Coming Up Shorts! with… The Little Rascals: The ClassicFlix Restorations, Volume 1

Welcome back for another full post of Coming Up Shorts! This time, I’m going with the Hal Roach theatrical shorts featuring The Little Rascals, and some of their shorts from 1929 and 1930 that have been released together on disc in The Little Rascals: The ClassicFlix Restorations, Volume 1.

Here’s a list and quick plot description for each of the shorts included in this set (for my comments on the individual shorts, click on the title to go to my previous reviews):

  1. Small Talk (1929) (Length: 25 minutes, 4 seconds)
    • Wheezer (Bobby Hutchins) is adopted, and the rest of the Little Rascals run away from the orphanage to come see him.
  2. Railroadin’ (1929) (Length: 18 minutes, 53 seconds)
    • The kids are all hanging out at the train yard where Joe’s (Joe Cobb) father works, when a bum starts the train and the kids find themselves unable to stop it.
  3. Lazy Days (1929) (Length: 20 minutes, 30 seconds)
    • Farina (Allen Hoskins) is just too lazy and tired to do much of anything, but when Joe (Joe Cobb) reads a paper for a baby contest (with monetary prizes), the whole gang decides to get their younger siblings ready for it (even the “lazy and tired” Farina).
  4. Boxing Gloves (1929) (Length: 17 minutes, 28 seconds)
    • Harry (Harry Spear) and Farina (Allen Hoskins) are fight promoters, and decide to pit Joe (Joe Cobb) and Chubby (Norman Chaney) against each other.
  5. Bouncing Babies (1929) (Length: 20 minutes, 45 seconds)
    • Wheezer (Bobby Hutchins) is sore because his baby brother is getting all the attention, and wants to send the baby “back to heaven.”
  6. Moan & Groan, Inc. (1929) (Length: 20 minutes, 41 seconds)
    • The kids ignore the warning of Officer Kennedy (Edgar Kennedy), and go dig for treasure in a haunted house.
  7. Shivering Shakespeare (1930) (Length: 20 minutes, 26 seconds)
    • The kids all take part in a production of Quo Vadis for the Golden Age Dramatic League.
  8. The First Seven Years (1930) (Length: 20 minutes, 10 seconds)
    • Jackie (Jackie Cooper) wants Mary Ann (Mary Ann Jackson) to be his “wife,” but has to fight Speck (Donald Haines) for her affections.
  9. When The Wind Blows (1930) (Length: 19 minutes, 47 seconds)
    • On a windy night, Jackie (Jackie Cooper) accidentally locks himself out of his house, and is mistaken for a burglar as he attempts to get into the homes of the various Rascals.
  10. Bear Shooters (1930) (Length: 20 minutes, 29 seconds)
    • The gang all go camping to hunt bears, but they unknowingly come across a pair of bootleggers who try to scare them off.
  11. A Tough Winter (1930) (Length: 20 minutes, 35 seconds)
    • On a cold winter’s day, the gang spend some time inside with handyman Stepin Fetchit before getting together for a taffy pull.

In 1921, producer Hal Roach came up with the idea for a series of shorts featuring young kids being themselves (as opposed to being over-rehearsed like some kids were when auditioning for parts in other productions). Long story short (as I hope to talk about them more if and when the silent shorts get restored for Blu-ray), nearly 88 silent shorts were produced in this series. Of course, with the success of Warner Brothers’ 1927 movie The Jazz Singer, everybody started making the transition to sound, and the Our Gang comedies were no exception. While they started making adjustments behind the scenes to accommodate sound for the shorts, the cast started to change a little as well, as some of them outgrew the series. Joe Cobb, Harry Spear and Jean Darling made a few appearances in the talkies before quickly being phased out, with the group joined by the likes of Norman “Chubby” Chaney and Jackie Cooper, plus Donald Haines, who made a few appearances as other characters before becoming a member of the Gang himself.

