I think all of the cast do quite well, from Peter Falk’s excellent imitation of Humphrey Bogart, to David Niven and Maggie Smith, who come off quite similarly to William Powell and Myrna Loy’s Nick and Nora Charles from the Thin Man films. Personally, I think that Alec Guinness’ role as the blind butler Jamessir Bensonmum is one of his best, as he is quite funny (especially with that name!). I have to throw in a SPOILER ALERT to say this, but he is at his absolute best when we see him at the end of the film, revealed as the culprits by the various detectives, and he changes his manner and character so well every time that one of the detectives comes in and accuses him of being somebody different. END SPOILER ALERT

Besides Alec Guinness, I also really like Peter Sellers here. Normally, I don’t care for him at all, but his performance as Sydney Wang is a real delight (even if it isn’t exactly politically correct, since he’s wearing yellowface to appear Asian). Quite frankly, he’s one of the most quotable characters in the film for me, with this line being a personal favorite:

-Sidney Wang (Peter Sellers) – “Conversation like television set on honeymoon. Unnecessary!”

But aside from some of his sayings (or “stories” as he calls them), I most enjoy his interactions with Truman Capote’s Lionel Twain, who is almost a grammar Nazi with regards to Wang’s ability to speak English, as exemplified by this exchange:

-Sidney Wang (Peter Sellers) – “What meaning of this, Mr. Twain?”

-Lionel Twain (Truman Capote) – “I will tell you, Mr. Wang, if you can tell me why a man who possesses one of the most brilliant minds of this century can’t say his prepositions or articles. ‘The,’ Mr. Wang, ‘What is the meaning of this?”

-Sidney Wang (Peter Sellers) – “That’s what I said. What meaning of this?”

Of course, I just love how Wang refers to a moose head mounted on the wall (which Twain is using to watch them) as a “cow on wall.” Quite frankly, my only really serious complaint about this movie is that these two don’t interact enough.

Apart from that, I do know that this movie isn’t for everyone. Aside from Peter Sellers being made up to look Asian, the movie has a number of other things going on that keep it from being politically correct. In general, there are a handful of racist comments (usually directed towards Peter Seller’s Wang or his Japanese son, played by Richard Narita). There are definitely some issues with sexism going on, and a number of homophobic comments as well. Plain and simple, it’s not a perfect film. But, it’s one I have enjoyed seeing on an almost yearly basis (especially around the Halloween season) ever since I first saw it, and it’s one that I highly recommend (at least, for those who can get past its issues). And with that, I leave with a quote that admittedly needs another spoiler warning (since it comes from the end of the film, and hints enough at the film’s ending), but it’s one that feels apropos for the whole “Movies Are Murder!” blogathon (not to mention, it’s certainly how things sometimes feel when things don’t go our way). So thank you all for reading (and don’t let the “murder” referred to in this quote be the situation for you this weekend, either 😉 )!


-Willie Wang (Richard Narita) – “I don’t understand, Pop. Was there a murder or wasn’t there?”

-Sidney Wang (Peter Sellers) – “Yes. Killed good weekend.”

What’s Old Is A New Release Again (2018) with… Murder By Death (1976)

This movie is available on Blu-ray from Shout! Factory. The transfer seems to be using an HD scan. For the most part, it looks pretty good. There is some damage in the form of specks and dirt, but it’s really only visible on bigger and better TVs. Overall, it’s the way that I would recommend seeing the movie.

Film Length: 1 hour, 35 minutes

My Rating: 10/10

*ranked #9 in Top 10 Movies Watched In 2022

List Of Actor/Actress Filmographies/Collections

Robin And The 7 Hoods (1964) – Peter Falk

Naughty Marietta (1935) – Elsa Lanchester

Magnificent Doll (1946) – David Niven

The Notorious Landlady (1962) – Estelle Winwood

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Thoughts From The Music(al) Man (2021) on… Naughty Marietta (1935)

This year, the Classic Movie Blog Association (CMBA) chose the Hidden Classics Blogathon as their Spring Blogathon, in order to feature forgotten films and underrated gems that may need more attention.  For me, one of the first films to come to mind would be the 1935 operetta Naughty Marietta starring Jeanette MacDonald and Nelson Eddy!

