Top 10 Disc Releases Of 2022

As has long been established here, I very much prefer physical media when it comes to how I like to watch movies. So, to that end, we’re here to look at what I personally consider to be the best releases of 2022! As I remind everyone yearly, I do NOT receive screeners of any kind (nor, quite frankly, would I want to, as I prefer to support the movies I like in the hopes of more of them being made available), so I can only work with what I have seen.  I am making this list from all the 2022 releases I have seen as of 11/24/2022. I am, at this point, strictly working from movies that have been released through October 2022 (plus one released VERY early in the month of November) due to constraints of time and budget (plus the fact that, as I said, I don’t receive screeners and therefore can’t comment on anything released in the latter part of November or anything from December). So, this list is what it is (but, I will give a shout-out to some of the others afterwards).  And if any of these appeal to you, be sure to click on the movie titles to use my affiliate links to go to Amazon and buy them!

  1. The Wonderful World Of The Brothers Grimm (1962) (Warner Archive Collection, Blu-ray, My Rating: 9/10)
    • Previously reviewed in: Blu-ray Roundup #1
    • The Wonderful World Of The Brothers Grimm (1962) tells the tale of Jacob Grimm (Karl Boehm) and his brother Wilhelm (Laurence Harvey), as Wilhelm seeks out various fairy tales while his brother works on the family history of a local duke. This may not be the best film on the list, and it may not be the absolute best restoration (due to some VERY minor damage that is visible here and there), but it was the biggest surprise of the year! It’s a very enjoyable film, long thought to be too difficult/expensive to restore due to water damage and being a Cinerama film (meaning it had three times the amount of film to restore that a regular movie of a similar length would have). Now, it looks MUCH better than it has in a long time, and a bunch of new special features were produced for this release. I thought this would be the release of the year when I first saw it, and now, more than half a year later, I still believe it!
  1. Singin’ In The Rain (1952) (Warner Home Video, 4K UHD, My Rating: 10/10)
    • Previously reviewed in: 4K UHD Roundup, Original Review
    • In this classic musical, Gene Kelly stars as silent film star Don Lockwood, who is facing the rise of the talking picture, as he also begins a romance with one of his fans, Kathy Selden (Debbie Reynolds). It’s hard to go wrong with this film, in between all the fun music by producer Arthur Freed and his partner Nacio Herb Brown, Gene Kelly’s iconic dance to the title tune and Donald O’Connor doing “Make ‘Em Laugh,” along with many other memorable moments. The new 4K UHD really shines, giving us the best transfer we’ve gotten yet for this film, with less of the yellowish image present from the Blu-ray, and more natural colors! Easily one of the year’s best releases!
  1. Blue Skies (1946) (Kino Lorber Studio Classics, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Fred Astaire And Ginger Rogers Roundup, Bing Crosby Roundup, Original Review
    • In this film, dancer Jed Potter (Fred Astaire) has fallen for Mary O’Hara (Joan Caulfield), but she’s taken a shine to nightclub owner Johnny Adams (Bing Crosby). In this second film pairing Bing Crosby and Fred Astaire, they once again have the music of Irving Berlin to help tell the story. Memorable moments include Fred Astaire dancing with himself via special effects to “Puttin’ On The Ritz” and the two men dancing to “A Couple Of Song And Dance Men.” With a new 2K master that easily improves on previous releases on home video, this Blu-ray comes highly recommended!
  1. Gold Diggers Of 1933 (1933) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Fred Astaire And Ginger Rogers Roundup, Original Review
    • In this Busby Berkeley musical, a trio of chorus girls take part in a hit new musical when one member’s boyfriend helps pay for it. Trouble arises when his meddlesome older brother tries to break up their relationship, but he and his lawyer instead fall for the other two girls from the trio. This is a fun pre-Code musical, with Ginger Rogers singing the classic “We’re In The Money” (part of it in pig Latin, no less!), as well as songs like the neon-lit “Shadow Waltz” and the Depression-era “Remember My Forgotten Man.” The new Blu-ray works from a scan of the best preservation elements, and as a result, the film looks fantastic! A wonderful movie with a great transfer to boot (and therefore highly recommended)!
  1. (tie) For Me And My Gal (1942) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #2, Original Review
    • In For Me And My Gal (1942), a pair of vaudevillians team up, hoping to become big enough stars that they can perform at the famous Palace Theater in New York City. However, the war (World War I) throws a monkey wrench in their plans when one of them is drafted. There’s a lot of fun to be had here in the first film that teamed up Judy Garland and Gene Kelly (in his film debut!), from the wonderful period music to the fun dance routines. Now, Warner Archive has done a 4K scan of their best preservation elements for the film, and it looks better than ever! This Blu-ray is certainly the best way to see this film, and comes highly recommended!
  1. (tie) The Clock (1945) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #2
    • In The Clock (1945), Robert Walker stars as Corporal Joe Allen, who meets Alice Mayberry (Judy Garland) while on a two-day leave in New York City. This is a fun little drama, which focuses on the growing romance between two characters who meet during wartime. Judy and Robert both carry the film quite well, and give us characters that are easy to invest in as we see their various adventures together. For the Blu-ray, Warner Archive gave us a 4K scan of the best preservation elements, which means that this film looks fantastic, with great detail and nothing to mar the image. Easily a great way to enjoy this wonderful movie!
  1. West Side Story (2021) (20th Century Studios/Disney, 4K UHD, My Rating: 10/10)
    • Previously reviewed in: 4K UHD Roundup
    • In this remake of the classic musical, the Jets and the Sharks duke it out for control of the streets of New York. Former Jets leader Tony (Ansel Elgort) falls for Maria (Rachel Zegler), the sister of the Sharks’ leader, which further complicates things. I will readily admit that I did not care for the original 1961 film (and had no plans to see this one), but the new film won me over! The music and dancing are entertaining (and make me want to get up and dance!), and I can’t help but want to see the film again and again! With a beautiful transfer on the 4K UHD, I certainly can think of no better way to see this wonderful film (outside of on the big screen, that is)!
  1. The Three Musketeers (1948) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #1
    • In this version of the classic Alexandre Dumas tale, Gene Kelly stars as the young swordsman D’Artagnan, as he and three other musketeers face off against the French prime minister Richelieu (Vincent Price). Obviously, this film hits a number of the same beats as many other filmed versions of the tale, but Gene Kelly alone makes this swashbuckler film fun! His swordfights (including one whose footage was later borrowed for Singin’ In The Rain) are quite entertaining and humorous! Warner Archive has done their usual stellar work with this three-strip Technicolor film, making the Blu-ray a great way to enjoy this movie!
  1. Edge Of Darkness (1943) (Warner Archive Collection, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: Blu-ray Roundup #1
    • It’s World War II, and the Norwegian village of Trollness has suffered indignity after indignity under the conquering Nazis. Under the leadership of Gunnar Brogge (Errol Flynn), they wait for the opportune moment to strike back against their German occupiers. It’s definitely a film that was meant to help drum up patriotic fervor in the fight against the Nazis, but it’s still a well-made film that builds up the tension to the fight between the Norwegian people and the Nazis (a battle which was done well in and of itself)! Yet another great release from Warner Archive, with the transfer (taken from the best preservation elements) looking crisp and clear and devoid of all dirt and debris! A great release of a very good war film!
  1. You Can’t Cheat An Honest Man (1939) (Kino Lorber Studio Classics, Blu-ray, My Rating: 10/10)
    • Previously reviewed in: W. C. Fields Roundup
    • Circus owner Larson E. Whipsnade (W. C. Fields) is trying to stay ahead of his creditors, but winds up in enough trouble that his daughter considers a loveless marriage to her wealthy boyfriend to help get her father out of debt. This is a rather fun movie overall, with some of its best bits coming from the running feud between W. C. Fields and ventriloquist Edgar Bergen’s dummy Charlie McCarthy (with the exception of Charlie wearing blackface to cover up a black eye)! The new 2K master looks pretty good, as far as I’m concerned (with VERY minor instances of dirt and debris that don’t really take away from the enjoyment of this movie), making this release well worth it!

Special Honorable Mention:

  • The Little Rascals: The ClassicFlix Restorations, Volume 4, Volume 5, Volume 6 and The Little Rascals: The Complete Collection Centennial Edition
    • For the most part, my list tends towards movie releases, as those are the vast majority of what I buy. However, as you may have seen, I also enjoy looking into various theatrical short collections. In 2020, ClassicFlix announced (via crowdfunding campaign) their desire to restore the Hal Roach-owned Little Rascals shorts. While their campaign fell short, they went through with their plans anyway. They now have all six volumes of the Little Rascals talkie shorts available on Blu-ray, uncut and fully restored. In doing so, they’ve released the entire run of the Hal Roach-produced talkie shorts, with all six volumes recently re-released in the Complete Collection Centennial Edition. This set contains all the previously released shorts (now condensed onto five discs instead of six), plus a bonus disc (also available separately for those who bought the individual volumes) that includes several alternate language versions of a few shorts plus three silent shorts that they’ve restored (which will also be available when ClassicFlix starts releasing the silents on Blu-ray and/or DVD at some point next year). I’ve so far had the opportunity to see the shorts from the first five volumes (all of which have looked fantastic!), and I’m currently looking forward to seeing the sixth volume (plus the silents when they get that far)! Easily recommended as some of this year’s best releases, whether you go with the remaining individual volumes or the complete set!

Honorable Mentions: You’re Telling Me! (1934) (Kino Lorber Studio Classics, Blu-ray), Adventures Of Don Juan (1948) (Warner Archive Collection, Blu-ray), Jack And The Beanstalk (1952) (ClassicFlix, Blu-ray)

I have to admit, compared to the last few years, 2022 has felt like a bit of a slow and slightly disappointing year where physical media has been concerned. Most of that disappointment is arguably centered around the decreased output from Warner Archive. Don’t get me wrong, when it comes to WHAT they have released, I’d still say that they won the year in my opinion. They’ve released some Blu-ray upgrades for a few old favorites, while releasing a few new-to-me titles that I’ve enjoyed (especially, as you can tell from my list, The Wonderful World Of The Brothers Grimm), all of which has certainly made me happy. But I also understand WHY their output has slowed, with almost their entire staff getting laid off in early 2021, including their head George Feltenstein (who was, thankfully, rehired back at Warner Brothers later in the year, thus enabling the Warner Archive program to survive beyond 2021). With a smaller staff to work with, that resulted in there being only 2-3 titles a month from them (compared to about 4-7 a month the last year or two), with there being nothing from them at all for two months. From what George Feltenstein has been saying on some of his various podcast appearances, though, it sounds like things *should* pick up from them in 2023 (with word that the classic 1950 musical Three Little Words is currently being worked on!), especially as the whole studio celebrates the 100th anniversary of Warner Brothers!

