And we’re back from the sea for another musical romp with Frank Sinatra, Gene Kelly and Jules Munshin as they go On The Town with Betty Garrett, Ann Miller and Vera-Ellen.
On leave for just one day, sailors Gabey (Gene Kelly), Chip (Frank Sinatra) and Ozzie (Jules Munshin) explore New York City. While on the subway, Gabey sees a subway worker putting up a poster of Ivy Smith (Vera-Ellen), the new Miss Turnstiles. He decides to find her, and his buddies try to help. Along the way, they are helped by cab driver Brunhilde Esterhazy (Betty Garrett), who takes a shine to Chip, and Claire Huddesen (Ann Miller), who likes Ozzie. Gabey does find Ivy, and they all go out as a group (at least until Ivy sneaks away to get to her job). Gabey tries to find her again, all the while the group has to evade the police, due to the dinosaur skeleton that Ozzie had accidentally knocked over at a museum that they visited, as well as the cab that Brunhilde was driving beyond her shift.
This is the third and final movie that Frank Sinatra and Gene Kelly made together (well, unless you want to count them both being hosts of the first That’s Entertainment documentary). And of the three, it was the only one that Gene Kelly actually got paired up with a dancer, as Kathryn Grayson was mainly a singer and Esther Williams a swimmer. This movie is based on a Broadway show with music by Leonard Bernstein, although only a handful of songs were retained, with new music provided by associate producer Roger Edens. Of course, this movie is remembered as much for the behind-the-scenes team of Gene Kelly and Stanley Donen (who had worked together as choreographers for some of Gene’s movies and co-wrote the story for Take Me Out To The Ball Game) being upgraded to co-directors, a team that also co-directed the classics Singin’ In The Rain and It’s Always Fair Weather.
I enjoyed this one. I do have to admit, it took me several viewings over a number of years, but my opinion has improved. While it does veer back into the “sailors-on-leave” territory that Frank and Gene did with Anchors Aweigh, it maintains some of the improvements made for Take Me Out To The Ball Game (TMOTTBG), including the shorter runtime and Jules Munshin as the third buddy. I will say I don’t like the music quite as much as TMOTTBG, but it is a huge improvement from Anchors Aweigh. And, to a lesser degree, I almost wish they had given Jules Munshin a little more screentime, as he is the only one of the sailors that we don’t see on his own when they all separate. But, again, that’s just a minor complaint. For me, this is an increasingly fun film to watch, and one I would heartily recommend.
This movie is available on Blu-ray and DVD individually and on Blu-ray as part of the five film Frank Sinatra Collection from Warner Home Video.
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Batter Up! We’re here now for the second Frank Sinatra and Gene Kelly film, the 1949 musical Take Me Out To The Ball Game, which also stars Esther Williams and Betty Garrett.
The kids ignore the warning of Officer Kennedy (Edgar Kennedy), and go dig for treasure in a haunted house. Personally, I enjoyed this one! While there are no real spooks here, it feels like a good one to watch around Halloween. The bit with the Japanese finger trap is one of the best gags in the short, particularly when Officer Kennedy and his superior both get their hands stuck in one. There might be too much focus on the adults here, but it’s not bad enough for me to trash this one. I can certainly say that I look forward to watching this one again!
Coming Up Shorts! with… The Cat And The Mermouse (1949)
(available as an extra on the Take Me Out To The Ball Game Blu-ray from Warner Archive Collection)
(Length: 7 minutes, 37 seconds)
Tom the cat is all set for a relaxing day at the beach, when Jerry the mouse interrupts his rest. This was another enjoyable Tom & Jerry cartoon. It quickly becomes obvious that the short goes into a dream sequence when Tom goes underwater (and seems to be “breathing” just fine), but that’s not a problem. There’s some fun with the underwater creatures like a swordfish and an octopus that join in the chasing. Other than that, it’s still a typical Tom & Jerry cartoon, but that’s still very much a point in its favor (as is the laughter it provides)!
And Now For The Main Feature…
During the off season, baseball players Dennis Ryan (Frank Sinatra) and Eddie O’Brien (Gene Kelly) tour the country on the vaudeville stage, but it’s time to return for spring training! When they rejoin their team, however, they find that the team owner has died, and a distant relative has inherited the team. They soon find out the new owner is K. C. Higgins (Esther Williams), and she knows her stuff! Dennis immediately falls for her, but Eddie doesn’t get along with her at all. Once the season starts, Dennis finds himself being chased by Shirley Delwyn (Betty Garrett). At a big party for the team, Dennis realizes that he likes Shirley, and Eddie finds out that Katherine Higgins likes him! Of course, there are also some gamblers causing trouble by trying to fix things so that the team won’t win the pennant.
The idea for Take Me Out To The Ball Game came from Gene Kelly (although some claim it was very similar to the 1930 MGM musical They Learned About Women), and he brought in Stanley Donen to help finish the story. They were able to sell the idea to producer Arthur Freed for $25,000. At first, the film was considered as a follow-up to Anchors Aweigh, with Kathryn Grayson to be cast as the female lead. That didn’t happen, and Judy Garland was considered next. However, her health issues resulted in her being replaced by Esther Williams. Busby Berkeley was hired to direct the film, but he struggled enough that Gene Kelly and Stanley Donen ended up directing a lot of the film themselves (although they gave Berkeley the onscreen credit, his final credit as a film director). The film turned out to be a success, and Arthur Freed decided to officially give Gene Kelly and Stanley Donen the directing reins for the movie On The Town (which would again pair up Frank Sinatra and Gene Kelly, with Jules Munshin and Betty Garrett coming along for the ride).
