Well, now that we’ve gotten into the month of August with my focus on Audrey Hepburn as my Star Of The Month, it’s time to take a look at one of her films! So, we’re going to start off with her 1963 classic Charade, which also stars Cary Grant!
Coming Up Shorts! with… Niagara Fools (1956)
(available on Blu-ray as part of The Woody Woodpecker Screwball Collection from Universal Studios)
(Length: 6 minutes, 12 seconds)
Woody decides to try going over Niagara Falls in a barrel, but a guide forbids him from doing so. This one was VERY funny! Most of the time, the guide’s attempts to stop Woody from going over result in HIM going over instead! I know I got a good chuckle over seeing the guide’s reactions (especially once he was resigned to going over after several failures), and it was even funnier when he accidentally dragged over many other guides! Plus, there’s the guide’s nonsensical trip back to the falls (after getting accidentally sent to the North Pole) as he travels through many different sections of the world (all while yelling “Mush!”). I had a lot of fun with this one, and I certainly know I would gladly come back to it again and again!
And Now For The Main Feature…
Regina Lampert (Audrey Hepburn) has just returned to Paris following a holiday in the French Alps with her friend Sylvie Gaudet (Dominique Minot). On the trip, Regina had told Sylvie that she was planning to divorce her husband Charles, but, upon returning to her apartment, she learns that he had been murdered, and had sold off all their furniture. She is quickly summoned by the police inspector, Edouard Grandpierre (Jacques Marin), who questions her about her husband (and in the process, she learns that he had been living something of a double life, with multiple passports under different names). At her husband’s funeral, three men show up, all of whom act strangely. Regina is later summoned to meet with Hamilton Bartholomew (Walter Matthau) at the U.S. embassy, who reveals that her husband was part of a group of men (which included the three strangers at the funeral) that had stolen a quarter of a million dollars during the war and hidden it. Apparently, her husband had gotten back to it before the others and took it, leaving them to go chasing after him. Mr. Bartholomew tasks her with trying to find the money and return it to the government before the men can do anything to her. With the three men, Tex Panthollow (James Coburn), Herman Scobie (George Kennedy) and Leopold W. Gideon (Ned Glass) threatening her over the money, Regina turns for help to a man she had met in the French Alps, Peter Joshua (Cary Grant), but he doesn’t seem to be who he says he is either. As a result, she keeps calling Mr. Bartholomew for advice about what to do. Mysteriously, the three men are murdered, and it’s up to Regina to keep herself safe while trying to figure out what her husband had done with the money. But can she do it and stay alive?
Peter Stone and Marc Behm originally wrote a script with the title The Unsuspecting Wife, and they tried to peddle it to the various movie studios (who all turned them down). It took Peter Stone turning into a novel (which was serialized in Redbook magazine) under the new title Charade before the studios gave it a second look. Director Stanley Donen, who had wanted a property that he could use to make an homage to director Alfred Hitchcock with, got the film rights, intending to make it at Columbia Pictures. He wanted Cary Grant for the film, but Cary was looking to make Man’s Favorite Sport (1964) with Howard Hawks and was thus unavailable. They tried several other big stars, but they were too expensive, and Columbia gave up on the picture (so it was sold to Universal Studios). Since he had decided that he didn’t like the script for Howard Hawk’s film, Cary Grant was once again back in the running for doing Charade. However, he was faced with being cast opposite the much younger Audrey Hepburn (he was nearly sixty, and she was in her early thirties at the time), an age gap that bothered him (and had been the reason why he had declined roles in Audrey Hepburn’s earlier films Roman Holiday from 1953, Sabrina from 1954 and Love In The Afternoon from 1957). The writers were able to circumvent his worries by giving all the romantically aggressive lines to Audrey Hepburn. Filming took place in Paris, France (where Audrey had just finished filming Paris When It Sizzles, which would actually be released after Charade) as well as Megève and the French Alps. The end result was a hit with audiences, becoming the fifth most profitable film from that year. In spite of that, it ended up being the only film that Cary Grant and Audrey Hepburn would make together (technically, he tried to get her for Father Goose, but she was unavailable because she was doing My Fair Lady).
I’l admit quite freely, that once I made the choice to pick Audrey Hepburn as one of my “Stars Of The Month”, Charade was one of her films that I absolutely HAD to get in! I’ve seen the film several times over the years, and I’ve enjoyed it very much! It’s been said many times that this film is considered “the best Hitchcock movie Hitchcock never made,” and it’s very hard to disagree with that sentiment! As those who read my review of Notorious (1946) can tell you, I’m not exactly fond of Hitchcock’s films beyond the four he did with Cary Grant (although one of these days, I hope to see Hitchcock’s lone screwball comedy, the 1942 film Mr. And Mrs. Smith). Of course, this is Cary Grant’s “fifth Hitchcock film,” which is certainly part of the appeal. The other two factors that, in my mind, make this one Cary Grant’s best “Hitchcock movie” are the film’s score by Henry Mancini, and Audrey Hepburn. Henry Mancini’s music really works well for all the various situations that occur throughout the movie, and the title tune is a bit of an earworm (and you certainly won’t find me complaining about that). But it’s the chemistry between Audrey and Cary that makes this film work so well (and makes you wish they had been able to do more movies together). Their relationship proves to be humorous and loving, while also being potentially dangerous (since he seems to be such a mysterious character). To me, it speaks volumes about their performances that I’ve seen this film multiple times, and yet, in spite of knowing what the truth is, I always fear for her character’s safety during the final moments of the film when she is on the run. The movie even has a fun little Easter egg when Cary Grant references a song title from My Fair Lady, which Audrey would start filming after this one was done. I know I love to come back to this film every now and then, and it’s one that I can recommend with perfect ease!
This movie is available on Blu-ray and DVD from Criterion Collection or Universal Studios.
Film Length: 1 hour, 54 minutes
My Rating: 10/10
*ranked #7 in Top 10 Movies Watched In 2022
List Of Actor/Actress Filmographies/Collections
Walter Matthau – Hello, Dolly! (1969)
As an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!