In general, I would say that ClassicFlix is right up there with Warner Archive (even if they themselves have only had a handful of releases). Their releases of the Little Rascals shorts have continued to be amongst the highlights of the year as I get to see them for the first time (and looking pretty darn good at that!), and I look forward to their releases of the silents from that series as well! As for feature films, they’ve really only had Black Magic (1949) (which was one of their rare lesser transfers, although to be fair that’s not really their fault, as they could only do so much with the available film elements), Jack And The Beanstalk (1952) (a restoration that was actually performed by the 3-D Film Archive, and, although the film itself is not one of my favorite Abbott and Costello films, it still looks so much better than what I’ve seen previously) and I, The Jury (1953) (I haven’t seen this one yet, but, as their first 3D Blu-ray/ 4K UHD release, which has been reviewed well by others whose opinions I respect, I look forward to seeing it).

With regard to the rest of the boutique labels, the year has left me with a lot of mixed feelings. Kino Lorber Studio Classics has had some good releases this year, with the long-awaited release of Blue Skies (1946), plus some stuff featuring the likes of W. C. Fields, Bob Hope and Dorothy Lamour from their licensing deals with Universal Studios. They’ve also had some big licensing deals with some of the other major Hollywood studios (including their first with Sony, and Paramount licensing out to them again for the first time in a number of years), although so far they haven’t lived up to the hype (at least, not when it comes to the stuff that I actually want). Universal themselves didn’t impress me as much with their Blu-ray output, as the only real wave of catalog films included three new-to-blu Bing Crosby films (yay!), along with some reissues of titles previously licensed out to Kino Lorber that had only been included in three-film box sets. Criterion has really disappointed me, as they have seemingly decided I’m not their target audience, as their release of Arsenic And Old Lace was really the only title that solidly appealed to me all year (to be fair to them, their price point isn’t as budget-friendly, so I’m not too bothered by that, but it’s still disappointing after being able to count on a good handful of appealing releases every year for a while).

As some may have seen, I finally dipped into 4K tech so as to be able to enjoy some of the various UHDs that actually interest me. So far, I can’t say as I’ve seen much of this year’s releases, mostly because there was one catalog title (of interest to me) for most of the year, plus one modern film (which really, REALLY appealed to me, thus why I brought it up in the first place). Much to my annoyance, the various studios/boutique labels FINALLY got around to releasing some stuff over the last few months of the year (when my budget starts going towards Christmas gifts for others instead of more movies for myself). As I mentioned, ClassicFlix’s I, The Jury (1953) 4K UHD/ 3-D Blu-ray has been receiving rave reviews so far, so I definitely want to plug that one (especially since it is a limited edition). Sony has released their third Columbia Classics 4K Ultra HD Collection, which includes titles such as It Happened One Night (1934), From Here To Eternity (1953) and four other films (plus extras), with this release also receiving good reviews. Universal Studios have also released their second Universal Classic Monsters Icons Of Horror Collection (with Phantom Of The Opera‘s transfer getting well reviewed), plus Holiday Inn (1942) (which you’ve seen by now I don’t think came out as well). Paramount Pictures have had a few releases as well, some well-reviewed (the Elvis Presley classic Blue Hawaii, although some have complained about the re-done opening credits with a different font than before), and others not so much. Warner Brothers has recently brought their classic Casablanca (1942) to the format, with that being reviewed pretty well.

That’s all I have to say on 2022’s new releases on disc. There’ve been some great releases this year, and a few not-so great. But, things are looking up from what I’m hearing already about 2023, so hopefully it will be a good year for physical media enthusiasts and film fans!

What’s Old Is A New Release Again (2022) Roundup Featuring… Bing Crosby

Welcome back to my new “Whats Old Is A New Release Again Roundup” series! This time around, I’m focusing on titles released in 2022 featuring Bing Crosby, whether they be on DVD, Blu-ray or 4K UHD. Short of something having been released that has escaped my notice (which is always possible), this post should essentially be completed now (outside of adding links if and when I do full reviews for any of these films). So, let’s dig into some of Bing’s films that have seen a new release in 2022. That list includes Here Is My Heart (1934), Holiday Inn (1942), Blue Skies (1946), Welcome Stranger (1947) and A Connecticut Yankee In King Arthur’s Court (1949)!

Remember, as an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Notes: Due to the fact that I had already added some comments on different shorts to my original reviews of Holiday Inn, Blue Skies and A Connecticut Yankee In King Arthur’s Court, I will not be adding any more to those posts or this one (except for two shorts to accompany the films not yet reviewed).

Table Of Contents

Coming Up Shorts! with… The Lucky Corner (1936)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 16 minutes, 21 seconds)

Scotty (Scotty Beckett) and his grandfather are selling lemonade, but a bully and his father (who have a store of their own) force them to move their stand when some potential customers go to them for lemonade. So, with Scotty and his grandfather now situated in a different spot where almost nobody goes, it’s up to the Gang to help them drum up some business! This one was an all-round entertaining entry in the series. I thought that the kids’ “parade” was fun to see, as were some of the performances as they got the crowd together. Of course, the rivalry between the bully and the kids added to the fun (especially when the bully’s attempts to steal away their customers backfired on him). This one was very enjoyable, and worth giving a chance (I certainly know that I want to keep coming back to it)!

Coming Up Shorts! with… Second Childhood (1936)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 19 minutes, 11 seconds)

A cranky old lady (Zeffie Tilbury) is miserable on her birthday (and making her servants miserable) until a toy airplane comes flying in and breaks her vase. Spanky (George McFarland) and the Gang volunteer to do some work around the yard for her when they can’t pay for the vase, and in the process, help her start to enjoy life again! This was yet another fun short. Zeffie Tilbury was fun as the grouchy old lady (even with her brief moments of happiness when she caused trouble for her servants), and her performance as she regains her joy for life helped make this short work! The scene with Spanky and Alfalfa (Carl Switzer) joining her in a rendition of “Oh, Susanna” was fun, especially with her learning to use Spanky’s slingshot after it accidentally hit her. Overall, this one was a lot of fun, even though it did use some obvious rear-screen projection when Zeffie Tilbury was on roller skates (but, at the same time, I can’t blame the filmmakers, since the actress was legally blind at the time she made this short, not that you can tell from her performance). Certainly one that I would gladly come back to again and again!

Here Is My Heart (1934)

  • Plot Synopses: Singer J. Paul Jones (Bing Crosby) has achieved some success, and is looking to fulfill many dreams that he couldn’t do when he was poor. One of those ambitions is to buy the two original pistols that belonged to Revolutionary War hero John Paul Jones, and present them to the Naval Academy. He’s got one already, but the other currently belongs to the Russian Princess Alexandra (Kitty Carlisle), who refuses to sell to him. In his attempts to buy the pistol, he is mistaken for her waiter, and makes use of the opportunity to spend some time with her and her associates. Will he achieve his dream and get the pistol, or will he find himself with a greater goal (love)?
  • Film Length: 1 hour, 17 minutes
  • Extras: None
  • Format: Blu-ray
  • Label: Universal Studios
  • My Rating: 7/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions.
    • On The Transfer: The new Blu-ray appears to be making use of an HD scan. For the most part, it looks quite good. The opening credits look a bit rough, and there are some scratches present throughout (although nothing so terrible as to take away from the movie itself). It looks good enough for me, and is likely to be the best this movie will look for the near future.

Holiday Inn (1942)

  • Plot Synopses: A three person song-and-dance team splits up when one of their members, Jim Hardy (Bing Crosby) gets the urge to buy a farm where he can rest and retire from show business. Farming doesn’t prove to be as easy or as restful as he thinks, and he decides to turn the farm into an inn that is only open for holidays (fifteen days a year). Linda Mason (Marjorie Reynolds) is sent to the inn to audition, and she gets a job there. Jim falls for her, but one of his former partners, Ted Hanover (Fred Astaire), finds himself partnerless. Upon meeting Linda, Ted also falls in love with her and wants to dance with her. Will Linda stay at the inn with Jim, or will she become a big star with Ted?
  • Film Length: 1 hour, 40 minutes
  • Extras (on both the 4K disc and the included Blu-ray): “A Couple Of Song And Dance Men;” “All-Singing All-Dancing;” “Reassessing ‘Abraham;'” Theatrical Trailer; and Feature Commentary By Film Historian Ken Barnes, including Audio Comments From Fred Astaire, Bing Crosby And John Scott Trotter
  • Format: 4K UHD
  • Label: Universal Studios
  • My Rating: 8/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: Honestly, this is a bit of a disappointing release. The 4K disc looks terrible, with a picture that is darker at times and loses some of the detail, and grain tends to be very distracting here, as if they are working from elements (or an older transfer) that doesn’t have 4K worth of data, although there are some moments here and there where the 4K disc actually looks good. Frankly, the included Blu-ray (which appears to use the same transfer, or close enough) actually looks better throughout. The Blu-ray is lighter and the grain is nowhere near as prevalent as it is on the 4K. Also, depending on your feelings about this, the film starts with a vintage Universal logo preceding the film’s Paramount logo. I only mention this because the film was originally produced by Paramount, was part of a large group of films sold to Music Corporation Of America (MCA)/EMKA , Ltd. in the 1950s, before becoming part of Universal Studios’ library when MCA took over the studio in the 1960s. Realistically, this release is at best recommended to those who don’t have the Blu-ray already (and even then it is questionable). If you already have the Blu-ray, then don’t bother with this one. If you want either the Broadway show or the colorized version of the film (neither of which is included as extras with this release), then I would suggest going with one of the earlier Blu-ray releases.

Blue Skies (1946)

  • Plot Synopses: Dancer Jed Potter (Fred Astaire) likes chorus girl Mary O’Hara (Joan Caulfield), but he makes the mistake of taking her to a nightclub owned by his friend, Johnny Adams (Bing Crosby). Mary falls instantly for Johnny, and he for her, much to Jed’s regret. However, Mary takes a slight issue with Johnny not being too responsible, as he has a bad habit of constantly buying and selling his nightclubs. That’s not enough to stop them from getting married, but Johnny’s refusal to change his ways really comes between them after they have a child, and they divorce. With Jed’s love for Mary growing over time, will she give him a chance, or will things go sour between them, too?
  • Film Length: 1 hour, 44 minutes
  • Extras: Audio commentary by film critic and author Simon Abrams, Trailers for Road To Morocco (1942), Daddy Long Legs (1955), Love Me Tonight (1932) and Thoroughly Modern Millie (1967)
  • Format: Blu-ray
  • Label: Kino Lorber Studio Classics
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: According to the Blu-ray case, the transfer is coming from a new 2K master with newly remastered audio. In general, this release looks quite wonderful. It improves on Universal’s earlier DVD by fixing the previously windowboxed opening and closing credits, and the colors look quite good in general. It’s not quite as perfect as similar releases from Warner Archive, but it’s about as good as I can hope for with this film. The image has been cleaned up of scratches, dirt and debris. Quick note: on the initial pressing of this Blu-ray, there were some audio issues in which Fred Astaire’s taps were a lot more muffled. Kino Lorber Studio Classics looked into it and decided to fix the issue (it’s already been taken care of by this time). Customers are guaranteed to get the right copy at Kino’s own sites, but in case you get the incorrect copy from somewhere else, this link will take you to their replacement program.