Up until watching this set, I had very little experience with the Rascals. Obviously, I had heard of them, but I hadn’t really seen much of the series, just the movie from the 1990s (and it has been some time since the one time I saw that) and some appearances by former Rascals in various movies, like George “Spanky” McFarland’s appearance in Kentucky Kernels or Dickie Moore’s appearances in films like Miss Annie Rooney or Out Of The Past (or, much to my surprise when I recently found out, Jackie Cooper’s appearances as Perry White in the Christopher Reeve Superman films I’ve been watching since I was a kid). So this set was pretty much my big introduction to the Rascals, and I found it quite worthwhile! From the very first short, I was enjoying myself quite heartily! Just based on how Small Talk starts off, it’s not hard to believe that it was the first sound short, as it starts off silently, only to blast us with the sounds of all the kids making noise (and what a natural “kid” thing to do)! Granted, the acting is a little stiff in the first few as everybody tried to get used to acting with sound, but they quickly settle in to the routine, and everything gets much better! I know I enjoyed watching the “fight” in Boxing Gloves, with Joe and Chubby squaring off against each other! Shivering Shakespeare has been listed as one of the better ones from this group, and I heartily agree with that, from watching the kids’ antics as they try to remember their lines in the play (with some assistance from their teacher, I think) to the slow-motion pie fight that ends it! When The Wind Blows is another fun classic, with Jackie Cooper getting into trouble on a windy night when he accidentally gets locked out of his house! There are some aspects on these shorts that are dated, but overall, there is a timeless appeal to them, and I now count myself a fan as I look forward to seeing the remaining sets as they come out!

In late 2020, ClassicFlix announced that they had licensed the Little Rascals shorts, and planned to restore the talkies (and the silents as well if the talkies do well enough). The film elements for many films and shorts originally produced by Hal Roach’s studio have changed hands a number of times over the years, and haven’t been as well preserved as most would hope. ClassicFlix tried a crowdfunding campaign to help fund the restorations for the Little Rascals series, but that ended up falling short. Still, they went through with their plans to restore the shorts, and, as this first set proves, they’re off to a good start! According to the restoration featurette on the disc, they worked with original nitrate elements for seven of these first eleven shorts, fine grain and safety elements on three shorts (due to lack of existing nitrate elements or film elements too far gone) and a mixture of safety and nitrate on Railroadin’. For the most part, these shorts look great (again, this is my first experience with them, so, for the most part, I don’t know how they have looked previously). There is some minor damage here and there on some of the shorts, and some shots don’t look quite as good, but that’s the result of available film elements (and available restoration budget). If you don’t believe me about how good everything looks, I’ve included some of the YouTube clips posted by ClassicFlix at the bottom of this post. Seriously, though, the restoration team at ClassicFlix have poured their hearts and souls into restoring this series (and it looks it), so I would very heartily recommend this first volume (especially if you want them to not only finish out the talkies, but also restore the silent shorts as well). From what I’ve heard, the second volume of the next eleven shorts (already available at the time of this writing) looks even better, and the third set is already scheduled (and I hope to get around to both of them when I can get that far)!

The Little Rascals: The ClassicFlix Restorations, Volume 1 is available on Blu-ray from ClassicFlix. The whole set has a runtime of three hours, forty-three minutes.

What’s Old Is A New Release Again (2021) with… Mad About Music (1938)

I hinted at the idea that I would be well-represented in this month’s Musicals: With A Song And A Dance In My Heart blogathon, and that continues to be true! Today, we’re looking at the 1938 Deanna Durbin musical Mad About Music, also starring Herbert Marshall, Gail Patrick and Arthur Treacher!

Coming Up Shorts! with… A Tough Winter (1930)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 1 (1929-1930) from ClassicFlix)

(Length: 20 minutes, 35 seconds)

On a cold winter’s day, the gang spend some time inside with handyman Stepin Fetchit before getting together for a taffy pull. This one is one of the weaker shorts in this bunch, purely because of how poorly Stepin Fetchit and his very stereotyped comedy have aged (i.e., not well). There is some fun to be had with the taffy pull, as it starts out with the old “radio recipe switch”-type of gag (you know, where it starts off with one recipe and switches to another while nobody is listening). Then, there is all the mess the gang creates as they try to pull the taffy through the house (and boy, is it sticky). I would say that there is some enjoyment to be had here, but it mostly requires also being able to stomach the altogether too prominent Stepin Fetchit and his schtick.