Princess Marie de Namours de la Bonfain (Jeanette MacDonald) is beloved by the people, but she has a problem.  Her uncle, the Prince de Namour de la Bonfain (Douglas Dumbrille), has arranged a marriage for her with Spaniard Don Carlos de Braganza (Walter Kingsford), whom she despises.  Sadly for her, the king approves of the marriage.  It looks like there’s no way out, until she learns about the casquette girls (a group of women being sent to the American colonies to marry the men there and raise families) from her scullery maid, Marietta Franini (Helen Shipman).  Since her maid was only going because she was too poor to marry her sweetheart, Marie gives her some money and decides to take her place as a casquette girl.  Her absence is quickly noticed by her uncle, and he sends men out to find her.  She narrowly avoids being noticed right before the ship leaves.  Before the ship can make it to the New World, they are attacked by pirates (who kill the crew and bring all the women with them).  On land (before anything can happen), a group of mercenaries, lead by Captain Richard Warrington (Nelson Eddy), pass by, and, hearing cries for help, fight off the pirates and bring the women to New Orleans.  There, the women are all introduced to the governor, Gaspard d’Annard (Frank Morgan), and his wife (Elsa Lanchester) before they are taken to the convent.  With some of the men vying for her hand in marriage, Marie tries to avoid it by essentially saying that she had lied when she signed her contract (and the only thing she could go with is that she was not a woman of strong morals).  So, she is taken to another house in the village by Richard (before she escapes from him).  He later finds her working in a marionette show, and takes her out for lunch.  However, while they are eating, they hear the town talking about how her uncle had arrived and was seeking her out.  Realizing that she was a fugitive, Richard tries to help her out, but they are quickly found, and she is taken to the governor’s mansion.  There, her furious uncle tells her that she is still to go through with her arranged marriage to Don Carlos, and they will leave as soon as possible.  In the meantime, the governor and his wife host a ball in their honor.  With her uncle threatening to have Richard executed for treason if he helps her, can Marie and Richard get away together, or will she be stuck married to a man that she despises?

Naughty Marietta was based on the stage operetta of the same name by Victor Herbert and Rida Johnson.  Jeanette MacDonald had recently signed with MGM after making a number of movies for Paramount, and Naughty Marietta was originally scheduled to be one of the first she did at MGM.  She wasn’t initially enthusiastic about it, and so the idea was delayed.  When they came back around to doing the movie after her success with The Merry Widow (1934), she wanted Allan Jones as her co-star, but he was busy working opposite the Marx Brothers in A Night At The Opera (1935).  So, Nelson Eddy was cast, and the makings of another famous screen team were born.

Naughty Marietta was once a fairly popular film (after all, it did create a new, popular screen team), but, to me, it seems to have been forgotten more and more as time goes on.  Some of that, I assume, has to do with its genre.  I know movie musicals are nowhere near as popular with audiences as they once were (at least, it certainly doesn’t seem like new films are released anywhere near as much as during the Golden Age of Hollywood).  Even worse, this film is based on an operetta, and I think they are even less popular.  I admit, I myself (a self-professed fan of film musicals) was originally quite hesitant to dig into ANY of the MacDonald-Eddy films for that reason.  After all, most people have enough of a hard time with the idea of people breaking out into song and dance in the movies, never mind people with such highly trained voices like this film’s two stars (no doubt a reflection of the changes in culture as time goes on).

Still, I did eventually come around to trying out the MacDonald-Eddy films.  I started out with their second film, Rose-Marie (1936), after seeing (and enjoying) the later 1954 film version with Howard Keel (a star I was much more familiar with), and that was my gateway into the films of MacDonald and Eddy.  Naughty Marietta ended up being the next film of theirs that I had the opportunity to see, and I enjoyed it quite a bit!  The film is at its best when Jeanette and Nelson are together, whether singing a duet or developing their relationship.  Their chemistry is what makes the whole thing work.  Of course, the film is also helped by another couple, that of Frank Morgan (who admittedly looks different without his mustache, which he had to shave, under protest), and Elsa Lanchester as his perpetually annoyed (and suspicious) wife.  The way they act together says SO MUCH about their character’s relationship, and provides quite a bit of humor in the process.  Of course, the music itself is wonderful, with “Ah, Sweet Mystery Of Life” being the biggest standout.  If you can push yourself to try an operetta, I would think this movie is indeed a hidden classic, and one that deserves to be seen (and enjoyed)!

This movie is available on DVD either individually or as part of the four film Jeanette MacDonald & Nelson Eddy Collection: Volume 1 from Warner Archive Collection.

Film Length: 1 hour, 44 minutes

My Rating: 10/10

*ranked #3 in Top 10 Movies Watched In 2021

List Of Actor/Actress Filmographies/Collections

The Cat And The Fiddle (1934)Jeanette MacDonaldRose-Marie (1936)

Dancing Lady (1933)Nelson EddyRose-Marie (1936)

The Good Fairy (1935) – Frank Morgan – Balalaika (1939)

Elsa Lanchester – Murder By Death (1976)

Jeanette MacDonald/Nelson Eddy (screen team) – Rose-Marie (1936)

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