Welcome Stranger (1947)

  • Plot Synopses: Dr. Joseph McRory (Barry Fitzgerald) has served the town of Fallbridge, Maine faithfully for nearly thirty-five years, and is looking forward to a well-deserved vacation. However, his temporary replacement being sent by the medical board is the younger Dr. Jim Pearson (Bing Crosby), whom Dr. McRory takes an instant dislike to, and encourages him to leave (advice that the younger doctor ignores). Dr. McRory’s opinions are shared by many of the townspeople, including schoolteacher Trudy Mason (Joan Caulfield) (whom Dr. Pearson takes an immediate liking to). Things start to change when, upon trying to leave for his vacation, Dr. McRory suffers from appendicitis, with no choice but to have Dr. Pearson operate on him (an operation that goes successfully). However, Trudy’s boyfriend, Roy Chesley (Robert Shayne), REALLY doesn’t like Dr. Pearson, and tries to use his influence to take away Dr. McRory’s position at a new hospital in the process of being built. Can Dr. Pearson help Dr. McRory regain the town’s favor, or will they both leave town with their tails tucked between their legs?
  • Film Length: 1 hour, 47 minutes
  • Extras: None
  • Format: Blu-ray
  • Label: Universal Studios
  • My Rating: 8/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions.
    • On The Transfer: This Blu-ray appears to be using an HD scan which looks pretty good for the most part. Most of the dust, dirt and other debris has been cleaned up. The opening credits are just a little shaky (but that’s the only part of the movie that has that problem), and there are a few (very) light scratches still present throughout the movie (but nothing that takes away from the movie itself). Overall, likely the best this movie will look, and it’s certainly the recommended way to see it!

A Connecticut Yankee In King Arthur’s Court (1949)

  • Plot Synopses: In the early twentieth century, blacksmith Hank Martin (Bing Crosby) tries to return a horse to his owner during a storm, but gets knocked out when he runs into a tree. When he awakens, Hank finds himself in the past, in the kingdom of Camelot under King Arthur (Sir Cedric Hardwicke). At first, Hank is mistaken for a monster, but quickly becomes popular with the people when he uses some basic tricks to make himself look like a powerful sorcerer. He falls for King Arthur’s niece, the Lady Alisande “Sandy” la Carteloise (Rhonda Fleming), but has to contend with her betrothed, Sir Lancelot (Henry Wilcoxon). Having also earned the ire of the wizard Merlin (Murvyn Vye), Hank finds himself in a lot of trouble. Will he be able to return to his own time, or gain the affections of Sandy if he stays?
  • Film Length: 1 hour, 47 minutes
  • Extras: None
  • Format: Blu-ray
  • Label: Universal Studios
  • My Rating: 9/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions or see the full review here.
    • On The Transfer: This Blu-ray seems to be working with an HD scan that looks pretty good. Most (if not just about all) of the dust, dirt, and other artifacts have been cleaned up. For the most part, the color looks pretty good, similar to the recent Blu-ray release of Blue Skies (1946) from Kino Lorber Studio Classics. There are some minor sections where the color doesn’t look quite as vivid as it seems like it should, but it’s an overall good release of a wonderful film (and certainly as good as it is likely to get anytime soon).

My Overall Impressions

Like all of my previous “What’s Old Is A New Release Again” posts focusing on the stars or screen teams that I picked for my “Star/Screen Team Of The Month” in 2022, I have gone without comments on the individual films as I reflect on my Star (from way back in March), Bing Crosby. Here Is My Heart (1934) is the oddball of this bunch, as it’s a film from fairly early in Bing’s career (and as such, his singing style and voice are quite different from the later films). He really only has three songs in this film, with the tune “June In January” being the most memorable. He has some comedic moments, especially when he poses as an alternate “incompetent” waiter, and when he is drunk interacting with Roland Young’s Prince Nicholas near the end of the film. For the rest, we move into the 1940s, when his career had taken a different direction. Holiday Inn finds us early in the decade, when his star was on the rise after finding success through the Road series with Bob Hope and Dorothy Lamour. Holiday Inn follows a similar formula, with Bing and Fred Astaire competing for the affections of two different ladies. Of course, the biggest highlight for Bing is his introduction of the classic Irving Berlin song “White Christmas,” which became a major hit for both Bing and Irving. He also croons a few other big tunes, including “Easter Parade,” “Be Careful, It’s My Heart” (which was actually the initial hit song from the movie) and “Happy Holiday”, plus we have him singing (and “dancing” if you can call it that) with Fred Astaire to “I’ll Capture Your Heart Singing.” Moving ahead a few years, Blue Skies follows up his Oscar win for Going My Way (1944) and his nomination for The Bells Of St. Mary’s (1945). As such, his role in Blue Skies is more dramatic, even though his character still competes with Fred Astaire’s Jed Potter for the affections of Joan Caulfield’s Mary O’Hara. Bing’s main highlights are him singing the title tune and the Oscar nominated “You Keep Coming Back Like A Song,” as well as dancing with Fred Astaire to “A Couple Of Song and Dance Men.” Welcome Stranger (1947) reunites Bing with his Going My Way co-star Barry Fitzgerald in what almost feels like a remake of Going My Way (except this time with the two of them as doctors instead of Catholic priests). The music is decent (personally, I prefer the song “Country Style”), but the main fun is in watching the developing friendship between Bing’s Dr. Jim Pearson and Barry Fitzgerald’s Dr. Joseph McRory as they go from bickering to working together. A Connecticut Yankee In King Arthur’s Court (1949) was made during the same time period, when Bing’s popularity at the box office gave him enough clout to choose his directors and castmates. The movie has some comedic moments, including Bing’s character “modernizing” the music and dancing at a ball, and the jousting tournament. On the musical side, Bing’s romantic duet with Rhonda Fleming to “Once And For Always” and him singing along with William Bendix and Sir Cedric Hardwicke to “Busy Doing Nothing” are the film’s big highlights.

Well, now that I’ve commented on these films, I’ll give you my rankings on these releases, from highly recommended (1.) to least recommended (5.):

  1. (tie) Blue Skies (1946)
  1. (tie) A Connecticut Yankee In King Arthur’s Court (1949)
  1. Welcome Stranger (1947)
  1. Here Is My Heart (1934)
  1. Holiday Inn (1942)

I’ll admit, this is a slightly harder group to pick one film that I would solidly recommend. I’m not trashing any of the movies, as I think they are all good, and worth giving a chance. Transfer-wise, I think that Blue Skies (1946) and A Connecticut Yankee In King Arthur’s Court (1949) are pretty similar, and look the best. Here Is My Heart (1934) and Welcome Stranger (1947) look pretty good, although they have some minor issues that pull them down. Holiday Inn (1942)’s transfer is the weakest of the bunch (in spite of the fact that it is a 4K UHD and not a Blu-ray like the others). In a normal situation, my top pick would be easy: Blue Skies. I think the film looks just a hair better with this new release, it’s got some extras and I prefer the film itself overall. However, we’re discussing Bing Crosby here, and the things I like about that film are Fred Astaire, the Irving Berlin music and some of Fred’s dances. It’s not otherwise remembered as much for Bing’s presence. If it had a better transfer, I would be recommending the other Bing Crosby/Fred Astaire/Irving Berlin collaboration, Holiday Inn, since it features Bing introducing that classic song “White Christmas” (which became Bing’s best-selling song, and one of the biggest selling of all time), along with a few other fun tunes. But, again. the weak transfer leaves me not wanting to recommend the 4K UHD at all. A Connecticut Yankee In King Arthur’s Court is also very much Bing’s film, and he is what makes it fun (even if I don’t think the film itself is quite as good as Blue Skies). Thus, I would put Blue Skies and A Connecticut Yankee In King Arthur’s Court at a tie for the top recommendations if we are talking strictly about Bing’s films. Welcome Stranger (1947) mainly suffers from its similarity to the far better (in my opinion) Going My Way (1944), although it’s certainly still an entertaining film in its own right. Here Is My Heart (1934) is still a little too early in Bing’s career, without the music or story coming off quite as memorably. Still, I have enjoyed all of these films off and on for years, and the four Blu-ray releases are all worth it to me, and certainly worth a recommendation (again, ignore the 4K UHD for Holiday Inn)!

“Star Of The Month (November 2022)” Featuring W. C. Fields in… My Little Chickadee (1940)

We’re back for the second film featuring my Star Of The Month for November 2022, W. C. Fields! This time, it’s his 1940 film My Little Chickadee, also starring Mae West!

Coming Up Shorts! with… Divot Diggers (1936)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 14 minutes, 51 seconds)

The Gang are all out having fun playing golf. When the caddies at the course go on strike, the owner convinces the Gang to help caddie for some of his golfing customers. I will admit that I have some mixed feelings about this one. On the one hand, it’s a lot of fun watching the kids when they play golf by themselves at the start, and the chimp they bring along to help caddie is also entertaining. However, the focus on this one really isn’t the kids, it’s on the chimp and the adult golfers. While the adults are funny, I can’t help but feel that it takes away from the kids, who should have been the ones that this short followed. Still, I certainly can’t deny that this is one that I would have fun seeing again.

And Now For The Main Feature…

The stagecoach to Little Bend is robbed by a masked bandit. One of the passengers, Flower Belle Lee (Mae West), catches his eye, and he kidnaps her. Later, before the town can get a posse together to go after her, she wanders into town of her own volition. Later, the bandit visits her at night, but is seen leaving by the nosy Mrs. Gideon (Margaret Hamilton). When Flower Belle refuses to divulge who the masked bandit is (since she herself doesn’t know), the town council kicks her out, warning her not to come back unless she is married and respectable. On the train to the city of Greasewood, Flower Belle meets Cuthbert J. Twillie (W. C. Fields). He quickly becomes enamored with her, and she takes a liking to him after seeing that he carries a carpet bag full of money. Twillie quickly proposes marriage, and Flower Belle agrees. She convinces her friend, gambler Amos Budge (Donald Meek), to perform the “ceremony” (since everybody else assumes that he is a member of the clergy due to how he is dressed). In the town of Greasewood, Flower Belle quickly gains the attention of the local newspaper reporter Wayne Carter (Dick Foran) as well as that of the powerful and corrupt bar owner Jeff Badger (Joseph Calleia). After listening to some of Twillie’s tall tales (and learning that he is married to Flower Belle), Jeff immediately offers the job of town sheriff to Twillie, which he accepts. When he has the opportunity, Twillie tries to figure out a way to consummate their marriage, but he is shot down by Flower Belle at every opportunity. The masked bandit again visits Flower Belle, and Twillie, learning about how easily she lets the bandit into her boudoir, attempts to disguise himself as the bandit. Flower Belle quickly realizes that it’s him, but the two of them wind up in trouble when he is seen leaving and mistaken for the real bandit. Both of them are thrown in jail, but Flower manages to escape, hoping to clear Twillie. Will she be successful, or will Twillie be hanged as the bandit?

