Now we have yet another classic noir, the 1947 film T-Men starring Dennis O’Keefe.
After an informant is killed before he can pass on a sample of paper being used by a counterfeit ring, The U.S. Treasury Department assigns two of its agents, Dennis O’Brien (Dennis O’Keefe) and Tony Genaro (Alfred Ryder), to help take down the ring. Going undercover, Dennis (now Vannie Harrigan) and Tony (now Tony Galvani) start out with a gang connected in Detroit. They are received well, and soon learn about somebody in L.A. known only as the Schemer. Upon hearing what information the Treasury Department does have on the Schemer, Dennis goes to L.A. under the guise of running from the law, which satisfies the Detroit mobsters. Dennis is able to find the Schemer (Wally Ford), and passes off some counterfeit money in a dice game to get his attention. Dennis starts getting in good with the ring, giving them one engraving plate and promising another later. Tony is brought to L.A. as well, but a friend of his wife’s sees him and accidentally outs him in front of the Schemer. Of course, they had been working on the Schemer to get him in trouble, which results in one mobster offing him in a steam bath, before they also go after Tony. Now alone, Dennis has to figure out who the boss is and get himself out before he also potentially ends up dead.
T-Men is widely credited as being director Anthony Mann’s first successful movie. Prior to that, he had directed a few other movies, but it was T-Men that he had the freedom to try doing things his way. After working with the Treasury Department and finding out how they worked, he was able to piece ideas together . The Treasury Department gave him permission to actually film genuine U.S. currency instead of the play money that was generally required to be used. One former official and IRS director, Elmer Lincoln Irey was involved, helping to introduce the movie. Anthony Mann was also able to get cinematographer John Alton to work with him, with the two learning that their thoughts on how to do things were quite similar. Together, they created many ways of lighting and staging scenes that worked within the budget but also effectively created memorable moments.
Now, I admit, prior to Classicflix announcing this as one of their releases, I hadn’t even heard of this movie, and what I was able to read about made it sound unappealing. But, over time, I developed an appreciation for the various films they had released, and was willing to give it a try. I was worried my initial feelings may have been right when the movie started with Elmer Lincoln Irey’s introduction. I admit, his delivery of his lines almost put me to sleep! But I’m glad I stayed awake, as the rest of the movie proved to work very well! I can still see Wallace Ford’s Schemer dying in the steam room very clearly! And, while it’s a bit part, June Lockhart as the wife of Alfred Ryder’s Tony Genaro really makes you feel for her, as she and her loudmouth friend accidentally tip the criminals off to her husband’s actual identity. You can see her trying to cover up, but her tears almost tell you she knew her husband wouldn’t be surviving. Just a wonderful movie, and one I very much recommend (although I would suggest skipping Irey’s intro so that you can stay awake)!
This movie is available on Blu-ray and DVD from Classicflix, either as a limited special edition or as part of a triple feature John Alton Collection with Raw Deal and He Walked By Night. The film’s restoration for this release is fantastic, allowing the detail to really shine. Add in the bonus features (only available in the special edition), such as an audio commentary by Alan K. Rode, a few featurettes and a written essay, and this certainly makes for a wonderful release for this movie! The movie itself is one hour, thirty-two minutes in length.
My Rating: 8/10
Coming Up Shorts! with… Popeye’s Premiere (1949)
(available on Blu-ray and DVD as part of Popeye The Sailor: The 1940s Volume 3 from Warner Archive Collection)
Disclaimer: On the disc case, it is noted that the set is intended for the adult collector, which is because these shorts were made at a time when a lot of racist and sexist stereotypes were prevalent. All I’m trying to say is, parents, be careful about just sticking these on for your kids.
Welcome to my new feature on various theatrical shorts! Sometimes my comments will be on shorts included as extras on a disc set I am reviewing, and other times, they will be completely unrelated to the movie being reviewed (and I will try to indicate which). Hope you enjoy!
(Length: 10 minutes, 47 seconds)
Popeye and Olive are at the premiere of his short “Popeye in Aladdin’s Lamp.” Another short that borrows footage from an earlier short, this time his special “Aladdin And His Wonderful Lamp” from 1939. Some fun to this cartoon, although it’s the old stuff that is a lot more fun. I can definitely see the slight differences in animation between the new and old footage, especially during moments when Popeye is actually interacting with the cartoon, but it’s fun enough (especially since it’s different from the usual “Popeye vs. Bluto” formula that most of the recent cartoons relied on)!
And stay tuned for more of Coming Up Shorts! featuring more of Popeye (and the eventual post on the entire 1940s Volume 3 set), along with other shorts!