Here we are for the 1962 movie Two Weeks In Another Town, starring Kirk Douglas, Edward G. Robinson and Cyd Charisse.
Washed-up actor Jack Andrus (Kirk Douglas) has been staying at a sanitarium due to his alcoholism and general life issues. He got a message from his frequent director Maurice Kruger (Edward G. Robinson) to come to Rome and do a small part in the movie he was working on. Once there, however, he finds that there is no part, but Kruger asks for his help in getting the dubbing done for the movie. Of course, he finds the whole production to be a mess, with a quick deadline in which to finish the entire movie before somebody else is brought in to do it, the leading man (George Hamilton) is angry with the whole business and Kruger is apparently having an affair with the leading lady (and his wife knows about it, too). When Kruger has a heart attack, Jack tries to help finish the movie.
I have to admit, going into this movie, I had some relatively low expectations due to a lot of what I had read. The movie is the follow-up to what is considered one of the best dramas about Hollywood itself, The Bad And The Beautiful, which also stars Kirk Douglas and was directed by Vincente Minelli (heck, this movie even shows a few scenes from that movie as an “example” of what Andrus and Kruger had done before). I haven’t seen the earlier film, and I admit, it wasn’t one I had any interest in. I tried this movie because of actress (and dancer) Cyd Charisse (although having Kirk Douglas and Edward G. Robinson in this movie didn’t hurt, either). In spite of what I had heard previously, I ended up enjoying the movie and the performances of all the actors and actresses involved. And right now, I admit to also being curious about the earlier movie as well.
Does this movie have flaws? Yes. I’m not thrilled with the fact that Kirk Douglas’s character is somewhat abusive with some (but not necessarily all) of the female characters (but then again, outside of Daliah Lavi’s Veronica, very few characters come out of this movie looking squeaky-clean for one reason or another). The movie is a little loose with its plot (although, from what I’ve read, nowhere near as much as the novel it is based on). Part of the problem here is apparently how involved the censors and studio executives were in trying to make this more of a family movie (and how well they did with that is debatable for the reason I already specified). The use of rear projection screens is also somewhat disconcerting and quite noticeable, especially in a later scene when you should be feeling a little more fear because of how Jack Andrus is driving, but the rear projection really takes you out of the moment. If, and only if, you can get past these points, then I do think this is an enjoyable movie, and one I would recommend.
This movie is available on Blu-ray and DVD from Warner Archive Collection, and is one hour, forty-seven minutes in length.
My Rating: 7/10