In 1939, Universal Studios successfully teamed up James Stewart and Marlene Dietrich (whose career had been in decline after her initial success under director Josef Von Sternberg) in the Western comedy Destry Rides Again. Hoping for a similar success, the studio decided to pair up W. C. Fields (who had recently signed with them for the film You Can’t Cheat An Honest Man) and Mae West (whose career had been in a slump ever since the rise of the Production Code, with My Little Chickadee being her first film since 1937’s Every Day’s A Holiday at Paramount Pictures). Behind the scenes, this didn’t turn out the best. Both stars had a preference for writing their own material, not to mention W. C. Fields had a penchant for ad-libbing (compared to Mae West, who preferred to stick to the script). It’s unclear as to who wrote what (and how much), as different sources have claimed different things, with Mae West claiming that she wrote everything apart from a scene set in a bar, and others have claimed that they wrote their own scenes (and ad-libbed their stuff together). Either way, they reportedly didn’t get along very well off-screen. It wasn’t enough to stop audiences from going to see the movie, however, as it turned out to be Fields’ highest-grossing film at Universal, and Mae West’s last successful film.

This is a movie that I’ve been wanting to see for a while, particularly after hearing via one of the forums I frequent that the movie was being restored (but more on that in a moment). I’ve finally had the chance to see the movie twice within this last year, and I’ve enjoyed it! Now, I’ve seen it said that originally, W. C. Fields received a lot of praise in this movie, while Mae West was heavily criticized. First off, I should mention that this was my first time seeing any Mae West films (as opposed to the various caricatures and imitations of her in many cartoons that I grew up with). On that initial impression, I’m inclined to agree with the critics who took issue with her in this film. Don’t get me wrong, she is funny here, with a number of innuendo-laden lines that somehow got past the censors, not to mention when she takes over as a schoolteacher for the classroom of young boys. My problem with her is that her performance is very one-note, as she essentially purrs EVERY line in that “come-up-and-see-me-sometime” manner. Not one hint of emotion beyond that, which really doesn’t work when she helps defend the train against some attacking Native Americans or when she escapes from jail in an attempt to help clear W. C. Fields’ Twillie of wrongdoing. If she could have managed more emotion, especially in those situations, I wouldn’t have been bothered as much by it.

W. C. Fields, on the other hand, does manage to give a good performance (and leave me laughing in the process). During that same train attack I mentioned, he was effectively cowering and trying to hide with the children in another train car (while using a slingshot to try and shoot at their attackers). He spends a good deal of the movie trying to get into his “wife’s” boudoir, with the most memorable attempt being him actually getting in, but making the mistake of taking a bath in her bathroom (while she gets ready to leave and go elsewhere, leaving him with a goat in the bed instead). Of course, he plays cards (and cheats at that, too), so he fits right in in a Western. The only complaint about him is how he treats his Native American friend (although that is typical of how his characters tend to treat others). The plot itself is kind of all over the place, which in some respects shows how they were having trouble writing it behind the scenes with the two competing egos. In my book, Fields alone makes this film worth seeing (he’s not enough to make it a great film, but he overcomes most of the film’s problems), so I would certainly recommend giving it a shot!

What’s Old Is A New Release Again (2021) with… My Little Chickadee (1940)

This movie is available on Blu-ray from Kino Lorber Studio Classics. The transfer is sourced from a 4K restoration done by Universal Pictures and the Film Foundation using a 35mm nitrate composite fine grain and a 35mm dupe negative. In short, this film looks fantastic on Blu-ray! The detail is shown off beautifully, and all the dust and debris has been cleaned. This may not be the best W. C. Fields film on Blu-ray, but it’s certainly the best-looking one on the format, making it highly recommended!

Film Length: 1 hour, 24 minutes

My Rating: 9/10

List Of Actor/Actress Filmographies/Collections

Mississippi (1935)W. C. FieldsNever Give A Sucker An Even Break (1941)

As an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Thoughts From The Music(al) Man (2022) on… Murder By Death (1976)

-Sidney Wang (Peter Sellers) – “Never consider murder to be business, Mr. Diamond”

And yet, for the Fall 2022 blogathon from the Classic Movie Blog Association (CMBA), that is the business, as the theme is “Movies Are Murder!” On that note, I decided to go with a murder comedy I’ve enjoyed for a long time (but haven’t gotten around to writing about yet), 1976’s Murder By Death, starring Eileen Brennan, Truman Capote, James Coco, Peter Falk, Alec Guinness, Elsa Lanchester, David Niven, Peter Sellers, Maggie Smith, Nancy Walker and Estelle Winwood!

Five famous detectives and their associates have received an invitation to “dinner and a murder” at the mansion of Lionel Twain (Truman Capote). This group includes Dick Charleston (David Niven) and his wife, Dora (Maggie Smith); Inspector Sidney Wang (Peter Sellers) and his adopted son Willie (Richard Narita); Milo Perrier (James Coco) and his chauffeur, Marcel Cassette (James Cromwell); Sam Diamond (Peter Falk) and his secretary, Tess Skeffington (Eileen Brennan); and Jessica Marbles (Elsa Lanchester) with her nurse, Miss Withers (Estelle Winwood). In the leadup to the dinner, there are various attempts on their lives, which all fail. During the dinner, their host (who had previously kept to himself) appears, and explains why he brought them all there. Every one of those detectives had a reputation for solving every one of their cases, and Mr. Twain wanted to bet them all that he could solve a murder before them. He predicted that one person sitting at that table would be murdered at midnight, and another would be the murderer. While he disappears, everyone else vows to stay together, although at various times, they leave the room to investigate some of the goings-on in the house. At midnight, Mr. Twain himself appears, dead (and murdered exactly as he had predicted). So, the detectives and their associates all set out to figure out who indeed murdered Twain. But will they succeed, or will Mr. Twain get the upper hand (even though he’s dead)?

Ah, the murder mystery. The genre has long been a favorite with readers and moviegoers alike. Of course, with good murder mysteries come various detectives, who become famous for their wit and their ingenuity in solving these crimes. Some authors were able to create memorable detectives that audiences loved and followed through entire series, both on the big screen and in the written word. Murder By Death was writer Neil Simon’s spoof of the detective genre. In particular, he parodied detectives from Agatha Christie (Hercule Poirot and Miss Marple), Dashiell Hammett (Nick and Nora Charles, Sam Spade) and Earl Derr Biggers (Charlie Chan). A number of big stars were offered roles (including original Thin Man actress Myrna Loy), but they turned them down. Those that did decide to take part in the film enjoyed themselves. Alec Guinness in particular thoroughly enjoyed himself, as he made the trip to Hollywood to make the film (not something he was prone to doing). In fact, he had to reassure author Neil Simon that he was having fun with it (since the author liked him so much that he offered to rewrite anything to suit him). Admittedly, some of the cast didn’t exactly have a lot of faith in the film, as Peter Sellers sold his share of the percentage back to the producers of the film, and the company that David Niven’s son was working for (and which had invested in the film) believed they would be writing it off as a tax loss. And yet, the movie ended up being the eighth biggest hit of 1976.

I first saw this film when it was given to me on DVD along with two other Peter Falk films (this film’s 1978 “sequel”, The Cheap Detective as well as the 1979 film The In-Laws). Even though I had no experience with any of the detectives that the film was spoofing (outside of Humphrey Bogart’s Sam Spade in The Maltese Falcon), I took to the film right away! The movie has a lot of twists and turns as we see the murder occur and then get solved (if you can call it that) by the film’s end. Admittedly, the film’s ending does leave you with a number of rather big plot-holes, but, at the same time, it’s so fun that I can easily forgive the movie as I get swept up in the proceedings! In general, I think all of the cast do quite well, from Peter Falk’s excellent imitation of Humphrey Bogart, to David Niven and Maggie Smith, who come off quite similarly to William Powell and Myrna Loy’s Nick and Nora Charles from the Thin Man films. Personally, I think that Alec Guinness’ role as the blind butler Jamessir Bensonmum is one of his best, as he is quite funny (especially with that name!). I have to throw in a SPOILER ALERT to say this, but he is at his absolute best when we see him at the end of the film, revealed as the culprits by the various detectives, and he changes his manner and character so well every time that one of the detectives comes in and accuses him of being somebody different. END SPOILER ALERT

Besides Alec Guinness, I also really like Peter Sellers here. Normally, I don’t care for him at all, but his performance as Sydney Wang is a real delight (even if it isn’t exactly politically correct, since he’s wearing yellowface to appear Asian). Quite frankly, he’s one of the most quotable characters in the film for me, with this line being a personal favorite:

-Sidney Wang (Peter Sellers) – “Conversation like television set on honeymoon. Unnecessary!”

But aside from some of his sayings (or “stories” as he calls them), I most enjoy his interactions with Truman Capote’s Lionel Twain, who is almost a grammar Nazi with regards to Wang’s ability to speak English, as exemplified by this exchange:

-Sidney Wang (Peter Sellers) – “What meaning of this, Mr. Twain?”

-Lionel Twain (Truman Capote) – “I will tell you, Mr. Wang, if you can tell me why a man who possesses one of the most brilliant minds of this century can’t say his prepositions or articles. ‘The,’ Mr. Wang, ‘What is the meaning of this?”

-Sidney Wang (Peter Sellers) – “That’s what I said. What meaning of this?”

Of course, I just love how Wang refers to a moose head mounted on the wall (which Twain is using to watch them) as a “cow on wall.” Quite frankly, my only really serious complaint about this movie is that these two don’t interact enough.

