And now we’re here for the 1936 version of Rose-Marie, starring Jeanette MacDonald and Nelson Eddy.
In this movie, Jeanette MacDonald plays Rose-Marie de Flor, an operatic diva (emphasis on “diva”). When she hears that her brother, John Flower (James Stewart), has broken out of prison and killed a mountie, she decides to come to him in the wilderness. On the way, she runs into Sergeant Bruce (Nelson Eddy), the mountie who has been tasked with finding her brother. Bruce quickly figures out that she is the famous opera diva, but, due to Rose-Marie’s relationship to her brother being kept secret, he doesn’t realize her main reason for being there. After she leaves with her guide, he puts two and two together, and follows her. She loses her guide and is stuck with Bruce (who doesn’t admit that he knows, instead admitting to going a different direction). Of course, on the trip there, they both fall for each other, which makes Bruce’s job that much harder.
What can I say? This is a wonderful movie! This is the second film version of a 1924 stage operetta, following a (now believed to be lost) 1928 silent film and later followed by the 1954 version starring Howard Keel, Ann Blyth and Fernando Lamas. In spite of the fact that this version deviates the most from the play as far as the story is concerned, this is the best-known version. This film does make use of some of the music from the stage operetta to wonderful effect. We have songs such as “The Mounties,” sung by Nelson Eddy and the title tune “Rose-Marie,” sung by Nelson Eddy as a serenade for Jeanette MacDonald’s character (which works until he starts to sing it again and accidentally substitutes another lady’s name for Rose-Marie’s, revealing that he’s used the song before). But the best song would have to be “Indian Love Call” (although, if you don’t like the song, it’s very hard to enjoy the last half hour of the movie, as it’s sung about four times within that time frame). But it is such a wonderful song, and I personally have never heard it sung better than either Jeanette MacDonald or Nelson Eddy.
Speaking of the film’s two stars, this is the second of eight movies that they were paired together for. This ended up being the first of their movies together that I saw (I had previously seen maybe one film each for their solo outings). Any knowledge of these films I possessed previously was from clips of some of their movies being included in the That’s Entertainment trilogy, and, as I have never been terribly fond of opera, I was reluctant to try them out. Then I saw the 1954 film with Howard Keel (whom I did like), enjoyed it and wanted to try this one. I was blown away by how much I liked this one, and it became easy for me to try to seek the others out. I still don’t really care for opera, but I am willing to put up with it for these movies. And this movie in particular has always felt like a lesson in great chemistry, because the movie relies quite heavily on just these two for the vast majority of the film. And it works! And we also have James Stewart in an early (and brief) role as the escaped convict brother, which apparently helped to get him noticed (and a few bigger roles, too) after having only done small bit parts. So, yes, I very much recommend this one!!
This movie is available on DVD either individually or as part of a four film Jeanette MacDonald & Nelson Eddy set from Warner Archive Collection, and is one hour, fifty-one minutes in length.
“When I’m calling you-oo-oo-oo-oo-oo-oo…”
My Rating: 10/10