And Now For The Main Feature…

Gwen Taylor (Gail Patrick) is a big Hollywood actress, with an equally big secret: she has a fourteen-year-old daughter! However, much to Gwen’s dismay, her manager, Dusty Turner (William Frawley), believes it’s better that the public doesn’t know about her daughter, as Gwen is considered a glamour girl. So, her daughter, Gloria Harkinson (Deanna Durbin), is going to a boarding school in Switzerland run by the Fusenot sisters, Annette (Elisabeth Risdon) and Louise (Nana Bryant). Gloria can’t talk about her mother, and since her father, a Navy flier, died when she was a baby, she decides to make up stories about a world-traveling, big-game hunter father. To help maintain these stories, she writes herself letters to send through the mail using different stamps from around the world collected by her friend, Pierre (Christian Rub), and has her mother send her different gifts, like an elephant tusk (although her mother has no idea why Gloria wants any of these things). However, another one of the girls at the school, Felice (Helen Parrish), doesn’t believe Gloria, and is bound and determined to prove that Gloria is making everything up. At a church service, Gloria meets a young boy named Tommy (Jackie Moran) from a nearby military boarding school who has a crush on her. When she finds out that he is also an American, she makes plans to meet him the next day. However, she gets into trouble and is punished. Being that the Fusenot sisters don’t like the girls mixing with the boys, Gloria’s only way to get out of there is to pretend to be meeting her father at the train station. However, all the other girls (including Felice) follow her, so she picks out the newly arrived composer Richard Todd (Herbert Marshall), telling him lies while making it appear to the other girls like he is supposed to be her father. Later, the Fusenot sisters come to Richard (via his butler/secretary Tripps, played by Arthur Treacher) to invite him to lunch. Upon learning why, he decides to come and tell the truth, but Gloria’s pleading convinces him to go along with her stories and pretend to be her father. For a few days, Richard enjoys acting as Gloria’s father, but then he is called to Paris on business. At first, Gloria plans to say goodbye, with plans to later “kill off” her father, but, upon seeing a newspaper story saying that her mother is in Paris, she decides to sneak on the train with Richard to go see her. But, with her mother being accompanied by her manager, Dusty Turner (who is trying to help Gwen maintain appearances as a glamour girl), will Gloria be able to see her mother? Or, for that matter, will she be able to maintain all the stories that she’s been telling about her father?

Following on from what I said about Deanna Durbin’s 1941 film Nice Girl?, I enjoyed Mad About Music as much for the music as I did for the rest of the film. This film had her singing four songs: three new ones written for this movie (“A Serenade To The Stars,” “I Love To Whistle” and “Chapel Bells”) with music by Jimmy McHugh and lyrics by Harold Adamson, plus the classic hymn “Ave Maria.” I will admit, her version of “Ave Maria” is a little different than what I’m used to whenever I have heard the song. I’m not saying it’s bad, it’s just slightly jarring compared to how I’ve heard others do it. I do kind of like it, though and it’s one I hope will grow on me more with subsequent viewings. Of the three new songs, though, I quickly grew fond of “I Love To Whistle.” Of course, I should warn you that, if you don’t like that song, this movie will be harder to enjoy, as it’s sung at least three times in the movie (with Cappy Barra’s Harmonica Ensemble joining in for some fun on the second time). Again, I like it (and I thought the harmonica band was fun to watch), so, for me, it’s a plus to hear it so much!

Of course, the music is hardly the only reason I like this movie, as I certainly think the comedy adds something to it as well! Most of the comedy stems from the lies that Deanna’s Gloria tells about her father, and some of the lengths she has to go to to maintain them. The funniest moments are when Herbert Marshall’s Richard Todd decides to go along with them, particularly when he’s telling stories at the lunch, even managing to go along with the curve balls that Helen Parrish’s Felice is determined to throw to disprove everything. Overall, it’s a very heartwarming tale as we see Gloria and Richard becoming a father and daughter. The only complaint I have is how quick Richard and Gail Patrick’s Gwen Taylor become a couple at the end, without anything happening beforehand to indicate that they would like each other, but it’s a very minor thing. Overall, a very entertaining movie that I know I look forward to revisiting again and again in the future, and one I have no problem whatsoever in recommending!

This movie is available on Blu-ray from Universal Studios. The transfer on this one is pretty good. A lot of the dust and dirt has been cleaned up. There are some scratches and dirt here and there, but they are relatively easy to miss (and forget). Like the previously reviewed Nice Girl?, this film was one of nine licensed by Kino Lorber Studio Classics (and one of the six that were dropped when the first three-film set bombed), so I’m glad to see that it did make it out to Blu-ray just the same, in a release I would certainly recommend!

Film Length: 1 hour, 36 minutes

My Rating: 10/10

*ranked #5 in Top 10 Movies Watched In 2021

List Of Actor/Actress Filmographies/Collections

One Hundred Men And A Girl (1937)Deanna DurbinThat Certain Age (1938)

The Good Fairy (1935) – Herbert Marshall

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