Apart from that, I do know that this movie isn’t for everyone. Aside from Peter Sellers being made up to look Asian, the movie has a number of other things going on that keep it from being politically correct. In general, there are a handful of racist comments (usually directed towards Peter Seller’s Wang or his Japanese son, played by Richard Narita). There are definitely some issues with sexism going on, and a number of homophobic comments as well. Plain and simple, it’s not a perfect film. But, it’s one I have enjoyed seeing on an almost yearly basis (especially around the Halloween season) ever since I first saw it, and it’s one that I highly recommend (at least, for those who can get past its issues). And with that, I leave with a quote that admittedly needs another spoiler warning (since it comes from the end of the film, and hints enough at the film’s ending), but it’s one that feels apropos for the whole “Movies Are Murder!” blogathon (not to mention, it’s certainly how things sometimes feel when things don’t go our way). So thank you all for reading (and don’t let the “murder” referred to in this quote be the situation for you this weekend, either 😉 )!


-Willie Wang (Richard Narita) – “I don’t understand, Pop. Was there a murder or wasn’t there?”

-Sidney Wang (Peter Sellers) – “Yes. Killed good weekend.”

What’s Old Is A New Release Again (2018) with… Murder By Death (1976)

This movie is available on Blu-ray from Shout! Factory. The transfer seems to be using an HD scan. For the most part, it looks pretty good. There is some damage in the form of specks and dirt, but it’s really only visible on bigger and better TVs. Overall, it’s the way that I would recommend seeing the movie.

Film Length: 1 hour, 35 minutes

My Rating: 10/10

List Of Actor/Actress Filmographies/Collections

Robin And The 7 Hoods (1964) – Peter Falk

Naughty Marietta (1935) – Elsa Lanchester

Magnificent Doll (1946) – David Niven

The Notorious Landlady (1962) – Estelle Winwood

As an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

“Star Of The Month (November 2022)” Featuring W. C. Fields in… The Old-Fashioned Way (1934)

We’re here now with our first look at a film featuring the Star Of The Month for November 2022 (W. C. Fields), the 1934 comedy The Old-Fashioned Way!

Coming Up Shorts! with… Our Gang Follies Of 1936 (1935)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 17 minutes, 54 seconds)

Spanky (George McFarland) and the Gang put on a show for the kids of the neighborhood. However, one highly-demanded act is missing, so the Gang has to figure out what to do instead. This one was a lot more amusing than some of the previous shorts. The music is fun, but, as usual, it’s the comedy that manages to be memorable, with the monkey leading the way, either when he’s chasing Buckwheat (Billie Thomas) with a pitchfork, or when he’s hiding in the dress that Spanky has to wear to lead the others when they impersonate the Flory-Dory Sixtette. The only problem with this short for modern audiences is the way that they light up the eyes of the black kids whenever the lights are turned off (which only happens a few times for brief moments). Other than that, this one was quite entertaining, and I look forward to revisiting it in the future!

And Now For The Main Feature…

The Great McGonigle (W. C. Fields) and his troupe of performers leave a town by train, barely getting past the sheriff who was trying to serve McGonigle for not paying his bills at the boarding house (or for anything else). The troupe is joined by Wally Livingston (Joe Morrison), a young college student who is courting McGonigle’s daughter, Betty (Judith Allen) (although she is trying to urge him to go back to college, to no avail). They soon arrive in the small town of Bellefontaine. McGonigle had been telling the troupe that the theatre there had sold out for their performance, but they quickly find out that only a handful of tickets have been sold. At their boardinghouse, they meet the stagestruck Cleopatra Pepperday (Jan Duggan) and her son Albert (Baby LeRoy). Cleopatra auditions to join the troupe, and, although she displays a complete lack of talent, McGonigle decides to let her join anyway (since she is the richest woman in town). When another member of the troupe leaves (on account of the lack of business), Wally auditions and becomes a member of the troupe (and, unlike Cleopatra, he does have talent). Another sheriff tries to force McGonigle to pay his bill by threatening to prevent the show from going on, but Cleopatra offers to pay the bill so that she can have her chance. So the troupe puts on the show for a full audience (since everybody in town wants to see Cleopatra make a fool of herself). The audience includes Wally’s father, who has come to convince his son to go back to college and to stay away from Betty. Will Wally listen to his father (and Betty), or will he stay with the show? For that matter, will the Great McGonigle be able to keep the show going, or will Cleopatra’s presence get them laughed out of town?

Like most of the other W. C. Fields films that I’ve reviewed in the past, this one was entirely new for me. Personally, I thought it was a lot of good fun, with W. C. Fields being the most enjoyable part! From his opening appearance when he deftly evades the sheriff, to his night on the train, to all his lies even to his own troupe members, Fields manages to be quite humorous! Personally, the most memorable moments are when he has to deal with Cleopatra’s child (played by Baby LeRoy), who ruins his dinner, and Jan Duggan’s Cleopatra auditioning (in that old “singing poorly while performing a song that the spectators keep thinking is about to end, only to go yet another verse and chorus” way) with “Gathering Up The Shells From The Sea Shore”. But some of the real fun here is seeing Fields juggle (which is what he originally broke into show business doing, as he quickly became one of the best), using balls and cigar boxes. The film is slowed down for about twenty minutes as we see the troupe perform the old temperance play The Drunkard, especially with it being performed in what seems to be the style of acting that would have been prevalent for the time this movie is set in (but which seems extremely odd now to us more modern audiences). This isn’t exactly the best W. C. Fields film that I’ve ever seen, but it’s entertaining, and kept me laughing throughout. In my book, that’s certainly worth recommending (especially to see Fields juggle, which I would argue is a thing of beauty to watch)!

What’s Old Is A New Release Again (2021) with… The Old-Fashioned Way (1934)

This movie is available on Blu-ray from Kino Lorber Studio Classics. This release seems to be using an older HD master, but it looks pretty good. The detail is good enough (soft for some, but it is what it is), and while there is some damage present, it’s relatively minor and doesn’t take away from the film itself. Overall, this is likely to be as good a transfer as this film will get, making it the recommended way to see this fun movie!

Film Length: 1 hour, 12 minutes

My Rating: 9/10

List Of Actor/Actress Filmographies/Collections

Alice In Wonderland (1933)W. C. FieldsMississippi (1935)

As an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

What’s Old Is A New Release Again (2022) Roundup Featuring… W. C. Fields

Welcome back to my new “Whats Old Is A New Release Again Roundup” series! This time around, I’m focusing on titles released in 2022 featuring W. C. Fields, whether they be on DVD, Blu-ray or 4K UHD. Short of something having been released that has escaped my notice (which is always possible), this post should essentially be completed now (outside of adding links if and when I do full reviews for any of these films). So, let’s dig into some of W. C. Fields’ films that have seen a new release in 2022, which includes You’re Telling Me! (1934), Man On The Flying Trapeze (1935) and You Can’t Cheat An Honest Man (1939)!

Remember, as an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Table Of Contents

Coming Up Shorts! with… Sprucin’ Up (1935)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 16 minutes, 58 seconds)

The kids are all complaining about how their mothers make them clean themselves up. However, when a new truant officer (and his beautiful daughter) move in, everybody changes their tune! This one was decent (although a bit of a letdown after the last few). Mostly, the fun is watching Spanky (George McFarland) and Alfalfa (Carl Switzer) competing for the affections of the new girl, but it also gets old fast as they get on the father’s bad side. It’s not terrible, as I’ve certainly seen far worse shorts than this. It’s just not one that leaves me with a strong desire to rewatch it as soon as possible.

Coming Up Shorts! with… Little Papa (1935)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 19 minutes, 41 seconds)

Spanky (George McFarland) and the Gang want to play football, but he’s forced to babysit his younger sister. Hoping that she will be less trouble if she is asleep, Spanky and Alfalfa (Carl Switzer) try to find ways to make her sleepy. This one was fairly amusing. Admittedly, it’s really a two-joke short, with Spanky first trying to wear his sister out (and getting tired himself), and then he and Alfalfa try to quietly sneak out of the bedroom (and fail to do so) after she is fast asleep. Still, it was entertaining and left me laughing, so it would be worth seeing again!

Coming Up Shorts! with… Little Sinner (1935)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 17 minutes, 31 seconds)

Spanky (George McFarland) was just given a new fishing pole for his birthday, and he wants to try it out! However, it’s Sunday, and all the other kids warn him against skipping Sunday School (but he ignores them, to his regret). This one was a lesser short, in my opinion. It certainly had its moments, especially with all the stuff that goes wrong for Spanky as he attempts to go fishing. It goes a little off the rails for the last few minutes as Spanky and his compatriots Buckwheat (Billie Thomas) and Porky (Eugene Lee in his debut as the character) find themselves stumbling upon a baptism ceremony for blacks during an eclipse, with the kids getting scared by the spirited members. Those last few minutes drag this short down (and certainly aren’t politically correct nowadays, either), which is more or less why this one didn’t work quite as well for me.

You’re Telling Me! (1934)

  • Plot Synopses: Optometrist and inventor Samuel Bisbee (W. C. Fields) is in trouble with his family. His daughter, Pauline (Joan Marsh) wants to marry Bob Murchison (Larry “Buster” Crabbe), but his high society mother (Kathleen Howard) won’t hear of it. Samuel tries to sell his puncture-proof tire to the National Tire Company, but a mix-up in cars results in his sale falling through, leaving him pondering suicide by taking iodine. He decides against it, and ends up “helping” another passenger who had some iodine (but was NOT considering suicide). That passenger turns out to be the princess Marie Lescaboura (Adrienne Ames), who decides to help him out after hearing his story. Will things turn out all right for Samuel and his family with the princess’ help, or will his family be forever ashamed of him?
  • Film Length: 1 hour, 6 minutes
  • Extras: “Wayne And Shuster Take An Affectionate Look At W. C. Fields” Vintage Documentary, Trailers for The Old-Fashioned Way (1934), You Can’t Cheat An Honest Man (1939), The Bank Dick (1940), My Little Chickadee (1940) and Alice In Wonderland (1933)
  • Format: Blu-ray
  • Label: Kino Lorber Studio Classics
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions.
    • On The Transfer: According to the Blu-ray case, this transfer comes from a new 2K master. Quite simply stated, this transfer looks quite good! It really shows off the detail in the picture. There is some minor damage in the form of scratches, dust and debris, but it’s not so bad as to mar an otherwise fantastic release!

Man On The Flying Trapeze (1935)

  • Plot Synopses: Although he caught a pair of burglars in his cellar, Ambrose Wolfinger (W. C. Fields) finds himself in jail briefly for making liquor without a permit. While he’s in jail, his brother-in-law Claude Neselrode (Grady Sutton) steals Ambrose’s ticket to a big wrestling match. On the advice of his daughter, Hope (Mary Brian), Ambrose decides to take the afternoon off from work to try to see the match anyway. However, when asking his boss for the afternoon off, he lies and says that his mother-in-law had died and he was going to her funeral. He gets the afternoon off, but will he manage to see the wrestling match (or survive when his wife and still-alive mother-in-law find out about his lie)?
  • Film Length: 1 hour, 6 minutes
  • Extras: “Wayne And Shuster Take An Affectionate Look At W. C. Fields” Vintage Documentary, Trailers for The Old-Fashioned Way (1934), You Can’t Cheat An Honest Man (1939), The Bank Dick (1940), My Little Chickadee (1940) and Alice In Wonderland (1933)
  • Format: Blu-ray
  • Label: Kino Lorber Studio Classics
  • My Rating: 9/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions.
    • On The Transfer: According to the Blu-ray case, this transfer comes from a new 2K master. Like You’re Telling Me!, this one looks pretty good as far as detail is concerned. Again, not all the scratches, dirt and debris have been dealt with, but what’s there doesn’t really interfere with enjoying the movie itself.