Of the three Sinatra-Kelly films, I consider this one to be the most fun! I really enjoy the music, from the title tune, to “Strictly U.S.A,” to “The Hat My Dear Old Father Wore Upon St. Patrick’s Day!” Just about all of the music can easily get stuck in my head whenever I watch it! The humor generally works for me, too, especially how much they poke fun at Sinatra and how light he was, whether it be by Betty Garrett carrying him over her shoulder with ease, or all the stuff he was trying to eat to get his weight up during the spring training montage. At one hour, thirty-three minutes in length, this movie does away with the length problem of the earlier Anchors Aweigh, and everything seems to fit so much better. And the addition of Jules Munshin as Gene and Frank’s buddy manages to make things work, especially for the little comedy bit that the three of them do for goofing around for the fans a few times before some of the games.
Now, is the movie perfect? No, it does have its problems. There are aspects that feel like a re-tread of Anchors Aweigh, with Frank again playing a guy who is shy around women, and needs the help of ladies’ man Gene Kelly . Not to mention Frank falling for one gal, only to realize he likes somebody else while Gene falls for the first girl. Plus, the song “Yes, Indeedy” seems to fill the “locker room talk” song role that “I Begged Her” filled in Anchors Aweigh (although, given the choice between the two, I’ll live with “Yes, Indeedy,” as the other song is too slow and would be better removed from that movie entirely). I’d also say that the ending is a little weak. From what I’ve read in the biography Gene Kelly: A Life Of Dance And Dreams by Alvin Yudkoff, Gene Kelly and Stanley Donen were never able to come up with a proper ending to their story, so we got stuck with a song-and-dance where the four leads broke character. Personally, I’ve seen worse endings, so it’s not a huge problem. And, for some, the fact that actress Esther Williams, known for her underwater ballets, barely spends any time in the water, might also be a minor problem with this movie (although, to be fair, I’m not sure how they could realistically fit an underwater ballet into the story). Still, she is enough of an athlete herself that she seems to fit the role better than either Kathryn Grayson or Judy Garland would have. Even with these issues, I do enjoy this movie very much, and would highly recommend it!
This movie is available on DVD from Warner Home Video.
What’s Old Is A New Release Again (2021) with… Take Me Out To The Ball Game (1949)
On July 20, 2021, Take Me Out To The Ball Game was released on Blu-ray by Warner Archive Collection. I don’t know the exact source of the transfer, since Warner Archive is no longer doing podcasts or press releases via social media, and their newsletter didn’t mention it. My best GUESS is that they did a 4K scan of the original Technicolor negatives. Whether I’m right or not, one thing I can say: this new transfer looks GREAT!! Seriously, they’ve really brought out the color in this movie, and the detail is just exquisite! Plain and simple, they hit a home run with this one! Admittedly, whether you look at it as a bases-loaded grand slam or just a simple home run depends on your opinion of the film itself. Me, I REALLY like it, so it’s a grand slam in my book! Easily recommended!
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And here we are for another movie given a new disc release in 2018, the 1955 musical My Sister Eileen, starring Janet Leigh, Jack Lemmon and Betty Garrett.
Betty Garrett is Ruth Sherwood, and Janet Leigh is her sister, Eileen. Both of them have come to New York City’s Greenwich Village. There, they find an apartment to stay at, while they try to find work. Eileen hopes to become an actress, but she finds that the producers find HER interesting and not her acting. She becomes close with the manager of a local soda fountain, Frank Lippencott (Bob Fosse), who falls for her, and tries to help her out. Meanwhile, Ruth, who wants to become a writer, tries to submit her work to publisher Bob Baker (Jack Lemmon). He thinks most of her stories are bad, except for one on her sister Eileen. When he says he would like to meet her, Ruth falls victim to her own feelings of inadequacy and tells him that SHE is Eileen.
Apparently, everything came from a series of autobiographical short stories written by Ruth McKenny that was turned into a play (and then made into a movie in 1942 starring Rosalind Russell). It was brought to Broadway again in the early 50s as a musical called Wonderful Town, which prompted Columbia Pictures to make another film version. They had the rights to the story from the previous movie, but the rights to the music from Wonderful Town were apparently too expensive, so a new score was commissioned from Jule Styne and Leo Robin.
I personally think this is a wonderful movie. I am coming off my second viewing of this movie in my lifetime (not sure how long it has been since my first viewing), but I enjoyed it a lot more the second time. I still can’t really say as I care for the music itself, but I do think that it helps tell the story, so that is in its favor. The main appeal of this movie is the dancing, since Bob Fosse was in charge of the choreography. The main routines that are the most fun are the challenge dance between Bob Fosse’s Frank Lippencott and Tommy Rall’s newspaperman Chick Clark, and the song “Give Me A Band And My Baby,” where Betty Garrett, Janet Leigh, Bob Fosse and Tommy Rall are all pretending to play various invisible musical instruments. Now, this movie does have its ridiculous moments (everything connected to the “Conga” moments near the end are just nuts), but I think it all adds up to being the charm of the movie, so I would recommend this movie to everybody just for some good, clean fun!
The movie is available on Blu-ray from Twilight Time as a limited edition with 3000 total copies available through either www.screenarchives.com or www.twilighttimemovies.com and DVD from Sony.
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