You Can’t Cheat An Honest Man (1939)

  • Plot Synopses: Circus owner Larson E. Whipsnade (W. C. Fields) has been keeping a promise to his late wife to put his kids through college. However, the circus is losing money as a result, and he has to stay on the move to keep ahead of his creditors. Larson’s daughter, Victoria (Constance Moore) has fallen for ventriloquist Edgar (Edgar Bergen), even though he and his dummy Charlie McCarthy can’t stand Larson. However, with the circus close to being taken over by its creditors, Victoria feels she must do her part by marrying the wealthy Roger Bel-Goodie (James Bush). Will true love win out, or will Victoria marry a man she doesn’t care for to help her father out?
  • Film Length: 1 hour, 19 minutes
  • Extras: Audio commentary by Filmmaker/Historian Michael Schlesinger, Trailers for You Can’t Cheat An Honest Man (1939), The Old-Fashioned Way (1934), The Bank Dick (1940), My Little Chickadee (1940), Alice In Wonderland (1933), The Ghost Breakers (1940) and Murder, He Says (1945)
  • Format: Blu-ray
  • Label: Kino Lorber Studio Classics
  • My Rating: 10/10
  • Quick Comments
    • On The Movie Itself: Check overall impressions.
    • On The Transfer: According to the Blu-ray case, this transfer comes from a new 2K master. Again, this one looks pretty good. There are some scratches and other debris to be found, but nothing serious. Likely to be the best this movie will look, and I have no problem with that, as good as it came out!

My Overall Impressions

Like with the other entries in my “What’s Old Is A New Release Again Roundup” series that have focused on my “Stars/Screen Teams Of The Month,” I’m sticking to comments about my stars (in this case, comedian W. C. Fields). In these three films (You’re Telling Me!, Man On The Flying Trapeze and You Can’t Cheat An Honest Man), W. C. Fields is up to a lot of his usual antics. In all three films, he plays a father to a very loving daughter. The earlier two films have him married to a nagging wife (of varying degrees), and have him resorting to booze a bit more. In You’re Telling Me!, the film’s memorable moments include his drunken entrance to his home at the start of the film, him buying an ostrich for his wife as an “apology pet” and the golfing sketch that ends the film. For Man On The Flying Trapeze, the whole opening sequence, in which Field’s character Ambrose is first being admonished by his wife to hurry up and come to bed (while he slowly takes off his socks and neatly folds them up) before she pushes him to get up and go after some burglars in the cellar, is quite funny, as is a later sequence in which he keeps receiving tickets from different policemen for being parked in a “no parking zone,” even though he was asked by one to pull over. You Can’t Cheat An Honest Man has some unforgettable moments, mostly within the running feud between Fields’ Whipsnade and Edgar Bergen’s dummy Charlie McCarthy (capitalizing on the “feud” between them on the radio show “The Edgar Bergen And Charlie McCarthy Show”) plus his daughter’s engagement party (in which he tells stories about some rattlesnakes, which keep causing the hostess to faint, as she fears snakes) and also him partaking in a heated game of ping pong. While these films are humorous throughout due to W. C. Fields, I personally consider these to be some of his strongest moments in each.

Well, now that I’ve commented on all of these films, I’ll give you my rankings on these releases, from highly recommended (1.) to least recommended (3.):

  1. You Can’t Cheat An Honest Man (1939)
  2. You’re Telling Me! (1934)
  3. Man On The Flying Trapeze (1935)

With this group of films, it really does come down to what I think of the movies themselves as to which I would recommend. Transfer-wise, they’re all pretty similar, with each sporting a new 2K scan that contains some scratches and other debris in small amounts. So, the films themselves are the thing. I admit, even though I recommend it the highest, You Can’t Cheat An Honest Man has the most politically correct issues, with Edgar Bergen’s dummy Charlie McCarthy wearing blackface briefly (in order to cover up a black eye), not to mention Eddie Rochester’s stereotyped character. Apart from those two issues, though, it really was the most hilarious, especially with Edgar Bergen and his dummies Charlie McCarthy and Mortimer Snerd adding to the fun. The other two films are generally quite good (with the golf sketch alone in You’re Telling Me! making that film worth seeing). Man On The Flying Trapeze does feel the weakest overall as a film, but it’s still strong enough that I could recommend that film just as easily as the other two. So, I certainly suggest giving all three a try, especially on Blu-ray!

TFTMM Presents “Star Of The Month (November 2022)” Featuring W. C. Fields

We’ve finally made it to November, which means that it’s time for my last (for now) “Star Of The Month” feature! This time, I’m focusing on one of the great screen comedians, W. C. Fields!

Table Of Contents

Quick Film Career Bio

Birth: January 29, 1880

Death: December 25, 1946

On January 29, 1880, William Claude Dukenfield was born to James Lydon Dukenfield and Kate Spangler Felton in Darby, Pennsylvania. As a kid, he reportedly didn’t get along very well with his abusive father, sometimes running away from home. He had very little education, getting taken out of school by his father to help sell produce from his vegetable cart. At the age of nine, he saw a juggling act and became determined to become a juggler himself. However, since he tried to use vegetables as juggling props, he got in trouble with his father, and ran away for good at the age of eleven. Now on his own, he also became proficient at billiards, hustling others to make money. He continued to work on his juggling, working at an amusement park in Norristown, PA and later on the pier in Atlantic City, NJ. Developing bits of comedy to go with his juggling, he took to the vaudeville stage. He soon became a headliner, and eventually made his debut on Broadway in the show The Ham Tree in 1905. After more success over the next decade, he became a part of the Ziegfeld Follies in 1915, using his skills with billiards in a comedy sketch that went over well with audiences. He stayed with the Follies through 1922, then followed that up in 1923 with a starring role in the musical comedy Poppy on stage.

W. C. Fields had already made his film debut before starring in the Ziegfeld Follies, doing the short comedies Pool Sharks and His Lordship’s Dilemma in 1915. Due to his work onstage, those were his only appearances on film for nearly a decade. He came back to the movies in 1924 for a part in the film Janice Meredith. He made two films for director D. W. Griffith (one of which, Sally Of The Sawdust, was an adaptation of Poppy) before signing with Paramount Pictures. He made a series of silent comedies for Paramount at their Astoria studio until they closed their New York branch in 1927 (at which point he went to Hollywood). There, he made three more silent features before sound technology really took over. Throughout most of his silent films, he had worn a fake black mustache, and he briefly carried it over into his first sound short The Golf Specialist (1930). He tried a more realistic mustache for his first full sound film, Her Majesty, Love (1931), but then completely ditched it for the remainder of his career.

The Golf Specialist (1930) was one of several shorts that he did for producer Mack Sennett as he made the switch to the talkies, and these shorts helped him to maintain his popularity. He signed again with Paramount Pictures, and became established as a major movie star with the film International House (1933). He kept himself busy with a number of films over the next two years, including It’s A Gift (1934) and You’re Telling Me! (1934), and an appearance in the Dickensian David Copperfield (1935). However, the activity proved to be too much for him, as he fell ill from influenza and suffered from back trouble. The situation grew even worse when his friends Will Rogers and Sam Hardy passed away in short succession, resulting in Fields suffering a complete breakdown. After nearly nine months, he was offered the chance to recreate his famous stage role for Poppy (1936). His health was still on edge, and the death of yet another friend (Tammany Young) pushed him too far again, resulting in him staying in hospitals and sanitariums for a time. In the latter part of 1937, he was again given the chance to return to the screen for The Big Broadcast Of 1938 (1938). He didn’t get along with the film’s director, Mitchell Leisen, and, upon finishing the film, he found himself out of work.

With his health also keeping him offscreen, W. C. Fields found work on the radio, appearing on various programs. In particular, he became a regular with ventriloquist Edgar Bergen and his dummy Charlie McCarthy on The Chase And Sanborn Hour, where audiences laughed at his “feud” with Charlie McCarthy. Fields was offered the role of the Wizard in The Wizard Of Oz (1939), but he turned it down and signed with Universal Pictures, where he made You Can’t Cheat An Honest Man (1939), which took advantage of his radio feud with Charlie McCarthy. He followed that up by starring in My Little Chickadee (1940) with Mae West (with whom he co-wrote the film), and then The Bank Dick (1940) (which would become one of his most popular films). He had been fighting to get his own way on script and co-stars, and managed to succeed for Never Give A Sucker An Even Break (1941). That turned out to be his final starring role, as his health deteriorated enough that he could only do guest shots in various films, including Follow The Boys (1944), Song Of The Open Road (1944) and Sensations Of 1945 (1944) (the latter of which was his last film). With his vision and memory going, he was reduced to making radio appearances, up through March 24, 1946. He spent most of the last two years of his life at the Las Encinas Sanatorium in Pasadena, California. He died from a gastric hemorrhage on Christmas day (a holiday he pretended to hate) in 1946.

My Own Feelings On W. C. Fields

Honestly, I’ve at least known of W. C. Fields for most of my life, although for most of my early years, I mainly knew him through the caricatures in many Disney and Looney Tunes cartoons. I never saw any of his live-action films until I saw The Big Broadcast Of 1938 (1938) almost twenty years ago. I admit, I didn’t really take to him that much from that film. Mississippi (1935), the second film of his that I had the opportunity to see, was the first time that I really started to appreciate his comedy. However, it took a number of years before I really sought out any more of his films. Mostly, it was the announcement for his silent films It’s The Old Army Game (1926) and Running Wild (1927) coming out on Blu-ray when I really developed an interest in him as a comedian. In the time since, I’ve enjoyed seeing more of his films as they’ve made their way to Blu-ray. So I certainly look forward to seeing a few more of his films for the first time in preparation for this month!


This is a list of all the films that I personally have reviewed from his filmography so far. Obviously, I will be adding to it throughout the month of November, and it is my plan to add to it as I review more and more of his films even beyond this month’s celebration.

It’s The Old Army Game (1926)

Running Wild (1927)

Alice In Wonderland (1933)

The Old-Fashioned Way (1934)

Mississippi (1935)

My Little Chickadee (1940)

Never Give A Sucker An Even Break (1941)

Entries For This Month

Thoughts From The Music(al) Man –

W. C. Fields Roundup

The Old-Fashioned Way (1934)

My Little Chickadee (1940)

Thoughts From The Music(al) Man (2022) on… Angels With Dirty Faces (1938)

Like Doris Day with our look at Lullaby Of Broadway (1951) earlier this month, we’ve been a little overdue for another James Cagney film. And what better way to come back to him than with one of his more famous gangster films, Angels With Dirty Faces (1938), also starring Pat O’Brien!

Coming Up Shorts! with… Teacher’s Beau (1935)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 19 minutes, 3 seconds)

The Gang’s teacher, Miss Jones (Arletta Duncan) announces that she will get married, and that they will have a new teacher for their next year, Mrs. Wilson. Not wanting a new teacher, the Gang try to find ways to break up the engagement. This was yet another hilarious short. Most of the fun stems from the ways that Spanky (George McFarland) tries to interfere, only for his plans to backfire. In particular, him and Alfalfa (Carl Switzer) trying to dress up as a “rival” (who doesn’t fool the fiancé for one minute) really left a strong impression on me. To a large degree, this one feels fairly similar to the earlier talkie School’s Out (1930), but it still feels fresh enough (and funny enough) that I would gladly watch it again!

Coming Up Shorts! with… Out Where The Stars Begin (1938)

(Available as an extra on the Angels With Dirty Faces Blu-ray from Warner Archive Collection)

(Length: 19 minutes, 15 seconds)

A Broadway dancer (Evelyn Thawl) has come out to Hollywood to get into the movies. With the help of a makeup man (Jeffrey Lynn) and the director’s assistant (Charley Foy), she becomes the movie’s prima ballerina. This was a fun little musical short. The music itself is fun (although not exactly memorable), with a dance sequence that takes up the majority of the short. Mostly, it’s entertaining seeing some of the various stars and movie sets of big 1938 films in 3-strip Technicolor. I know I enjoyed it enough to see it here and there!

Coming Up Shorts! with… Porky And Daffy (1938)

(Available as an extra on the Angels With Dirty Faces Blu-ray from Warner Archive Collection)

(Length: 7 minutes, 32 seconds)

Daffy Duck is a boxer being managed by Porky Pig. When Porky sees an ad offering money to somebody who can beat the champion rooster, Porky immediately gets Daffy in the ring! This rather fun short was from the era when Daffy was still relatively new, and very, very zany. In this short, most of the humor is derived from the wacky ways that Daffy tries to fight with the rooster. That’s not a problem for me, as I always enjoyed Daffy, regardless of how screwy he could be (and here, he IS screwy), so I don’t mind coming back around to this one as well!

And Now For The Main Feature…

Two young kids, William “Rocky” Sullivan and Jerry Connolly, try to steal some fountain pens from a train car, but Rocky is caught when they try to evade the police. Jerry wants to come forward to help Rocky out, but Rocky insists that Jerry should clam up. Fast forward nearly fifteen years, and Rocky has been through reform school and spent several years behind bars. Upon being released from prison, Rocky (James Cagney) returns to his old neighborhood, where his friend Jerry (Pat O’Brien) is now a priest and trying to keep the local kids out of trouble. At Jerry’s insistence, Rocky finds a place to stay in a boarding house, where he runs into another old friend, Laury Martin (Ann Sheridan), whom he takes an interest in. Rocky’s next order of business is to see his lawyer, Jim Frazier (Humphrey Bogart) (who had insisted that Rocky take the fall for a robbery the two of them were involved with while promising Rocky that he would get his share of the money when he got out of prison). Jim, now working for gangster Mac Keefer (George Bancroft), doesn’t have the money readily available, and offers to get it together within the week. After leaving Frazier’s office, Rocky runs into some local boys, who pick his pockets. However, he follows them to their hideout (which also used to be HIS hideout when he was younger), where they learn just who he is. He quickly gains their confidence, and helps Jerry to get the kids to behave (although Jerry wonders whether Rocky will end up being a bad influence for the kids). On his way home, some thugs sent by Frazier attempt to kill Rocky, but he turns the tables on them. Afterwards, Rocky kidnaps Frazier and, in the process, also gets his hands on some information that Mac and Frazier were using to blackmail the city officials. With Frazier in his hands, Rocky demands a ransom from Mac of nearly $100,000. After giving him the money, Mac then tries to have Rocky arrested, but finds out from a newly freed Frazier that Rocky has the blackmail information. As a result, they drop the charges, essentially making Rocky another partner. Rocky tries to give some of the money to Jerry to help build a gym, but Jerry wants nothing to do with the tainted money. In fact, he warns Rocky that he’s going to go after all the gangsters in town, including Rocky himself. Jerry’s efforts start to gain traction, leaving Mac and Frazier trying to figure out how to get rid of both him and Rocky. Rocky manages to put an end to their plan (and to them as well), but is caught by the police. Will Rocky continue to be a hero to the end for the boys (as a gangster), or will Jerry be able to show them that Rocky’s way is wrong?

In the mid-1930s, James Cagney had a big contract dispute with Warner Brothers when he sued them for pushing him to do more films in a year than he was willing to do. While the court case went on, he made some movies for Grand National Pictures. Writer and director Rowland Brown came up with the story for Angels With Dirty Faces and, after pitching it at some of the various studios, was able to sell it to Grand National Pictures, who wanted Cagney to do it. However, Cagney had tried to avoid becoming typecast in tough guy roles and took on Something To Sing About for the smaller studio (with the film underperforming at the box office). With the lawsuit getting resolved and Cagney coming back to work for Warners, he brought the story with him (which the studio decided to buy). For the role of Rocky Sullivan, James Cagney (who had grown up on the Lower East Side of New York) was inspired by a drug-addicted pimp he had known (who particularly inspired some of Rocky’s mannerisms and the phrase “Whaddya hear? Whaddya say?”) as well as his childhood friend Peter “Bootah” Hessling (who was convicted of murder and executed in the 1920s). It all worked out well for Cagney, as the picture itself was a big hit, and his performance resulted in his first Oscar nomination.

It’s taken me a long time to finally get around to seeing Angels With Dirty Faces. I’ve known of the film for a long time (especially having grown up with the first two Home Alone films and their title spoofs of the “movies” Angels With Filthy Souls and Angels With Even Filthier Souls that Macaulay Culkin’s Kevin McCallister watched), and the combined star power of James Cagney and Humphrey Bogart made the film an attractive one. However, apart from a clip used in the TCM Scene It? DVD game, I’ve never had the chance to see the movie until this last year. Quite simply stated, it lived up to (and beyond!) my expectations. James Cagney alone carries the movie as a tough gangster who still has a soft spot for his old friend Jerry Connolly (played by Cagney’s offscreen friend Pat O’Brien) and the church. From start to finish, I was mesmerized by him! The ending for his character is ambiguous, and, although it was likely demanded by the Hays Office as part of the Production Code in force at the time, it still feels genuine to me. And, although it’s still early in his career, Humphrey Bogart also leaves a strong impression as a lawyer who thinks he can outwit Cagney’s Rocky (yet is caught every time). The movie kept me on the edge of my seat frequently, especially when the thugs came after Rocky and again when the police were hunting him down. This film is considered a major classic, and I definitely think it deserves that status! I personally might go so far as to call it my favorite gangster film, so I have no hesitation in giving it some of my highest recommendations! Seriously, go see it as soon as possible!

What’s Old Is A New Release Again (2021) with… Angels With Dirty Faces (1938)

This movie is available on Blu-ray from Warner Archive Collection. The transfer comes from a 4K scan of the original nitrate camera negative. It’s a typical Warner Archive release. In short, beautiful picture quality with the level of detail being shown off perfectly, and all the dust, dirt and debris has been removed. It’s a perfect release for a (in my opinion) perfect movie, and it’s highly recommended!

Film Length: 1 hour, 37 minutes

My Rating: 10/10

List Of Actor/Actress Filmographies/Collections

Footlight Parade (1933)James CagneyEach Dawn I Die (1939)

Stand-In (1937)Humphrey BogartThe Maltese Falcon (1941)

Ann Sheridan – Dodge City (1939)

As an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Thoughts From The Music(al) Man (2022) on… International Lady (1941)

Today, we’re here to look at a 1941 spy thriller called International Lady starring George Brent, Ilona Massey and Basil Rathbone!

Coming Up Shorts! with… Beginner’s Luck (1935)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 18 minutes, 38 seconds)

After having Spanky (George McFarland) recite for some of her lady friends, Spanky’s mother decides to enter him in an amateur talent contest. However, Spanky has no desire to win, and enlists the Gang’s help to sabotage his performance. It’s yet another short focused on Spanky, and the results are once again hilarious! Spanky brings the fun, whether dealing with a meddlesome parrot or doing his recitations (especially when he defends himself against everything the Gang was throwing at him). Of note with this short is the debut of future Our Gang star Carl “Alfalfa” Switzer (although not as the character he would become known for). I laughed from start to finish on this one, which in my book makes it worth recommending (and I’ll certainly be coming back to it whenever I can)!

And Now For The Main Feature…

During the London bombing by the Nazis, Tim Hanley (George Brent) runs into concert singer Carla Nillson (Ilona Massey), and invites her to a bomb shelter/nightclub. There, they run into music critic Reggie Oliver (Basil Rathbone), who joins them. However, Tim and Carla had been followed there by somebody, and Tim decides to go down to the police station with the man to do something about it. There, he is joined by Reggie, and it is revealed that neither Tim nor Reggie are who they claimed to be. Tim (who had claimed to be a lawyer working with the U.S consulate) was actually an FBI agent while Reggie was from Scotland Yard, and they were both with Carla because she was suspected of being part of a ring of saboteurs trying to stop American planes from being shipped to England. However, the two men can’t quite agree on how to handle the case, resulting in Tim trying to sneak Carla off to Lisbon (without Reggie), where he helps her get a visa to America. While in Lisbon, Carla sneaks away to meet with members of the sabotage ring to get her new “music” (which is the code for the organization). Tim had seen her sneak away and tried to follow, but the cab he tried to take quickly lost sight of her. Reggie joined them after they got back together, and the three finished out the trip to the U.S. together. Once in the country, Carla went her way to the home of chocolate magnate Sidney Grenner (Gene Lockhart) (who was also the head of the ring of saboteurs) to prepare for his radio program (where they would use the music to communicate with the other members). At the party being held for Carla’s “concert,” Reggie goes undercover as a waiter, and snoops around while everybody is listening to Carla sing. He overhears a telephone conversation between Grenner’s “butler” Webster (George Zucco) (who is an expert marksman) and another member of the ring. After the concert, Tim finds Carla’s sheet music, and, discerning the existence of a code on there, he writes it down to pass off to another agent. When Webster sees Tim alone in the garden, he is suspicious and takes a shot at Tim (but doesn’t kill him on purpose). Carla discovers that Tim is an FBI agent, but she doesn’t reveal it to anybody else until after Tim has left the premises. With time running out as the saboteurs follow through with their plans to destroy all the planes being sent to England, Reggie works hard to crack their code. But will he succeed in time? And will Carla’s feelings for Tim stop her from continuing to take part in the sabotage (or will she let Tim get killed)?

Honestly, I hadn’t heard of this film at all until it was announced for a Blu-ray and DVD release from ClassicFlix (but more on that in a moment). I’ve come to enjoy trying out the different films that ClassicFlix has been putting out, so I was willing to give it a try (and the presence of Basil Rathbone in the movie certainly didn’t hurt its appeal). In general, the film turned out to be better than I had anticipated. I found the film’s way of showing the saboteur’s code being sent while Ilona’s Carla was singing to be an interesting way of portraying it. I have mixed feelings about George Brent’s performance, as I don’t think he fully works as the leading man in this film, yet I like his relationship with Basil Rathbone’s Reggie, as the two almost work well as a comedy team (with their main comedy bit being the language difference between British and American slang). Even apart from his dealing with George Brent’s Tim, Basil Rathbone really carries the film, especially when he is in disguise at the party (which is almost hard to notice at first unless you are really looking for it, which is saying something). You won’t really find a lot of tension here (especially since this is considered a spy thriller), and you won’t find much in the way of shootouts. Still, I found it to be a very entertaining film (and one I’m glad to have seen), and I think it’s worth giving a chance!

What’s Old Is A New Release Again (2021) with… International Lady (1941)

This movie is available on Blu-ray and DVD from ClassicFlix as part of their Silver Series line of releases. According to a post by the founder of ClassicFlix on one of the forums I frequent, their original plan was to release the film on DVD only, but they were given an HD master by the owner that was good (but not quite good enough for their main line of releases, and would be too expensive of a proposition for them to do a new and better master). Having seen it now myself, I’m still very impressed with a picture that looks quite good, with very little damage evident, and a fairly sharp picture throughout. Overall, it’s a very good transfer given a pretty good release on disk. Given that it’s part of their “no frills” Silver Series, there are no extras beyond a few trailers for some of ClassicFlix’s other releases, and there are no subtitles for those who need them (but dialogue is still relatively easy to understand the majority of the time).

Film Length: 1 hour, 42 minutes

My Rating: 8/10

List Of Actor/Actress Filmographies/Collections

Jezebel (1938) – George Brent – Tomorrow Is Forever (1946)

The Mark Of Zorro (1940) – Basil Rathbone – The Adventures Of Ichabod And Mr. Toad (1949)

As an Amazon Affiliate, this site gets a small percentage for every purchase made upon using one of the Amazon links, even if it’s not the movie I linked to (and it’s at no extra cost to you). If you like what I’m doing with the blog, please consider using them so that I can continue to do more!

Thoughts From The Music(al) Man (2022) on… Lullaby Of Broadway (1951)

It’s been a while since I’ve watched (and reviewed) any of Doris Day’s films, so I’m back today for her 1951 musical Lullaby Of Broadway, also starring Gene Nelson!

Coming Up Shorts! with… Anniversary Trouble (1935)

(available on Blu-ray as part of The Little Rascals: The ClassicFlix Restorations, Volume 5 (1935-1936) from ClassicFlix)

(Length: 19 minutes, 22 seconds)

Spanky (George McFarland) has been elected the treasurer of the Gang’s club (“Ancient and Honery Order of Wood Chucks Club, Inc.”) and the Gang have decided to trust him with the money. However, it’s also his parents’ wedding anniversary, and the envelope containing the Gang’s money has gotten mixed up with his father’s gift to his mother. This one was absolutely hilarious from start to finish! Much of the humor is derived from Spanky being called to go see his father at the office (since his parents thought he stole their envelope) while the Gang waits for their money (since they disbanded the club and want their money back). One of Spanky’s methods in trying to get away is questionable for modern audiences, since he tried to don blackface to disguise himself as Buckwheat in an attempt to get away. Still, the short was an entertaining twenty minutes that I wouldn’t mind seeing again and again!

And Now For The Main Feature…

American entertainer Melinda Howard (Doris Day) has been in Europe for a number of years, but she’s earned enough that she decided to come home to New York City to surprise her mother, Jessica Howard (Gladys George), whom she believes to be the toast of Broadway. When she arrives at her mother’s mansion, Melinda meets the butler, Lefty Mack (Billy De Wolfe), who is also a friend of her mother’s. A surprised Lefty lies, telling her that her mother is on tour with a show, and is renting the place to brewer Adolph Hubbell (S. Z. Sakall) and his wife, Anna (Florence Bates). The truth is that Jessica has fallen on hard times as a result of her alcoholism, and the mansion is owned by the Hubbells. Lefty gives Melinda a place to stay in the servants’ quarters, and lets Mr. Hubbell know what’s going on. Since Mr. Hubbell is throwing a party that many Broadway performers have been invited to, Lefty hopes to get Jessica there to briefly see Melinda. At the party, Broadway producer George Ferndel (Hanley Stafford) tries to convince Mr. Hubbell to invest in his show. Mr. Hubbell refuses to do so because his wife is insisting that he not do so, and because Ferndel won’t let him do anything more than pay for the show. Meanwhile, one of Ferndel’s stars, Tom Farnham (Gene Nelson) (whom Melinda had unknowingly met on the boat to America) tries to spend time with Melinda (who was more open to him at the party than she had been on the ship). Melinda is disappointed when her mother doesn’t show at the party (because she had been hospitalized for drinking too much, although Melinda was told that she had to stay with her “show”), and vows to stay until she gets a chance to see her mother. With the food bills at the Hubbell household rising while Melinda stays, Lefty makes a suggestion that Mr. Hubbell should take her out to a restaurant, where she would be noticed by Ferndel (and also prove that Mr. Hubbell was not too old-fashioned to be involved in show business). As a result, she now has a part in the new show, with the opportunity to spend more time with Tom. Trouble arises when Mr. Hubbell spends too much time with Melinda and everybody else misconstrues their relationship. Things come to a head right before the show opens, when Mrs. Hubbell finds out about Melinda spending so much time with Mr. Hubbell, and she decides to divorce her husband. With everything falling apart, will Melinda be able to see her mother and perform in the show, or will she pack up and go back to Europe?

While actress Doris Day had originally planned to come to Hollywood as a dancer, a car crash ended that dream (resulting in her focusing on her singing instead). However, as she started to become a big star at Warner Brothers, she worked with dancer Gene Nelson and his wife Miriam to get back into dancing shape for her first starring role in Tea For Two (1950). With that film proving to be successful, she was paired up again with Gene Nelson for Lullaby Of Broadway. Gene’s promotion to leading man was mostly the result of him winning the 1950 Golden Globe for Best New Star (in Tea For Two) (that, and his Tea For Two co-star Gordon MacRae was proving to be an uncooperative contract player at Warners). Once again, Doris worked with Gene and his wife on the routines for Lullaby, including dancing on the staircase for the title number, which made her nervous. Onscreen, that nervousness didn’t show, and the film proved to be yet another hit for Doris Day and Warner Brothers.

I’ve had the opportunity to watch Lullaby Of Broadway a couple times this year (hadn’t seen it prior to the recent Blu-ray release), and it’s one that I will gladly admit to enjoying! Most of the fun is seeing a lot of the cast of the previous year’s Tea For Two together again (minus Gordon MacRae, as I mentioned before). The film is full of memorable tunes (culled from the catalog of music owned by Warner Brothers at the time), including the title tune, “You’re Getting To Be A Habit With Me,” “Just One Of Those Things,” “I Love The Way You Say Goodnight,” and several others. Doris Day is in fine voice for all of her songs, and she proves once again that she can dance, whether alone or with Gene Nelson! Honestly, the only complaint I have on her dancing is the slow motion section that ends “I Love The Way You Say Goodnight” (I think Fred Astaire and Ginger Rogers are great enough as a team to pull it off slow motion dancing in Carefree, but Doris isn’t as good technically, so it shows off her faults a bit more). As for her co-star Gene Nelson, I like him, but I’m not sure he fares as well as a leading man for two reasons: 1) he is fairly obviously dubbed on his singing voice (by Hal Derwin) and 2) compared to his earlier roles in The Daughter Of Rosie O’Grady (1950) and Tea For Two (1950), his dancing here seems “tamer,” lacking some of the acrobatic stuff and lifts he did before (which, in this case, makes him more like your average dancer as opposed to being a standout like he was in those earlier two movies). Apart from those two complaints, I’m good with him. S. Z. “Cuddles” Sakall is fun as always, and Billy De Wolfe is funny in what feels like a rare role (for him) as a decent guy, especially when he does the comic routine to the song “You’re Dependable” with Anne Triola as the maid (and his girlfriend) Gloria Davis. I’m not quite as fond of this film as the earlier Tea For Two, but it’s still an entertaining musical with some fun music and dancing! As I said, I’ve already had fun watching it a few times in the time that I’ve had it on disc, and I certainly would recommend it!

What’s Old Is A New Release Again (2021) with… Lullaby Of Broadway (1951)

This movie is available on Blu-ray and DVD from Warner Archive Collection. I haven’t been able to find anything specific about what was used for the transfer on the Blu-ray, but it’s still a typical Warner Archive release of a 3-strip Technicolor film. In short, the color looks great, and the picture has been cleaned up of all dust and dirt. However, this is a rare instance where I do have a complaint about the transfer, and that’s with some of the audio. The main problem is that the tap sounds for some of the dances (particularly Gene Nelson’s dance number “Zing! Went The Strings Of My Heart”) don’t quite sound right, as if that part of the audio wasn’t done right (similar to what I’ve heard was the problem on the initial pressing of Kino Lorber Studio Classics’ 2022 Blu-ray release of Blue Skies before that was corrected with a subsequent pressing). Since I only first saw this film through the Blu-ray, I have no idea whether that was something new or whether it’s always been that way. If it is a new problem for the Blu-ray, I wouldn’t say that it’s anything major (and, as far as I know, there has been no movement towards Warner Archive fixing it, which doesn’t surprise me after all the issues that they’ve had behind the scenes throughout the pandemic), so I still think that this release is worth it.

Film Length: 1 hour, 32 minutes

My Rating: 9/10

List Of Actor/Actress Filmographies/Collections

Tea For Two (1950)Doris DayOn Moonlight Bay (1951)

Tea For Two (1950) – Gene Nelson

Tea For Two (1950) – S. Z. “Cuddles” Sakall

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